Most Helpful Customer Reviews
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41 of 41 people found the following review helpful:
5.0 out of 5 stars
Only Professor Fagles, December 27, 2001
This is a flat-out triumph. Logue fills his take on Homer with dazzling imagery and stunning word-music. The Iliad falls right into our laps because Logue has given it a mighty shove. Only Professor Fagles' recent translation of the poem betters it and that is because Dr. Fagles has actually rendered the WHOLE poem in crisp, biting English that for the first time actually walks Homer up to our faces. In Fagles we can smell the breath of the blind poet, Logue brings us to the sweaty armpits.As a styling, however, "War Music" has no peer and if Dr. Fagles has a slight edge it is because he has, after all, wrestled with the Greek text and got us into Homer's world all the way. Logue brings into the world but chooses to give us a whirlwind tour while Fagles allows us to slum awhile. Still as much as I adore Dr. Fagles now celebrated translation, I am haunted. Logue's great re-imagining has left me shaken. The worship scenes are boffo and the Pax chapter that ends this fine "War Music" contains some of the sharpest, most moving, most eloquent, most rugged, and most manly, epic English verse since Marlowe's majestic "Tamburlaine" made kings into footstools. And finally, there is this: As a work of English poetry, leaving Homer on the rocks for just a moment, "War Music" stands as one of the great collections of modern verse in the 20th Century. "War Music" turns staid old men like me into groupies. Bravo!
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Astounding, October 17, 2003
Christopher Logue has a lot of guts. He's gotten into the ring with the likes of Fagles, Lattimore, Fitzgerald, Pope, and most courageously, Homer himself - and acquitted himself well. Mr. Logue has pulled "The Iliad," into the 21st Century with less a translation than a re-write. It appears there are numerous volumes containing sections of Mr. Logue's work, and it's a little hard to keep track, but two editions offered on Amazon.com's website, "War Music," and the wondrously titled, "All Day Permanent Red," seem to contain it all. Mr. Logue writes in a robust verse form that retains the epic language while exploring possibilities for a cinematic look on scenes and situations, as well as opening the field to modern metaphor. Unlike Barry Unsworth's interpolations in "The Songs of the Kings," Mr. Logue's don't jar, but rather deepen. A sample line, "Ajax, grim underneath his tan as Rommel after `Alamein..." lifts the story from some mythical past to something that is played out continually. A great device considering "The Iliad" is arguably the blue-print for every war story ever written. When "War Music," opens outside the actual text of "The Iliad," and introduces us to Achilles - angry, petulant, bent on revenge, summoning his mother and laying grief for Agamemnon - Mr. Logue provides character depth missing from the original, and immediately lays out his plan to re-write and enrich rather than re-tell. His plan unfolds magnificently through both books. I think "War Music" would work for readers with no pre-knowledge of the source, and I know it worked beautifully for me, and I've been through at least three previous translations. Five Stars!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Brilliant Work That Should Be Required Reading for All, September 17, 1999
What stands out is the utter beauty of Mr. Logue's language. He creates images that resonate within the reader long after the book has been put down. Far from being an empty exercise in post-modern hipness, "War Music" is a new classic that manages to bring Homer to life again for the contemporary reader. It can proudly take its place on the bookshelf right next to the Fitzgerald or Fagles translation of Homer's "Iliad." Indeed, my only regret is that Mr. Logue has not seen fit to reinterpret the remainder of the "Iliad" for those of us who fell in love with his fierce, but lovely "War Music." Hint-hint.
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