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119 of 121 people found the following review helpful:
5.0 out of 5 stars
THE WORLD IS COMING TO AN END!!!, May 28, 2003
This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.
The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.
Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven carpet of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).
I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!
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40 of 41 people found the following review helpful:
5.0 out of 5 stars
Powerful Story of Canudos, February 2, 2003
Vargas Llosa's gripping 1981 book is a fictionalized history of Canudos, the community in the dry interior of Brazil that was utterly wiped out by the Brazilian army in 1897. Vargas Llosa's book is as long (over 500 pages) and as dense as the seminal Canudos book "Rebellion in the Backlands" by Euclides da Cunha, and those fascinated by the story will want to read both. This book takes da Cunha's as its point of departure, for where da Cunha was a military engineer who accompanied the military campaigns against Canudos and wrote about the event's impact on the Brazilian identity, Vargas Llosa is a novelist captivated by the human element. "The War of the End of the World" is the massive story of four successive military campaigns against a religious sect (part-Waco, part-Masada) that killed about 10,000 people on both sides. It is built on the lives of many key personalities. By threading together the life stories of several real Canudos inhabitants who included criminals, castoffs, and misfits with the lives of landowners, journalists, and military officers, including the famously brutal general Moreira Cesar, Vargas Llosa both chronicles the Canudos tale and creates a powerful human novel. Da Cunha was intrigued by the "why" of Canudos. What fostered a fanatical religious sect in Brazil's interior, allowed it thrive and grow, and why was it the subject of such national fear that the fourth campaign against the village involved fully half of the Brazilian army? Da Cunha spent dozens of pages writing about Antonio the Counselor, Canudos messianic leader. Vargas Llosa is less sympathetic to the military's point of view, depicting Canudos as a safe haven for those rejected by society, by sweethearts, employers, or the church. An island of broken toys. Vargas Llosa writes very little about Antonio himself, casting a reflected light by describing him mostly through the words and actions of his devoted followers. ("Death was more important to these people than life. They had lived in utter dereliction and their one ambition was to be given a decent burial".) Where da Cunha concludes that Canudos was a result of a failure by the Brazilian society and government to embrace all of its citizens -a conclusion that led to a reexamination of Brazil's national identity- Vargas Llosa is less sure. He raises a lot of explanations that have gone before (monarchist conspiracies, racial inferiority, lack of education, "something to do with religion", even a lunatic European communist who tries to make Canudos fit his notions of class warfare ) without settling firmly on any one. Finally, he concludes uneasily, "the explanation of Canudos lies in ignorance". This is a gripping novel, a powerful tale of warfare, an exploration of intriguing individuals who met in the atavistic isolation of Brazil's parched interior. A Latin American novel devoid of magic realism, for the story of Canudos is fantastical enough.
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42 of 44 people found the following review helpful:
5.0 out of 5 stars
The greatest 19th Century novel written in the 20th Century, December 2, 1998
The War of the End of the World is an impossibly ambitious book which nevertheless succeeds completely, and in the process confirms that Vargas Llosa deserves to be considered among the great authors of all time. Unlike his other books, which are either frankly autobiographical or significantly based on the author's personal experience, this is a straightforward historical novel, taking place in 1890s northeastern Brazil. It is also a real novel of ideas, confronting very seriously such timeless topics as the relationship of individual to society and of faith and personal belief to law and social order, the source of state authority, and truth/beauty and means/ends issues. While somewhat "modern" in style - the narrative does not proceed in a linear fashion, perspectives shift sharply from one character to the next, and "truth" is often in the eye of the beholder - the book really aspires to be a Great Historical Novel in a classic mode, like The Red and the Black or War and Peace. (Personally, I think it is stronger than either of those; at the very least it belongs on the same shelf.) In other words, it is no post-modern mirror-job, but a serious attempt to engage all thoughtful people - including those who ordinarily do not care for fiction - in a subtle and thorough consideration of the factors that create Peru's Shining Path, or Waco, Jonestown, MOVE, Hamas, etc. Vargas Llosa even manages the trick of being both sympathetic to and critical of all sides. The relationship of the book to the author's subsequent (aborted) political career is also fascinating - it is difficult to believe that an author whose extradinarily acute, and depressing, analyses of politics and ideology would be willing to enter the actual world of politics, yet it is easy to see how he yearns for a real-world solution to the failures of the rich to understand the poor, of the poor to understand the rich, and of organized government to appreciate the value of people's actual lives. I recommend this book to everyone (except perhaps readers who cannot handle some extreme and sustained violence in the last part of the book).
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