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War & War (New Directions Paperbook) Paperback – April 17, 2006

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Product Details

  • Paperback: 279 pages
  • Publisher: New Directions; First Edition edition (April 17, 2006)
  • Language: English
  • ISBN-10: 0811216098
  • ISBN-13: 978-0811216098
  • Product Dimensions: 0.5 x 0.1 x 0.8 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #454,317 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Krasznahorkai's second English translation follows György Korin, an arguably insane former clerk from outside Budapest who arrives at JFK airport with his life savings in his coat lining, determined to put a manuscript he discovered onto the internet (and thus preserve it for eternity), and then to kill himself. The manuscript's authorship is mysterious, and Korin's narration of its contents resembles his concerns, which he unleashes on unsuspecting strangers: "We pass things without any idea what we have passed, and he didn't know, said he, whether his companion knew the feeling." Though Krasznahorkai's sentences can run on for pages, a subversive aim underlies the rambling: many characters who swiftly dismiss Korin as insane, though better at affecting normalcy, are themselves vile. A sudden, brutal murder makes Korin seem more prescient than paranoid. This lucidity, however, is tempered by an epilogue that portrays Korin as more unreliable than anything prior suggests; Krasznahorkai aims for unsettling irresolution and nails it in a way reminiscent of Kafka.
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A layered, freewheeling, amazingly persuasive tour of living human consciousness, in various states of self-awareness. -- Newsday, Chris Lehmann

The contemporary Hungarian master of the apocalypse who inspires comparisons with Gogol and Melville. -- Susan Sontag

The portrait of a character almost terminally worn out, in a world of dissolution and disarray. -- ReadySteadyBook, Paul Griffiths

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Customer Reviews

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Most Helpful Customer Reviews

20 of 23 people found the following review helpful By M. Haber on July 26, 2008
Format: Paperback Verified Purchase
"War & War" is the first novel I've read by Hungarian author Krasznahorkai (only two have been translated into English so far). I was very impressed by the style of the writing and the dark humor. The main character, Korin, is an ex-archivist who flees from Hungary to New York - the center of the world - in hopes of sending a package, or text, he's discovered at his work. Of course the only sensible way to share the work with the world and make it immortal is the internet. Wah lah!

The text is dense and intentionally repititive and reminded me, in style, of Thomas Bernhard. The dialogue is sparse and is usually told internally or after-the-fact. However,Krasznahorkai's style, though dark, isn't as black as Bernhard's; there is no railing against Austria or humanity, at least directly.

I enjoyed the book immensely and anyone interested in an original, well-thought story would enjoy the read. I won't say how the book ends or what could be in the 'text' that Korin found at his work.
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9 of 9 people found the following review helpful By Digital Rights on April 16, 2012
Format: Paperback Verified Purchase
I feel like I can breathe again after finishing Laszlo Krasznahorkai's "War and War" despite many fits and starts.

Afterwards I spent time googling reviews and abstracts as I was left wondering if I "got it"; if there was in fact something to get. In reading other very intelligent comments I take comfort in that Krasznahorkai is sufficiently vague allowing broad interpretation and I conclude that there are three main things one needs to be prepared for before delving in; the style, the plot and the "what is he really talking about?".

The style is distinctive and somewhat reminiscent of Thomas Bernhard with long, rambling sentences and characters that are neurotic and likely mad. But I think the differences with Bernhard are more notable. TB takes an idea and works it in a 100 different ways that it tightly wound then he gradually then moves to a second point that is similarly repeated reanalyzed and reinforcing. It's lyrical and I was often left with my jaw down impressed by the way he could look at a subject so many ways and with such great use of language. In my mind looked like balls of twine tightly wound and bunched up and tied again in another ball.

LK is more linear. His rambles are every bit equal to Bernhard and the writing is good (I'll say I like the english translation). The problem is that the reader can lose attention as the sentences do not re-enforce and remind one of the prior passages. If I had to re-read 20% of a TB book I had to re-read 50% or more of "War and War". To combat that I tried every which way to better focus; more coffee, less coffee, no music, soft music, good posture, sprawled out and all kinds of lighting and scenery. But still there were parts where I just accepted to turn the page and hope for the best.
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5 of 5 people found the following review helpful By M.J. Boone on June 30, 2012
Format: Paperback Verified Purchase
This novel is Krasznahorkai's masterpiece.

Krasznahorkai's writing feels ancient. He is an primeval architect of narrative, of perspective, of vast sentences...There are rarely, if ever, direct experiences-- someone, usually Korin, the protagonist, but often the people he runs into, is always speaking to someone else about something that just happened to them. Usually the people he encounters are talking to their friends or husbands or girlfriends a couple days later about how crazy, pathetic, or strangely irresistible Korin ends up being as he spouts his entire story time and again.

There's a great melancholy in the story, too, as most people he speaks to, for pages and hours on end, don't understand a word he is saying as he is trying to communicate his grand realization about the march of history.

Of all the indirecty recounted stories, the one that is most captivating is that of the manuscript he finds, which narrates a story as mysterious, yet strangely irresistible as the larger novel. In fact, much of how Korin describes the manuscript actually describes the novel as a whole.

All that said, this book is not for everyone. It's not light beach reading; it will require the whole of your attention. It's not a book you read in one sitting, or at least it shouldn't be... You will have to take time to think in between sections (each section being one sentence long, with sentence lengths ranging from two lines to seven pages) and chapters. It's not just a narrative-- Krasznahorkai is grappling with some major ideas here.

This book is a future classic. This book is a labyrinth.

It's maddening, it's heartbreaking, and it's beautiful.
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2 of 2 people found the following review helpful By monica on October 15, 2012
Format: Paperback
Other reviews give an idea of the book's plot--and its power . . .

There aren't many works of fiction I've read--not since childhood, anyway--that left me feeling that the characters, settings,and events were real. This one did, which is probably why I can't get its details out of my head nor altogether shrug off the sadness it aroused. You'd think that the device of using sometimes very long sentences (which are so beautifully constructed that even if you stop reading in the middle of one, you'll very easily find your place again) with innumerable clauses would distance the reader from what is related, but that's not at all the case here. I'm not sure how Krasznahorkai imparts so strong a sense of realness to his writing; he certainly doesn't take the obvious options like using description or dialogue to do so. Part of the effect might be due to the personalities of the main characters being displayed bit by bit and layer by layer: Korin, for example, is at first shown only as garrulous and obssessive, then quite pitiable and, gradually, becomes a learned and rather canny man who is in the end sympathetic rather than pathetic. And, in the end, the only thing that saved the book from being heart-breaking was the introduction of a few characters who also find Korin sympathetic enough to listen to.

There's a sort of epilogue, a closing section, to the book that I've a qualm or two about. Whilst its setting and happenings are wonderfully atmospheric, the tone and the content feel markedly different to what's gone before. The discrepancy doesn't exactly jar, but for me it momentarily blunted the impact of what preceded it. If I could somehow read War and War for the first time again knowing what I do now, I'd read the closing section before reading the rest of the book.
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