Product Details

• Actors: Ari Folman, Ron Ben-Yishai, Ronny Dayag, Ori Sivan, Shmuel Frenkel
• Directors: Ari Folman
• Writers: Ari Folman
• Producers: Ari Folman, Gerhard Meixner, Roman Paul, Serge Lalou, Yael Nahlieli
• Format: AC-3, Color, Dolby, Dubbed, Subtitled, Widescreen
• Language: Hebrew
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Sony Pictures Classics
• DVD Release Date: June 23, 2009
• Run Time: 90 minutes
• Average Customer Review: 3.8 out of 5 stars  See all reviews (50 customer reviews)
• ASIN: B001KVZ6A2
• Amazon Best Sellers Rank: #36,585 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Waltz with Bashir [Blu-ray]" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Waltz with Bashir presents an intriguing riddle: is a documentary still a documentary if it's animated? Taking over where fact-based animations like Waking Life and Chicago 10 left off, Israel’s Ari Folman tries to wrap his head around 1982's Lebanon War (the title refers to Lebanese leader Bashir Gemayel). Why do disturbing dreams plague his former army colleagues, while he remembers nothing? Folman meets with nine of them to find out. As they speak, animators recreate their experiences, but instead of rotoscoping or video-capture, Folman first shot his film on video and then assembled an animated version from the resulting storyboards. This graphic-novel approach suits their strange, surrealistic stories and parallels the work of Black Hole's Charles Burns, who tends to walk on the shadowy side (as opposed to Marjane Satrapi's more fanciful Persepolis). War may be hell, but moments of grace and beauty shine through, best exemplified by Roni Dayag’s recollection of a late-night swim away from the scene of a beachfront battle. Decades later, he still remembers the soothing peacefulness of the water. These reminiscences nudge Folman's repressed memories back to the surface, culminating in a horrific massacre to which he bore witness. Arguably, he didn't need to include actual footage of the deceased when stylized graphics get the point across fine. If Waltz with Bashir isn't a documentary in the conventional sense, it doesn't resemble most animated efforts either. What matters more is the harrowing narrative he constructs from out of the minds of these haunted men. --Kathleen C. Fennessy

Stills from Waltz With Bashir (click for larger image)

Product Description

WALTZ WITH BASHIR - Blu-Ray Movie

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

5.0 out of 5 stars A Powerful Work Of Art And Conscience., February 11, 2010

By 

Mr. Fellini "Fellini" (Orange County, California United States) - See all my reviews
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This review is from: Waltz With Bashir (DVD)

"Waltz With Bashir" is one of the great recent examples of how animation can be used not just as a tool for children's entertainment, but as a serious film medium that can have a powerful impact. It is unashamed at being an anti-war film, this is because the director lived and survived the 1982 invasion of Lebanon by Israel, he participated in it and had things to say through his memories and talent. Some on here are going nuts by bashing the film as "anti-Israel," shocked at a movie that would present a realistic, honest portrait of a certain political fantasy they want to keep alive as do most statist devotees. But "Waltz With Bashir" is not just about Israel, it is about war in general, about the experience of war and the brutal reality of violence. As an animated movie, it has deeper, more intelligent things to say than typical gung ho works like "Band Of Brothers" or even the recent "The Hurt Locker."

The film chronicles director Ari Folman's search for his memories of the Lebanon War and more specifically, the Sabra and Shatila massacre, a brutal massacre of Palestinian civilians by the Nazi-inspired Christian Phalange, which at the time was supported by Israel considering the Phalange's leader, Bashir Gemayal, was a potential puppet ruler the Israelis sought to install (for a detailed account of the whole war and the assassination of Bashir Gemayal, read Robert Fisk's brilliant book "Pity The Nation: The Abduction Of Lebanon"). Folman revists old army buddies to recount the war and his own memories of the night Israeli troops fired flares into the sky and stood by as the Phalange carried out is butchery.

This is not the sort of material one would immediately think of as cartoon material, but in the hands of Folman the movie is a masterpiece of the animation medium. The images are haunting and sometimes breathtaking in their depth and scope. Like the best films, the images sometimes say and express profound ideas not found in just the dialogue or plot. The beautiful music by Max Richter helps enhance the film's hypnotic power. Folman's story brilliantly travels from documentary to psychological landscapes, from questions of history and politics to topics of psychology and how memories work and transform themselves. Folman also manages to tell very human stories without resorting to holding big banners in our faces. The politics and other topics all come with a real sense of humanity.

One of the great achievements of "Waltz With Bashir" is how it uses its medium to explore the subject of war. There are moments as surreal as "Apocalypse Now" and as raw and honest as Oliver Stone's "Platoon." Folman is making big statements, but he makes them by simply sharing what he and his fellow soldiers witnessed during the invasion of Lebanon. The visions of war and death can sometimes be terrifying in their clarity. Like the great Israeli writers Uri Avnery and Gideon Levy, Folman doesn't march in step with those who only wish to glorify the Israeli state and every single one of its military operations, he puts a mirror to the reality of the violence and terror of war because no matter how much some try to paint over them with heroism, wars usually spiral into orgies of human corruption and criminal mayhem. In the era of Gaza and Afghanistan, "Waltz With Bashir" has very relevant things to say about the realities of occupation, the politics of war states and the human toll they impose on general populations. The ending of the movie is an especially shattering experience that brings the point home.

"Waltz With Bashir" asks tough questions, which is more than can be said about typical movies these days. It challenges the viewer, this is no doubt what disturbs the die hard Israel supporters on here who immediately respond to the movies with a whole scroll of "facts" or "historical notes" instead of discussing what Folman has to say, or even the accuracy of what Folman shows (and it is accurate even when one looks at Israeli scholarship on the issue). This is an important war film, because it is actually about war itself, it isn't just trying to tell a war story. Folman has made a work of truth and conscience, it will stand the test of time.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Really quite a film, January 24, 2010

By 

One-Line Film Reviews (Easton, MD) - See all my reviews

This review is from: Waltz With Bashir (DVD)

The Bottom Line:

An "animated documentary" which moves along in a way that most docs don't, Waltz with Bashir concerns itself with different perspectives on Israel's controversial 1982 war with Lebanon and delivers a load of fascinating material in addition to some beautiful images; the Academy may have passed over Folman's impressive film, but that doesn't mean you should.

3.5/4

3 of 3 people found the following review helpful:

4.0 out of 5 stars Pray and shoot!, January 2, 2010

By 

S. K. Harrell (NC) - See all my reviews
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This review is from: Waltz With Bashir (DVD)

Memory is a fickle day dream, and Ari Folman brings it to life as its own character in his animated attempt to document and process his repressed memories of his role in the Sabra and Shatila camp massacres during the 1982 Lebanese War. Although one-sided in its historic depiction, Folman's personal story of working back through the holes in his psyche is gripping. The accounts of his friends as they fill in his experience are as triggering for viewers as Folman. Somewhat intense and sensually disturbing, the graphic artistry is compelling and deceptively simplistic. As memory serves detachment, the quality of animating such charged material creates a layer of psychological comfort for watching horrific events, at least until their reality becomes undeniable. This is not a film for young viewers, and one that older viewers should approach carefully.