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War for the Oaks: The Screenplay
 
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War for the Oaks: The Screenplay [Paperback]

Emma Bull (Author), Will Shetterly (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

August 25, 2004
Eddi McCandry has just left her boyfriend and their band when she finds herself drafted against her will in a faerie war between the Summer and Winter Courts, the WAR FOR THE OAKS. While trying to cope with her new otherworldly bodyguyard, the Pooka, Eddi also struggles to build a new life, a new band, survive the schemes of the Queen of Air and Darkness -- and discover the magic that is truly her own. Emma Bull and Will Shetterly write novels, short stories, screenplays, comic books, poetry and essays. Emma was a finalist for the Hugo, Nebula and World Fantasy Award for Bone Dance. Will won the Minnesota Book Award for Elsewhere. In film and television, thousands of fine scripts by established writers are never produced. The Black Coat Script Library is dedicated to presenting some of those scripts.

Product Details

  • Paperback: 176 pages
  • Publisher: Hollywood Comics (August 25, 2004)
  • Language: English
  • ISBN-10: 1932983082
  • ISBN-13: 978-1932983081
  • Product Dimensions: 8 x 5 x 0.4 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,689,741 in Books (See Top 100 in Books)

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18 of 18 people found the following review helpful:
5.0 out of 5 stars A Worthy Screenplay:, January 16, 2005
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This review is from: War for the Oaks: The Screenplay (Paperback)
[...]


"In film and television, thousands of fine scripts by established writers are never produced. The Black Coat Script Library is dedicated to presenting some of those scripts." (Back cover)

A requirement of fantasy often is the element of the quest where someone is required to make a journey or perform a task or service. Either because the person has some inherent and unknown "gift" or just is lucky enough to be in the wrong place at the wrong time, the person is drafted into service. Usually the individual is less than thrilled initially and that certainly sums up the plight of Eddie McCandry.

Eddie is part of a band and dating the lead guitarist, Stuart. Stuart has become more trouble than he is worth, both professionally and personally. Fueled by jealousy over artistic issues and alcohol, he is ruining any future they had together as well as any future the band had as a group. After another public performance ruined by his drinking and bad behavior, Eddie contemplates leaving the band, which will also require her to end her relationship with Stuart.

Fellow band member and good friend Carla not only is willing to leave with her; she wants Eddie to start her own band. Something Eddie finds overwhelming and she decides she will think about things on a walk home. Along the way she is confronted by creatures that turn out to be nobles from the Summer Court of the Fey folk. They are going to fight the Winter Court after some of the Summer Court's lands have been seized. Eddie, as a mortal, has been chosen by the nobles of the Summer Court to be present for the coming battle. To enhance their chances of victory, assassins sent on behalf of the Winter Court will seek her out and try to kill her. Having placed her in jeopardy by their selection, the nobles of the Summer Court have selected a creature known as "Pooka" to guard her.

They have made their choice and she has no choice but to do their bidding. Something Eddie does not want to do and makes very clear to one and all. The "Pooka," in the forms of a male human, a large dog, and others as well as having numerous other talents, understands her predicament and soon saves her from assassination. Drawn into a battle she did not want by forces she did not believe existed, she quickly finds out more about herself and her place in the world than she ever thought possible.

Based on the novel of the same name written by Emma Bull, this script features an intriguing and diverse cast of characters and plenty of action and secondary storylines with slight changes to the original novel. What really makes all of this work is the element of magic, which is so prominent it deserves top billing itself. With the use of creatures that can change shape at the blink of an eye, spontaneous combustion, shimmering see through veils, and other things, those wishing to turn this great story into a filmed version will have to have the financial resources and access to technology to develop the project correctly. Otherwise, what is at this point a very enjoyable read would be ruined in a film version. Here is hoping that someone is paying attention in Hollywood to this script and looking to do something different than the normal, run of the mill stuff.
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