The Wapshot Chronicle [Import] [Hardcover]

John Cheever (Author)

Book Description

Publication Date: 1957

An early compelling novel by "the most original writer" in mid-1900's America.

Product Details

• Hardcover: 301 pages
• Publisher: Harper and Brothers; First Edition edition (1957)
• Language: English
• ISBN-10: 1122257554
• ISBN-13: 978-1122257558
• ASIN: B0000CJSAZ
• Product Dimensions: 8.2 x 5.7 x 1.4 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 3.8 out of 5 stars  See all reviews (33 customer reviews)
• Amazon Best Sellers Rank: #1,115,095 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars Floats my boat, June 11, 2001

By 

A.J. (Maryland) - See all my reviews

This review is from: The Wapshot Chronicle (Paperback)

The fictitious Wapshot family of Cheever's "The Wapshot Chronicle" are old-line New Englanders, prominent but modest citizens of St. Botolphs, Massachusetts. The central characters are Leander, the aging father, who is the captain of a boat that transports passengers between a leisure island and the mainland; his loving wife Sarah; his carefree, irresponsible sons Moses and Coverly; and his elderly, senile cousin Honora, who owns the boat and is in fact the family's financial anchor.

The novel's chain of events is set into motion one night when a car crashes into a tree near the Wapshots' house. The driver is killed, but the passenger, a girl named Rosalie, is taken inside the Wapshots' house for convalescence. It's not long before Moses and Rosalie take advantage of the intimacy of their living arrangement and engage in intercourse, unaware that Honora is eavesdropping. Shocked by this display of debauchery, Honora vows to cut the family's financial ties loose unless Moses learns some responsibility and goes out into the world to make his own way. And so he leaves St. Botolphs to go to Washington to get a job, and Coverly sneaks away from his parents to accompany him.

The two boys go their separate ways and each ends up married but in very different milieus with different sets of values. Coverly marries a poor Southern girl, becomes a technician on a rocket-launching site, and takes up residence in a homogenized modern suburb. His new life represents the modern (as of the 1950's), technical, practical, utilitarian world. It is taken even further into classic Cheeveresque territory when Coverly considers a ... relationship after his wife abandons him.

Cheever's proclivity for ironic romanticism is represented in Moses's new life, which is quite a contrast to his brother's. After his prospects in Washington go sour, a chance encounter gives him a new opportunity as an aspiring banker. With his new connections, like Jack climbing up the freshly-sprouted beanstalk of society, somehow he ends up in a sort of fairy-tale world. He marries a beautiful princess named Melissa who is the ward of a wicked witch (the imperious harridan Justina Scaddon, heiress to a five-and-dime store fortune). He and Melissa are imprisoned in the wicked witch's castle (Justina's ancient expansive mansion), staffed by a legion of harried servants and cohabited by Justina's companion, the foppishly ... Count D'Alba.

Leander keeps a journal, a sort of combination autobiography/family history, in which his entries are written in a choppy style of sentence fragments, as though he doesn't have enough time to put subjects in his sentences, and he writes letters to his sons in the same style. A problem of his own rears its ugly head in the form of a woman who claims to be his daughter from a previous marriage. This is an interesting plot line that unfortunately is not developed as fully as it could have been.

I don't feel this novel is quite as great as Cheever's best short stories, but unlike his short stories, which generally tend to be depressing or somber, this novel has quite a bit of humor in it. I found many symbols in the novel, the most important being that the father or head of a family is, in a way, like the captain of a ship, and no matter how hard he tries, sometimes he can't keep the ship from breaking up and sinking. It is this sharp use of symbolism, the rhapsodic prose, the juxtaposition of the bizarre and the familiar that lends Cheever's work its considerable charm.

19 of 21 people found the following review helpful:

5.0 out of 5 stars often overwhelming, February 28, 2002

By 

asphlex "asphlex" (Philadelphia, PA USA) - See all my reviews

This review is from: The Wapshot Chronicle (Paperback)

I've got a thing for John Cheever. Surely one of the best American authors of the 20th century, Cheever has written several books that I've never stopped raving about (see the following for confimation . . .)

The Wapshot Chronicle is essentially more of the same, more of the short story magic that established Cheever as what he was (and at least to me shall always remain): a magnificent story-teller and stylist who weaved brutal honesty into his poetic tales of tragedy and disillusion. There were passages--pages--of this book that I turned back to and reread not out of confusion or misunderstanding of identity, but simply for their beauty, for the firm, strong images that glimmered in the splitting of the waves crashing in my brain. I couldn't get it out of my mind for a while after reading which caused the next thing I read to suffer in comparison.

Absolutely one of the best books I have ever read.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Of WASPs and Wapshots, January 27, 2000

By 

Allen Smalling "Constant Reader," (Chicago, IL United States) - See all my reviews
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This review is from: The Wapshot Chronicle (Paperback)

The two Wapshot novels ("Chronicle" followed by "Scandal") are John Cheever's first two novels. "The Wapshot Chronicle" follows Leander Wapshot's attempts to keep his dignity intact in spite of encroaching old age and his loss of career as a seaman. Leander's two sons, Moses and Coverly, have to make their own way in Cold War America armed with the airs and attitudes of 19th century New England WASPS; their encounters are both funny and poignant. In fact, "funny and poignant" characterizes much of Cheever's writing: he can have you chuckling at situational comedy in one instant and then ping your heart with human frailty in the next.

"The Wapshot Chronicle" is a great introduction to Cheever, but if you think it's too much of a stretch, go for the stories or the more accessible novel "Falconer."