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Comment: Minor cover wear. No marks inside that I can find. Softcover. Looks like picture. 142705
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Wanted Paperback – November 27, 2007

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Wanted + V for Vendetta + Batman: The Dark Knight Returns
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Product Details

  • Paperback: 192 pages
  • Publisher: Top Cow Productions/Image Comics (November 27, 2007)
  • Language: English
  • ISBN-10: 1582404976
  • ISBN-13: 978-1582404974
  • Product Dimensions: 10.1 x 6.6 x 0.3 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (146 customer reviews)
  • Amazon Best Sellers Rank: #45,330 in Books (See Top 100 in Books)

Editorial Reviews


"Wanted is a fresh, vivid and uncensored look at the world of villains... intelligent, a little provocative and a whole lot of fun" - IGN.com" --This text refers to an alternate Paperback edition.

About the Author

Mark Millar is one of comics' most commercially successful writers, whose work includes Judge Dredd, Superman Adventures, JLA, Ultimate X-Men, Superman: Red Son, The Authority and the bestselling The Ultimates. J. G. Jones is one of the comics industry's most sought-after cover and interior artists, with work including Marvel Boy. He is also the painter of all fifty-two covers for the multi-million-selling weekly 52 series, an incredible and unprecedented achievement. --This text refers to an alternate Paperback edition.

More About the Author

Along with Brian Michael Bendis, Mark Millar has been one of the key writers for Marvel Comics in the 21st century. After proving himself in the '90s as a talent to watch while writing for DC Comics and the UK comic 2000AD, his arrival to Marvel came at a time when Ultimate Spider-Man had just shot up the sales charts. It was in this environment that Millar made his first major contribution to Marvel with Ultimate X-Men, as Millar integrated forty years' worth of X-Men history, characters and lore into a solid two-year run, making the companion title to Ultimate Spider-Man every bit the creative and commercial success. Next up was The Ultimates, a new rendering of the Avengers that was to continue building on the success of the Ultimate line. He and artist Bryan Hitch pulled it all off in spades: The Ultimates and its sequel, Ultimates 2, were ensconced at the top of the sales charts every month; what's more, they were critical successes, as well. Meanwhile, Millar was invited to enter the regular Marvel Universe to take a stab at two of its most iconic characters: Spider-Man and Wolverine. Paired with industry heavyweights to draw his stories -- Terry Dodson on Marvel Knights Spider-Man and John Romita Jr. on Wolverine -- Millar brought the same fast-paced and cleverly constructed plots with which his Ultimate fans were already familiar. Amid building a small library of Millarworld indie comic books -- including the titles Chosen and Wanted, the latter of which was turned into a Hollywood blockbuster starring Angelina Jolie -- he managed to write Civil War, the epic seven-issue miniseries that definitively reshaped the landscape of Marvel's heroes. Kick-A**, a Marvel Icon project done in tandem with John Romita Jr., made an impressive impact on the sales chart before also being adapted for a major motion picture. In addition, Millar has reunited with Civil War artist Steve McNiven in both the pages of Wolverine and their creator-owned book Nemesis.

Customer Reviews

The artwork is incredible and the story line is well done.
Amazon Customer
I don't want to tell you that you should like it, because, frankly, I understand why a lot of people wouldn't like this book.
Clifford A. Hicks
Great artwork wasted on a weak story and boring characters.

Most Helpful Customer Reviews

174 of 191 people found the following review helpful By Clifford A. Hicks on May 21, 2008
Format: Paperback
It's kind of amazing the type of reactions that Millar and Jones' "Wanted" evokes in people. Some people absolutely despise it. Other people absolutely adore it. I personally think it's wonderful, but I also understand why a bunch of people don't like it. Let me explain.

