With a gentle, childlike innocence, Goofy has delighted audiences for 70 years. For the first time ever, celebrate Walt Disney's lumbering, lovable, and eternally loyal everyman in this retrospective of his classic animated shorts and enjoy the heyday of one of the most popular characters in cartoon history. Unlike the rest of Disney's "mouse pack," Goofy didn't become a major movie star overnight. This compilation of shorts begins with the Goof's first starring role. The volume also includes animator Art Babbitt's original descriptive reference of all things Goofy, the original voice behind the Goof, Pinto Colvig, and an exclusive interview with the current voice of Goofy, Bill Farmer. You'll also have the opportunity to see theatrical posters and other memorabilia, a selection of story drawings, and background paintings. After all, it's the Goofy thing to do. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.
In Stand By Me
(1986), one of the boys asks, "If Mickey is a mouse and Donald is a duck, what's Goofy?" The answer: he's a dog. Originally named Dippy Dawg, the Goof, as the animators called him, made his debut as an obnoxious hayseed in "Mickey's Revue" (1932). This generous collection includes 46 of the 48 shorts that starred Goofy between 1939 and 1961 (but none of the great Mickey-Donald-Goofy films from the mid-'30s). The "How to Ride a Horse" sequence in The Reluctant Dragon
(1941) set the pattern for many of these cartoons. An elegant narrator (artist John Ployardt) explains a sport that Goofy attempts to demonstrate. The character that animator Art Babbitt described in a 1935 lecture (quoted in the DVD bonus material) as an easygoing dimbulb gave way to an enthusiastic but spectacularly maladroit figure. One of the funniest entries in the series, "Hockey Homicide," contains several studio in-jokes: dueling stars Icebox Bertino and Fearless Ferguson, and referee Clean-Game Kinney are named for artists Al Bertino, Norm Ferguson, and director Jack Kinney.
During the '50s, Goofy was transformed into a genial suburban Everyman in such domestic sitcoms as "Fathers Are People," "Two Weeks Vacation," and "Father's Day Off." The animators reduced his floppy ears and buck teeth, improved his posture, and gave him a brisker walk. The best-known short from this period is "Motor Mania" (1950), a mildly didactic spoof of American behavior on the road that was shown in driver's education classes for decades. (Unrated: Suitable for all ages: cartoon violence) --Charles Solomon