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Walt Disney: Hollywood's Dark Prince Paperback – December, 1994


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Paperback, December, 1994
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Product Details

  • Paperback: 372 pages
  • Publisher: Harpercollins (Mm) (December 1994)
  • Language: English
  • ISBN-10: 0061007897
  • ISBN-13: 978-0061007897
  • Product Dimensions: 1.2 x 4.2 x 7 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #2,128,573 in Books (See Top 100 in Books)

Editorial Reviews

From Library Journal

This book is called the first truly unauthorized biography, and in the case of Disney, unauthorized is important because all previous "authorized" biographies had to pass the scrutiny of Disney Studios. Without manuscript approval, the Disney archives were off-limits to Eliot ( Down Thunder Road: The Making of Bruce Springsteen , LJ 8/92), although their contents could be gleaned from other works on his subject. This volume includes interviews--both anonymous and attributed--with former Disney animators. The darker side of Disney includes his cooperation with the House Un-American Activities Committee and the FBI, as well as "Uncle Walt's" strong antiunion campaigns. His troubled personal life is explored both as biography and as the source of his creative expressions. While not without flaws, this book is essential for any library that wants to provide an alternative to the sanitized versions of Dinsey's life.
- Sherle Abramson, Williamsburg Regional Lib., Va.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

Muckraking, unauthorized biography of Disney that nonetheless paints such a rending picture of his childhood and young manhood that one forgives most of his later lapses. Eliot (Down Thunder Road, 1991, etc.) thinks that Disney was a great artist--which may account for what turns out to be a largely sympathetic biography of the filmmaker's dark side. Disney's fundamentalist father, Elias, was such a monster to his sons, whom he beat mercilessly, that Walt came to believe he wasn't his father's child--nor would Walt's mother protect him from Elias's savagery. These trials, and especially the anxiety about his parentage, became the template for Disney's later cartoon stories, Eliot says, and account in part for the mogul's endless troubles with his stable of animators, whom he underpaid and refused to give any power to. Nor would Disney grant Mickey Mouse's real creator, fellow animator Ub Iwerks, his proper credit, though Iwerks was Disney's oldest friend aside from the filmmaker's brother, Roy. On his marriage night, Disney found himself impotent, Eliot says, a state that later recurred during times of stress, which were exacerbated by a drinking problem and bouts of depression. Meanwhile, Disney's father had instilled in the boy a hatred of Jews, and Walt never curbed his tongue about Jews among his animators--and especially not when talking about fellow studio heads. He felt cut out of the real money in Hollywood since he could only produce movies with his own money while other studios monopolized distribution and exhibition. Following WW II, Disney helped organize resistance to the studio monopolies and in many ways brought about the downfall of the studio system. Earlier, he had become an informant for the FBI--according to Eliot, Disney wanted J. Edgar Hoover to investigate whether he really was the son of his alleged father--and, here, the author draws from some 500 pages of Disney's reports to the Bureau. Very readable, actually quite laudable, work. (Sixteen pages of photographs--not seen) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

More About the Author

Marc Eliot is the New York Times bestselling author of more than a dozen books on popular culture, among them the highly acclaimed biography Cary Grant, the award-winning Walt Disney: Hollywood's Dark Prince, and most recently American Rebel: The Life of Clint Eastwood, plus the music biographies Down Thunder Road: The Making of Bruce Springsteen, To the Limit: The Untold Story of the Eagles, and Death of a Rebel about Phil Ochs. He has been featured in many documentaries about film and music and has written on the media and popular culture for numerous publications. He divides his time among New York City; Woodstock, New York; and Los Angeles. Visit him at marceliot.net.

Customer Reviews

Why we like to see the bad in people I do not know.
Celeste Thoms
Eliot debunks that image somewhat, but he repeats stuff unnecessarily and fails to create a coherent image of his subject.
David F. Nolan
He refused, with the result that this book contains a great deal of dubious, though entertaining speculation.
Larry Benjamin

