Thomas Harris’s The Silence of the Lambs meets Richard Marcinko’s Rogue Warrior in this thriller that races at breakneck pace--from the critically acclaimed author who gave Stephen Coonts “a nightmare for a week.”
Alfie Woodard always completes a mission. The skills he learned in the Australian Special Air Service have carried over to his new life as an Aboriginal spiritual leader and contract killer for drug lord Jay Burrell. Alfie knows how to stalk and kill a victim, then disappear without a trace. But it’s the ritualistic murders and the devouring of his victims during the Aboriginal ceremony that send a clear message to Burrell’s enemies.
Charley Payne was losing it. He had spent his life as a door kicker for the U.S. Central Intelligence Agency in the world’s hot spots. When his friend, Police Detective Sergeant Bobby Lee Martaine realized that Charley was becoming a danger to himself and his missions, Bobby Lee offered him a job. Trading in his guns for a camera, Charley finds his new life as a forensic photographer in the Twin Cities uneventful and peaceful—just what he needed, until Charley is called in to photograph a gruesome murder scene.
There are no fingerprints and only one clue, a bizarre Aboriginal painting. Most in the police department begin to suspect a serial killer is on the loose. Bobby Lee is closing in on Alfie, but Alfie learned in the SAS that a mission is not complete if you’ve left a trail behind. When Bobby Lee and his family turn up dead, Charley returns to the way of the gun. But he will be fighting a war on the spiritual leader’s turf in the Australian outback. A fight to the death that took place in the Aboriginal dream world five centuries before.
Alfie Woodard always completes a mission. The skills he learned in the Australian Special Air Service have carried over to his new life as an Aboriginal spiritual leader and contract killer for drug lord Jay Burrell. Alfie knows how to stalk and kill a victim, then disappear without a trace. But it’s the ritualistic murders and the devouring of his victims during the Aboriginal ceremony that send a clear message to Burrell’s enemies.
Charley Payne was losing it. He had spent his life as a door kicker for the U.S. Central Intelligence Agency in the world’s hot spots. When his friend, Police Detective Sergeant Bobby Lee Martaine realized that Charley was becoming a danger to himself and his missions, Bobby Lee offered him a job. Trading in his guns for a camera, Charley finds his new life as a forensic photographer in the Twin Cities uneventful and peaceful—just what he needed, until Charley is called in to photograph a gruesome murder scene.
There are no fingerprints and only one clue, a bizarre Aboriginal painting. Most in the police department begin to suspect a serial killer is on the loose. Bobby Lee is closing in on Alfie, but Alfie learned in the SAS that a mission is not complete if you’ve left a trail behind. When Bobby Lee and his family turn up dead, Charley returns to the way of the gun. But he will be fighting a war on the spiritual leader’s turf in the Australian outback. A fight to the death that took place in the Aboriginal dream world five centuries before.
