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The War of the End of the World [Paperback]

Mario Vargas Llosa (Author)
4.5 out of 5 stars  See all reviews (43 customer reviews)

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Book Description

July 22, 2008

Deep within the remote backlands of nineteenth-century Brazil lies Canudos, home to all the damned of the earth: prostitutes, bandits, beggars, and every kind of outcast. It is a place where history and civilization have been wiped away. There is no money, no taxation, no marriage, no census. Canudos is a cauldron for the revolutionary spirit in its purest form, a state with all the potential for a true, libertarian paradise--and one the Brazilian government is determined to crush at any cost.

In perhaps his most ambitious and tragic novel, Mario Vargas Llosa tells his own version of the real story of Canudos, inhabiting characters on both sides of the massive, cataclysmic battle between the society and government troops. The resulting novel is a fable of Latin American revolutionary history, an unforgettable story of passion, violence, and the devastation that follows from fanaticism.


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Editorial Reviews

Review

"A modern tragedy on the grand scale . . . As dark as spilled blood."--Salman Rushdie, The New Republic

"A vast, fantastic, thunderous novel."--The Times (UK)

"A magnificent storyteller . . . [Vargas Llosa] gives us a cast of unforgettable characters swept up in the upheaval. . . . This is the work of a master, coming into full realization of his powers."--The Boston Sunday Globe

"His masterpiece."--Madison Smartt Bell

"An extraordinary achievement. The author gives a wonderfully vivid and impartial picture of individuals and communities."--The Guardian (UK)

Language Notes

Text: English, Spanish (translation) --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 576 pages
  • Publisher: Picador; Reprint edition (July 22, 2008)
  • Language: English
  • ISBN-10: 0312427980
  • ISBN-13: 978-0312427986
  • Product Dimensions: 8.3 x 5.6 x 1 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (43 customer reviews)
  • Amazon Best Sellers Rank: #69,979 in Books (See Top 100 in Books)

More About the Author

MARIO VARGAS LLOSA was born in Arequipa, Peru, in 1936. In 1958 he earned a scholarship to study in Madrid, and later he lived in Paris. His first story collection, The Cubs and Other Stories, was published in 1959. Vargas Llosa's reputation grew with the publication in 1963 of The Time of the Hero, a controversial novel about the politics of his country. The Peruvian military burned a thousand copies of the book. He continued to live abroad until 1980, returning to Lima just before the restoration of democratic rule.

A man of politics as well as literature, Vargas Llosa served as president of PEN International from 1977 to 1979, and headed the government commission to investigate the massacre of eight journalists in the Peruvian Andes in 1983.

Vargas Llosa has produced critical studies of García Márquez, Flaubert, Sartre, and Camus, and has written extensively on the roots of contemporary fiction. For his own work, he has received virtually every important international literary award. Vargas Llosa's works include The Green House (1968) and Conversation in the Cathedral (1975), about which Suzanne Jill Levine for The New York Times Book Review said: "With an ambition worthy of such masters of the 19th-century novel as Balzac, Dickens and Galdós, but with a technical skill that brings him closer to the heirs of Flaubert and Henry James . . . Mario Vargas Llosa has [created] one of the largest narrative efforts in contemporary Latin American letters." In 1982, Farrar, Straus and Giroux published Aunt Julia and the Scriptwriter to broad critical acclaim. In 1984, FSG published the bestselling The War of the End of the World, winner of the Ritz Paris Hemingway Award. The Real Life of Alejandro Mayta was published in 1986. The Perpetual Orgy, Vargas Llosa's study of Flaubert and Madame Bovary, appeared in the winter of 1986, and a mystery, Who Killed Palomino Molero?, the year after. The Storyteller, a novel, was published to great acclaim in 1989. In 1990, FSG published In Praise of the Stepmother, also a bestseller. Of that novel, Dan Cryer wrote: "Mario Vargas Llosa is a writer of promethean authority, making outstanding fiction in whatever direction he turns" (Newsday).

In 1990, Vargas Llosa ran for the presidency of his native Peru. In 1994, FSG published his memoir, A Fish in the Water, in which he recorded his campaign experience. In 1994, Vargas Llosa was awarded the Cervantes Prize, the Spanish-speaking world's most distinguished literary honor, and, in 1995, the Jerusalem Prize, which is awarded to writers whose work expresses the idea of the freedom of the individual in society. In 1996, Death in the Andes, Vargas Llosa's next novel, was published to wide acclaim. Making Waves, a collection of his literary and political essays, was published in 1997; The Notebooks of Don Rigoberto, a novel, was published in 1998; The Feast of the Goat, which sold more than 400,000 copies in Spanish-language, was published in English in 2001; The Language of Passion, his most recent collection of nonfiction essays on politics and culture, was published by FSG in June 2003. The Way to Paradise, a novel, was published in November 2003; The Bad Girl, a novel, was published in the U.S. by FSG in October, 2007. His most recent novel, El Sueño del Celta, will be published in 2011 or 2012. Two works of nonfiction are planned for the near future as well.

 

Customer Reviews

43 Reviews
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Average Customer Review
4.5 out of 5 stars (43 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

119 of 121 people found the following review helpful:
5.0 out of 5 stars THE WORLD IS COMING TO AN END!!!, May 28, 2003
By 
Paco Calderón (Mexico City, Mexico) - See all my reviews
This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.

