Walton Ford: Pancha Tantra [Hardcover]

Bill Buford (Author), Walton Ford (Illustrator)

Book Description

Publication Date: September 3, 2009

At first glance, Walton Ford s large-scale, highly-detailed watercolors of animals may recall the prints of 19th century illustrators John James Audubon and Edward Lear, and others of the colonial era. But a closer look reveals a complex and disturbingly anthropomorphic universe, full of symbols, sly jokes, and allusions to the 'operatic' nature of traditional natural history themes. The beasts and birds populating this contemporary artist's life-size paintings are never mere objects, but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreak havoc on a formal dinner table, an American buffalo is surrounded by bloodied white wolves. The book's title derives from The Pancha Tantra, an ancient Indian book of animal tales considered the precursor to Aesop s Fables.



This large-format edition includes an in-depth exploration of Walton Ford s oeuvre, a complete biography, and excerpts from his textual inspirations: Vietnamese folktales and the letters of Benjamin Franklin, the Autobiography of Benvenuto Cellini and Audubon s Ornithological Biography.

Editorial Reviews

From the Publisher

Special features:
* Limited to 1,500 individually numbered copies, each signed by Walton Ford
* Printed on acid-free paper
* Finished in Luxor book cloth with a leather spine and corners with gold embossing
* Packaged in a clamshell box covered in Luxor book cloth --This text refers to an alternate Hardcover edition.

From the Author

Walton Ford grew up in Westchester County, New York, in a family of gifted storytellers. As a child he was an amateur naturalist--collecting animals, hiking, fishing, and devoting much of his free time to examining and drawing the dioramas and specimens at the American Museum of Natural History in New York City. He completed his studies in filmmaking at the Rhode Island School of Design in 1982, but soon adapted his talent for storytelling to painting. His life-size watercolors, which at first glance appear to be in the vein of 19th-century natural-history painters like John J. Audubon or Edward Lear, are actually complexly layered fantasies depicting wild animals in unnatural settings and situations, and cite textual sources ranging from the letters of Benjamin Franklin to the journals of Leonardo da Vinci. Ford lived in New York City for most of the 1980s and '90s--home base for personally and professional influential travels to countries including Italy, India, and Mexico--and for some years supported himself as a wood refinisher, carpenter, metalworker, and illustrator, while developing his craft and audience. His work has been exhibited widely since 1987 at private galleries and public institutions including The Whitney Museum, The Brooklyn Museum, the Paul Kasmin Gallery in New York, Michael Cohn Gallery in Los Angeles. He has been awarded a John Simon Guggenheim fellowship and grants from the National Endowment for the Arts and the New York Foundation for the Arts, among others. He now lives, works, and hikes in the Berkshire Hills of Massachusetts. --This text refers to an alternate Hardcover edition.

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Product Details

• Hardcover: 320 pages
• Publisher: TASCHEN America Llc (September 3, 2009)
• Language: English
• ISBN-10: 3822852376
• ISBN-13: 978-3822852378
• Product Dimensions: 14.8 x 1.6 x 11 inches
• Shipping Weight: 7.2 pounds (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (29 customer reviews)
• Amazon Best Sellers Rank: #74,971 in Books (See Top 100 in Books)
  • #37 in Books > Arts & Photography > History & Criticism > Themes > Plants & Animals
  • #50 in Books > Arts & Photography > Painting > Watercolor

Most Helpful Customer Reviews

34 of 35 people found the following review helpful

5.0 out of 5 stars What a buy! September 23, 2009

By Keith

Format:Hardcover|Amazon Verified Purchase

I'm a huge fan of Ford's work, and I've been trying to get some printed resources for a year. All the calendars and previous boooks are out of print or too expensive, so when this edition became available at this price I almost went nuts.

And this beautiful book does not disappoint. The color plates are gorgeous, the wonderful pages showing details are crisp, and the superb text by Bill Buford is illumnating. I am ecstatic about this purchase. One of the best deals I have ever had on Amazon.com.

