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Where the Hollywood version is lacking in battle scenes, historic detail, commentary from ordinary Russians and several key character developments (Mary Oblonsky, Nicholas Rostov, the Tsar, Denisov et al), it more than makes up for it with personal performances (above mentioned actors), set and costume design and an overall mood and tone consistent with the book.
This film should not be seen by people who demand faithful and tireless book-to-screen adaptations (the Sergei Bondarchuk version might be a better choice), but by people who want to get a sublime essence of one of the greatest novels ever written.
Of course condensing a 1000 page novel into three hours eliminates many of Tolstoy's details, but the basic story remains very much in tact. What is stellar here is the cast. In 1956 Audrey Hepburn was peaking, both as an actress and a beauty. Henry Fonda played a sympathetic Pierre with considerable grace, and Mel Ferrer did admirably with the difficult role of the moody Andrei. Most impressive is Oscar (Mr. Eyebrows) Holmolka as General Katuzov, and Herbert Lom makes a believable brooding Napoleon. You even get Anita Ekberg! Then when you add John Mills, Vittorio Gassman and a number of other accomplished performers, this becomes a film well worth watching. It is also notable because it was the last major directing effort by silent film master, King Vidor.
But hang on! Also in December the eminently preferable, 1968 Sergi Bondarchuk Mosfilm six-hour version of War & Peace also comes out on DVD. Paramount put together a "cast of thousands," but Mosfilm appears to have assembled a "cast of millions" To portray the vast French and Russian forces, Bondarchuk did not need "digital clones" for he had the services of the entire Red Army. In 1956 I was very impressed with Vidor's Battle of Bordino sequence, but compared the action Bondarchuk puts on the screen during the defense of Moscow, it almost seems quaint.
Paramount's version is fine, but wait until Bondarchuk takes you on a ride across the battle field by hitching his camera to a cannonball.
Clark Santee
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