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The Warhol Look
 
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The Warhol Look [Hardcover]

Mark Francis (Editor), Margery King (Editor), Hilton Als (Editor)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

December 4, 1997
From his childhood in the 1930s, when he collected Hollywood fan mags and publicity photos, Andy Warhol was obsessed with glamour, style and fashion. After moving to New York in 1949 he soon made his mark in the world of advertising and commercial art, and when he turned to fine art in the 1960s, fashion and commercial imagery continued to pervade his work. This book illustrates the decisive impact of his work on fashion and glamour and how that involvement and the "Warhol Style" have powerfully influenced contemporary art. The book takes us on a grand tour of Warhol's passion for the swank and the chic: the publicity shots of Marilyn Monroe; his fashion drawings of the 1950s; photos of his department store window displays; the "silver factory" works of the 1960s that blurred the lines between avant-garde and popular culture; his explorations of gender identity; and "Interview" magazine and the downtown club scene - epicentres of style and trendsetting.

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Editorial Reviews

From Library Journal

Andy Warhol's affinity for glamour and style and the fashion industry's infatuation with him are undisputed facts of pop art and pop culture history. The obviousness of the connection makes the failings of this exhibition catalog all the more surprising. The problme is that for all the research that clearly went into packing these pages with thousands of archival items?from commercial artwork of the 1950s to Warhol's personal collection of Hollywood 8"x10" lossies to Interview magazine covers?there seems to be little motivation beyond documenting the obvious. Compiled by the staff of the Andy Warhol Museum, who also put together the show which will travel from its current New York City venue to Toronto, Pittsburgh and three overseas locations, the book's lack of a compelling thesis reduces its purpose to little more than a portable archive of fashion-related Warholiana. As such, this is best suited as a visual companion to The Andy Warhol Diaries (Warner, 1989) for the home library; recommended only for large art or fashion collections.?Eric Bryant, "Library Journal"
Copyright 1998 Reed Business Information, Inc.

Product Details

  • Hardcover: 304 pages
  • Publisher: Bulfinch Pr; 1ST edition (December 4, 1997)
  • Language: English
  • ISBN-10: 082122476X
  • ISBN-13: 978-0821224762
  • Product Dimensions: 12.1 x 9.8 x 1.3 inches
  • Shipping Weight: 3.8 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #777,583 in Books (See Top 100 in Books)

 

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7 of 7 people found the following review helpful:
4.0 out of 5 stars a wonderful book for all Warhol fans., June 11, 2000
This review is from: The Warhol Look (Hardcover)
This beautifully illustrated book was issued to accompany the 1998/99 major travelling exhibition of the same name.

It focuses on some of the different stages of Warhol's career starting with his fashion illustrations and shop window-dressing from the fifties and early sixties. It then goes on to the 'Factory' style of the sixties and the nightclub and celebrity scenes of the seventies and eighties.

'The Warhol Look' is packed full of wonderful images and photographs, not just by Warhol but also by other artists, designers and photographers. This is especially true of the middles section Covering the sixties. Many forgotten images and magazine spreads are illustrated, providing extra clues as to how mainstream culture viewed Warhol and his associates.

Perhaps the most illuminating parts of the book are devoted to Warhol's fascination with transvestites and Warhol's side line of modelling. The essays accompanying the latter especially provides a fresh insight into Warhol the man and Warhol as a mirror.

The book provides yet more conclusive proof of Warhol's influence on mainstream fashion, art, design, and even, with 'interview' magazine publishing. It examines his links with the downtown avant-garde and underground scenes of the sixties and his distancing from it after his shooting in 1968. It then illustrates his growing obsession with celebrity and fame in the seventies and eighties.

Overall, this is a wonderful book for all Warhol fans, and for anyone interested in fashion, design and the various New York downtown scenes in between 1950's and the 1980's.

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