19 of 19 people found the following review helpful

5.0 out of 5 stars The 2009 Art Book of the Year January 15, 2010

By Daniel Clode

Format:Hardcover|Amazon Verified Purchase

This book at 15 inches tall is packed full of reproductions of panoramic wildlife paintings by Walton Ford. Ford is what you might loosely call a naturalist - a painter of nature with an old fashioned sense of fidelity to the anatomical proportions and whiskered details of God's creations. On top of that he is a fantasy artist who flings his animal subjects into crazy social situations of mischief, conflict and comic chaos. While some of the scenes he paints involve implausible situations, he gives the animals a credible sense of character. Vengeance, humour, calculation - these are just a few of the thought processes infused into the faces and the gestures of these animated beasts.

The original artworks reproduced in this book are monstrous large, with many of the animals (alligators, great apes, tigers etcetera) at least as large as life. Prize of the herd in this book may be the multi-panel painting of a male elephant on heat, titled Nila. At 3.66 metres tall x 5.49 wide, the original artwork is quite literally the size of a young elephant. Playing upon the intimidating size and power of many of these wild animals, Ford often paints them in situations of victory over man. A painting dated 1596 shows a lumbering polar bear triumphant over the bones and personal effects of an explorer, while in the background a shattered sailing ship creaks against an arctic shore.

Also unusual is that these works are all watercolours, painted onto huge sheets of paper. Watercolour normally lends itself to modest, even miniature work, because of the difficulty of handling the medium across large surfaces without washes drying in inconvenient places. Furthermore watercolour on paper is unforgiving when mistakes are made and the consequences of the risks are greater when the painting is on a gigantic scale. Ford works skilfully in the medium making heavy use of the "dry brush" technique - a method that avoids bleeding, helps keep brush lines precise and allows the overlay of variegated colour (for instance to paint a mass of silky fur).

To admire the original massive works, which can cover whole gallery walls, viewers would need to stand several metres back. Ford aides the viewer with some sharp linework, a technique has a secondary benefit of allowing the works to reproduce wonderfully well in book format. Pancha Tantra includes a nice mix of cropped close-ups bled to the edge of the page - allowing us to study the overlay of wash and brushstrokes, with long shots of whole works - at a size where we can still appreciate the fine detail. On my count this book displays 72 artworks on single pages and a further 41 spread across double pages. In addition there are 43 pages with crops of interesting details, plus 17 double pages devoted to cropped highlights. Some artworks have several pages devoted to them, including the wide shot and multiple close-ups.

The background washes on Ford's paintings include mock mould spotting and branching mildew, to make the paintings look ambiguously like nineteenth century prints. At first glimpse the effect is deceptive. But these artworks are far more lively than conventional stiff animal portraits. And the wit and allegory packed into some of the works can make the viewer do a double-take. While these images are show beautiful beasts and colourful fauna, the situations depicted include some moments of drama and visceral brutality.

The only disappointment to this book is the absence of any chapter on Ford's working methods or career story. There is only a two page basic `Biography' that includes a chronology of exhibitions, awards and references to previous media stories on the artist. Perhaps the Collector's Edition with its additional 34 pages has a more rounded biographical treatment? Maybe I'll have to save for it and find out!

This book provides a marvellous folio of artworks to the mass market and does this at an agreeable price. Many of the main competitors to Taschen would have charged at least twice this price for a book this scale. The post-release price won't last and shouldn't last, it is too good to be true for a book of this size and quality. This is an abridged version of my full review on Art Book News at blogspot.

Book specs: Hardcover 320 pages, 15 x 11.4 inches, 173 colour illustrations (across 231 pages)

16 of 16 people found the following review helpful

5.0 out of 5 stars Pancha Tantra is Amazing September 10, 2009

By E. Alis

Format:Hardcover

This book is absolutely amazing! I only learned of Ford after seeing his work on the cover of naturalist book of essays and was instantly captivated. I am happy to finally have a book with so many wonderful images of his art, both full images of the paintings as well as close-ups of certain details. Ford's incredible work is wonderfully presented in this affordable edition.