Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history…. I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers. (Leonard Maltin)
It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation and design... [O]ne of the Great Comic Strips Of All Time. (Patrick Markfort - Articulate Nerd)
We’ve already seen the gorgeous treatment that Fantagraphics has given to books like Peanuts... so there’s no doubt that Gottfredson’s Mickey Mouse will get the same. Kudos to them for bringing the work of a legendary artist back to today’s readers in a way that will honor his memory and contributions to the medium. (David Wolkin - Comics Alliance)
…[I]t’s not just a great Mickey Mouse comic, it’s one of the best comics of all time. (Chris Sims - Comics Alliance)
Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit. (Rafael Gaitan - Comics Bulletin)
I was astounded to discover that once upon a time, Mickey Mouse comics were really good! And exciting!... Plenty of good background material puts it all in context for the new reader, previously unaware of this strip or Gottfredson’s skill. I haven’t had a better adventure read this year, in sheer 'I don’t want to put this down!' desire to find out what comes next. (Johanna Draper Carlson - Comics Worth Reading)
Great lover, scholar, soldier, sailor, singer, toreador, tycoon, jockey, prizefighter, automobile racer, aviator, farmer. Mickey Mouse lives in a world in which space, time, and the law of physics are nil. He can reach inside of a bull’s mouth, pull out his teeth and use them as castanets. He can lead a band or play violin solos; his ingenuity is limitless; he never fails. (Time Magazine (1931))
The stories are dense, packing plenty of dialogue into the strips ― and the themes are darker than the bright-eyed, factory-sealed tales of today. Mickey is multi-dimensional in the first volume.... This dynamic look is a revelation in the life of the character who started it all for Disney. (Alex Carr - Omnivoracious (Amazon.com))
Can you believe that the tapioca-plain Mickey Mouse was… once a high-spirited adventurer...? He was in the original comic strips... It's one of the classics. (David Allen - Inland Valley Daily Bulletin)
...[O]ne could not have asked for a better presentation, with the reproduction about as good as it gets for 80-year-old comic strips, and a veritable plethora of extras.... To sum up, anyone who likes Disney, cartoons, or comic strips will find tons of things to love about this.... A terrific book, highly recommended. (Sean Gaffney - A Case Suitable for Treatment)
About the Author
David Gerstein is a comic book writer/editor and animation historian specializing in the Disney Standard Characters. His books include Mickey and the Gang: Classic Stories in Verse and Walt Disney Treasures―Disney Comics: 70 Years of Innovation. He lives in New York City, NY.
Gary Groth is the co-founder of The Comics Journal and Fantagraphics Books. He lives in Seattle.