The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.

Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven carpet of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).

I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!
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40 of 41 people found the following review helpful:
5.0 out of 5 stars Powerful Story of Canudos, February 2, 2003
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Vargas Llosa's gripping 1981 book is a fictionalized history of Canudos, the community in the dry interior of Brazil that was utterly wiped out by the Brazilian army in 1897. Vargas Llosa's book is as long (over 500 pages) and as dense as the seminal Canudos book "Rebellion in the Backlands" by Euclides da Cunha, and those fascinated by the story will want to read both. This book takes da Cunha's as its point of departure, for where da Cunha was a military engineer who accompanied the military campaigns against Canudos and wrote about the event's impact on the Brazilian identity, Vargas Llosa is a novelist captivated by the human element. "The War of the End of the World" is the massive story of four successive military campaigns against a religious sect (part-Waco, part-Masada) that killed about 10,000 people on both sides. It is built on the lives of many key personalities. By threading together the life stories of several real Canudos inhabitants who included criminals, castoffs, and misfits with the lives of landowners, journalists, and military officers, including the famously brutal general Moreira Cesar, Vargas Llosa both chronicles the Canudos tale and creates a powerful human novel.

Da Cunha was intrigued by the "why" of Canudos. What fostered a fanatical religious sect in Brazil's interior, allowed it thrive and grow, and why was it the subject of such national fear that the fourth campaign against the village involved fully half of the Brazilian army? Da Cunha spent dozens of pages writing about Antonio the Counselor, Canudos messianic leader. Vargas Llosa is less sympathetic to the military's point of view, depicting Canudos as a safe haven for those rejected by society, by sweethearts, employers, or the church. An island of broken toys. Vargas Llosa writes very little about Antonio himself, casting a reflected light by describing him mostly through the words and actions of his devoted followers. ("Death was more important to these people than life. They had lived in utter dereliction and their one ambition was to be given a decent burial".) Where da Cunha concludes that Canudos was a result of a failure by the Brazilian society and government to embrace all of its citizens -a conclusion that led to a reexamination of Brazil's national identity- Vargas Llosa is less sure. He raises a lot of explanations that have gone before (monarchist conspiracies, racial inferiority, lack of education, "something to do with religion", even a lunatic European communist who tries to make Canudos fit his notions of class warfare ) without settling firmly on any one. Finally, he concludes uneasily, "the explanation of Canudos lies in ignorance".

This is a gripping novel, a powerful tale of warfare, an exploration of intriguing individuals who met in the atavistic isolation of Brazil's parched interior. A Latin American novel devoid of magic realism, for the story of Canudos is fantastical enough.

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42 of 44 people found the following review helpful:
5.0 out of 5 stars The greatest 19th Century novel written in the 20th Century, December 2, 1998
By 
John (Philadelphia) - See all my reviews
The War of the End of the World is an impossibly ambitious book which nevertheless succeeds completely, and in the process confirms that Vargas Llosa deserves to be considered among the great authors of all time. Unlike his other books, which are either frankly autobiographical or significantly based on the author's personal experience, this is a straightforward historical novel, taking place in 1890s northeastern Brazil. It is also a real novel of ideas, confronting very seriously such timeless topics as the relationship of individual to society and of faith and personal belief to law and social order, the source of state authority, and truth/beauty and means/ends issues. While somewhat "modern" in style - the narrative does not proceed in a linear fashion, perspectives shift sharply from one character to the next, and "truth" is often in the eye of the beholder - the book really aspires to be a Great Historical Novel in a classic mode, like The Red and the Black or War and Peace. (Personally, I think it is stronger than either of those; at the very least it belongs on the same shelf.) In other words, it is no post-modern mirror-job, but a serious attempt to engage all thoughtful people - including those who ordinarily do not care for fiction - in a subtle and thorough consideration of the factors that create Peru's Shining Path, or Waco, Jonestown, MOVE, Hamas, etc. Vargas Llosa even manages the trick of being both sympathetic to and critical of all sides. The relationship of the book to the author's subsequent (aborted) political career is also fascinating - it is difficult to believe that an author whose extradinarily acute, and depressing, analyses of politics and ideology would be willing to enter the actual world of politics, yet it is easy to see how he yearns for a real-world solution to the failures of the rich to understand the poor, of the poor to understand the rich, and of organized government to appreciate the value of people's actual lives. I recommend this book to everyone (except perhaps readers who cannot handle some extreme and sustained violence in the last part of the book).
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
José Venâncio, José Venáncio, nearsighted journalist, other jagunços, former cangaceiro, baron murmured, flying brigades, dark purple tunic, cane whistles, nearsighted man, cane brandy, little white lamb, portable writing desk, baron nodded, raw brown sugar
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Moreira César, Little Blessed One, Belo Monte, Abbot Joao, Abbot Joáo, Father Joaquim, Big Joao, Blessed Jesus, Lion of Natuba, Antônio Vilanova, Galileo Gall, Maria Quadrado, Monte Santo, Big Joáo, Bearded Lady, Epaminondas Gonçalves, Catholic Guard, Baron de Canabrava, General Oscar, Souza Ferreiro, Fazenda Velha, Sacred Choir, Seventh Regiment, Campo Grande, Pires Ferreira
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