Upfront, let's say this: This is a book about villains. They're going to do villainous things. They aren't going to hold hands. They aren't going to be nice people. They aren't going to have a change of heart. They aren't going to see the error of their ways. Not because they couldn't, but because they don't care. Many of the criticisms people have leveled at this book take that one thing for granted. They want the protagonist to be a nice guy (he isn't), they want him to do good things (he doesn't), they want the story to have a happy ending (the jury's sort of out on that one). Make no mistake, this is not intended to be mainstream fiction. And to me, that's part of the appeal.

Wanted is the story of Wesley Gibbs, an office drone who's been walked on his entire life. He's been kicked by nearly everyone who could have a chance, and twice on Sundays. His girlfriend is sleeping around on him, his boss is abusive without cause, and Wesley takes it, because he can't envision any other way to live. Until someone comes along and tells him he's the son of the greatest killer who ever lived, and that he's just inherited his legacy. And while he fights it at first, he comes to embrace it, and that's where things start getting complicated.

I don't want to walk you through the book. I don't want to tell you that you should like it, because, frankly, I understand why a lot of people wouldn't like this book.
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53 of 71 people found the following review helpful By Babytoxie on March 9, 2006
Format: Paperback
Sporting a cover image that is simple yet sure to grab attention on the shelves, Mark Millar and JG Jones' WANTED trade paperback had been on my "to buy" list for some time. I finally plopped down the cash for the book this week with high expectations, as Millar had accomplished the near-impossible several years ago by piquing my interest in the Authority, as well as producing some interesting work with DC's Superman: Red Son and Marvel's Ultimates. After reading WANTED, I have to say that, while the premise is quite fascinating, the story itself was yet another case of shock value substituting for good writing.

WANTED collects issues 1 - 6 of Millar and Jones' series, plus a great pin-up and sketch gallery. Let's get the basics out of the way first: Wesley Gibson is the ultimate loser - he has a dead-end job, a cheating girlfriend, and no backbone. This drudgery is interrupted when Wesley is surprised by the information that he has just inherited the legacy of his deceased deadbeat dad, the rapid-firing supervillain The Killer. He is even more surprised by this information because no one is aware that superhumans even exist! Over the following months, under the tutelage of arch-criminals Professor Solomon Seltzer and The Fox, Wesley learns of the shadowy history of superhumans on Earth and is transformed into a killing machine in the mold of his father, while slowly coming to the realization that things aren't quite what they seem to be. Rumor has it that Millar pitched this idea to DC Comics as a story of the son of either Deathstroke or Deadshot, and I can believe it, as almost every character contained within is an analogue of some DC character (with a few Marvels thrown in for good measure).

Jones' art is excellent - seriously: WOW! It couldn't be better.
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31 of 43 people found the following review helpful By JRGumby on December 20, 2009
Format: Paperback
A friend of mine who routinely passes very good comics my way recently had me read this. Apparently I had offended him in some way. After I finished it he apologized.

The story here plays out the fantasy of every teenage boy who wasn't popular in middle school. A loser suddenly gets all the power he can dream of and uses it to murder, rape, and say 4 letter words in front of his mother. The entire plot of the book is a poor construction to drive a parade of juvenile brutality and attempts at shock value.

There's an interesting premise that drives the setting of the book: a world where the supervillians won, and reforged the world to be apparently mundane. There's the potential for something truly interesting. But the villians themselves showcase the creativity behind the book far better: a riddler knock-off covered in obscenities, a Bizzaro character named ****-tard, and a clayface made of poop. Instead of developing characters or investigating evil or any one of a dozen things that would make this book work it blows past them to fill another panel with the obnoxious main character happily shooting a pregnant woman.

After reading an entire book filled with almost insultingly juvenile substitutions of substance with pulp and lame attempts at shock the ending tops it all. After suffering through one man's painfully uneventful and dull power trip he actually insults his audience, pushing himself as free spirit and the readers as pitiful sheep. I'm sure it appeals to someone wearing a Rage against the Machine t-shirt spray-painting Che Guevara on stopsigns and thinking they're some misunderstod genius, but to anyone whose passed 8th grade it will come off as a pitiful.
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