Most Helpful Customer Reviews

28 of 34 people found the following review helpful By A Customer on January 18, 1997
Format: Hardcover
If your wanting to learn about the life of Walt Disney, this
is one of the two books you MUST read. The other being "Walt Disney: An American Original". This book does an excellent job of walking through the great Mr. Disney's life from the eyes of many people other than those close to his family. It provides very interesting insights into Disney's experiences with the more unpleasant aspects of building a business legacy, such as breaking into the Hollywood community, labor unions, personal hardships, family and business squabbles, friendships gained and lost, and of course...many of his activities as a special industry contact agent for the FBI. But this book never turns into a "mud-slinging" read. It strikes a very good balance of pointing out Disney's unique qualities, good and bad. Although Disney is somewhat of an enigma, this book makes us appreciate that he was, after all, just a man. I would have liked to see the book go on for another 50+ pages with more info on the last 10 years of his life, as the book did seem to rush through those years. But that does not detract from the enjoyment of this book. For more insights into Disney's last years (1970+), I recommend the book "Prince of the Magic Kingdom: Michael Eisner".
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30 of 37 people found the following review helpful By Mark van Hout on December 1, 1999
Format: Paperback
...there was a shy boy who loved to draw and turned out to be one of the greatest icons of the Twentieth Century. This is the story of Walt Disney told by Marc Eliot. The book tells us about Disney's youth, his relationship with his parents and later his wife (Lillian) and children. It also tells how he started his company and how important his brother Roy turned out to be for Walt's achievements, because Walt Disney wasn't a businessman, but an artist who, ironically, couldn't draw so good himself. I don't claim that Walt Disney had no drawingtalent, but I regard that his greatest "gift" were his fantastic ideas (e.g. about what a story/tale successful makes)and his perseverance. Anyhow, Eliot has written a credible book which is fun and easy to read, although he emphasizes the "negative" trait of Walt's character, but Eliot doesn't judge Disney on that, that's something the reader should do. I found this book refreshing and it made me eager to learn more about a true genius, Walt Disney.
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Format: Hardcover
Other readers have pointed out the flaws in this book, most of them dealing with errors of fact and the author's tendency to spin yarns from a few disconnected pieces of Disney's life. While it's true that he's done that, he also has unflinchingly laid bare the abuse in Walt's early life (which is glossed over in other authorized bios) and how he reacted to it.

If Eliot really wanted to do a number on Disney, he might have charged many other things, but even he doesn't dare suggest that, for example, Disney's interest in the Mouseketeers was anything other than absolutely normal paternal interest. (He does suggest, from one photograph reprinted in the book, that Disney may have had an affair with Dolores del Rio, but there's absolutely no substantiation for that in the text.)

I personally am a huge fan of all things Disney and a great admirer of Walt Disney himself. His achievements were so towering that it seems petty to worry about his less-than-perfect side. When Eliot refers to `careers ruined' at Disney Studios, he's speaking of employees who felt stifled by the atmosphere and who did not receive as much credit as they would have liked for their achievements. But Disney made it plain from the beginning that he was going to promote the Disney name and nothing else, and it worked beautifully. Anyone who was looking for more personal glory had the option of leaving, and many did. Those who stayed had to know what the rules were.

The one new revelation here that I have to admit intrigues me is Eliot's assertion that Disney's favorite breakfast, when he ate alone at his studio desk, was fresh doughnuts dunked in scotch. (Eliot claims Disney's drinking was excessive.
Read more ›
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10 of 12 people found the following review helpful By Mr. Ben VINE VOICE on April 18, 2009
Format: Hardcover
There are many "sanctioned" biographies and there are precious few sources like "Hollywood's Dark Prince." Is it sensationalist? Of course, painting Walt as a super-patriotic, slightly anti-semitic, homophobe is going to shake people up. But I think people need to consider the fact that Walt Disney was a man, and far from perfect.
Disney's behavior during the strike years is especially telling, and his passion for his studio and films had to have taken a toll in his personal life- which Eliot explains in heartbreaking detail. This book discusses aspects of Disney, the man and the company, that few 'official sources' explore in detail. Eliot has stood by his research and I feel that some of the most sensationalistic aspects are taken out of context. While it is not a completely neutral book, I feel that it should be considered along side other books about Walt Disney when one is trying to understand who Disney was as a person.
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5 of 5 people found the following review helpful By KM Day on December 21, 2012
Format: Paperback Verified Purchase
I read this book as part of my post grad research on the design of the international Disneylands and was surprised by how much I enjoyed reading about Walt. I understand that there is the 'myth' of Walt that has been cultivated over decades and that this 'myth' is supposed to add to the magic of all things Disney. In Eliot's book, the myth is removed and Disney's path to success is revealed. So what if he made some strange choices along the way - don't we all? So what if he faced failure, bankruptcy, dodgy deals and disaster along the way? Isn't that part of the entrepreneurship process? Doesn't that make his achievements all the more important?
Walt became far more interesting and far more inspiring after reading this book.
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