Warrior Women and Popular Balladry, 1650-1850 [Paperback]

Dianne Dugaw (Author)

Book Description

ISBN-10: 0226169162 | ISBN-13: 978-0226169163 | Publication Date: January 15, 1996

This interdisciplinary study uncovers a fascination with women cross dressers in the popular literature of early modern Britain, in a wide range of texts from popular ballads and chapbook life histories to the comedies and tragedies of aristocratic literature. Dugaw demonstrates the extent to which gender and sexuality are enacted as constructs of history.

Editorial Reviews

Review

"Women Warriors raises urgent and important questions about treatments of gender in the eighteenth century, about the relation between historical conditions and cultural works, and, particularly, about the interaction between the conventional and referential dimensions of those works--including the ways that the conventions of traditional forms may themselves become one of the conditions of life." Modern Philology

"Dugaw's book makes these points forcefully and thoroughly....The writing is literate and lively, and the documentation and contextual learning have the impressive thoroughness that is something of a hallmark of scholarship grounded in a UCLA dissertation." Mark Booth, The Eighteenth Century: A Current Bibliography --This text refers to the Hardcover edition.

Book Description

Dianne Dugaw's book documents the flourishing of the female warrior heroine in lower-class popular songs of the seventeenth and eighteenth centuries. In well over a hundred ballads during this period, the heroine masquerades as a man, going to war for love and glory. The author examines the ballads, their composition, sale and performance, and relates the warrior women to a wide range of contemporary contexts. --This text refers to the Hardcover edition.

Product Details

• Paperback: 250 pages
• Publisher: University Of Chicago Press (January 15, 1996)
• Language: English
• ISBN-10: 0226169162
• ISBN-13: 978-0226169163
• Product Dimensions: 9.1 x 6.1 x 0.7 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #348,864 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Great source of ideas and insights, August 5, 1996

By A Customer

This review is from: Warrior Women and Popular Balladry, 1650-1850 (Paperback)

In her book "Warrior Women and Popular Balladry, 1650 - 1850", Dianne Dugaw defines and analyses an area of folklore in the English speaking (and particularly singing) world. Ballads with titles like "The Captain of Love", "The Female Drummer", "Wounded Nancy's Return", "The Wandering Virgin", "The Lady Turned Soldier" and "The Female Rambling Sailor". Having gathered together something like 120 such songs she evaluates what they tell us of women and men, and the society they lived in. What a number of scholars and folklorists have tended to see as an expression of lonely male fantasy, Dianne Dugaw regards as evidence of lived reality. "The age in which the ballads flourished not only recognised in women but expected of them -- lower-class women in particular -- the same physical toughness and energy we find in the Female Warrior ... eighteenth-century women had good reason to engage in activities similar to those described in the ballads: leaving home and family, travelling alone, bearing arms, engaging in trickery, and surviving on their own by hook or by crook." Apart from pointing to the evidence of women's participation in all kinds of manual labour, in all kinds of sports including hunting and boxing, Dianne Dugaw also shows how great a part women played in the decentralised armies and navies of the eighteenth and even nineteenth century. She quotes from an account of the 1798 Battle of the Nile "Any information we got was from the boys and women who carried the powder. The women behaved as well as the men, and got a present for their bravery from the Grand Signor." She argues that the refusal of the Medal Committee to reward two women who claimed medals for their part in the battles of the Nile and Trafalgar "is a fascinating corroboration of the widespread presence of women in the military ... In the Committee's words, "there were many women in the fleet equally useful, and it would leave the army exposed to innumerable applications." Dianne Dugaw also considers the fashion of cross-dressing and masquerade, the seventeenth and eighteenth century exploitation of "the transforming properties of apparel". It was a period of disguise, and not at all accidental that the Female Warrior ballads are so popular in a period of "pervasive fascination with cross-dressing". If the popularity of these ballads reached their peak at this time it is also not surprising that the Victorian era should see their gradual decline. As Dianne Dugaw explains "an agenda of centralization and reorganization transformed military life, creating in conjunction with an ascendant empire, the modern army and navy. Whatever unofficial structures and sanctions had left space in the system for women disappeared in this renovated war machine. In it, real-life Female Warriors became much less tolerated, much less possible." Coupled with that, and in the wake of the French Revolution, came the "campaigns to "civilize" the common people." Part of this reform movement was the "promulgation of female delicacy and passivity as an ideal." Deliberate action was also taken to replace the literature of the streets with other songs and stories, where heroines are "frail, long-suffering, innocent, faithful, forgiving." None of these manufactured heroines would appear "in male attire, taking over ships, reefing sails, and firing cannons." The two century tradition of Female Warrior was under attack. Warrior Women is a great source of ideas and insights and so wide-ranging that it is hard to do justice to. Certainly Dianne Dugaw shows how interestingly this group of songs speak to us across centuries of change. "Such is her success in masquerading that the ballads leave us with a world that is no longer -- if it ever was -- a transparent and uncomplicated place where "women" are women and "men" are men. Rather the Female Warrior ballads conjure up a world where, for all we know, the soldier boys next to us may not be boys at all... Epitomising both genders, she simultaneously destabilises the system which divides them... the Female Warrior enacts her heroism by rules which she ultimately contradicts. Looking like a man, acting like a man, being celebrated as a man, she is a perfect woman."

4.0 out of 5 stars Sets some of the rollicking best songs in context, January 3, 1999

By A Customer

This review is from: Warrior Women and Popular Balladry, 1650-1850 (Paperback)

These swashbuckling woman disguised as a man songs are some of the most fun to perform as they tell an unbeatable story. Dugaw puts the great number of them into the context of their times, analyzes them extensively and reviews them powerfully. The only thing missing is a CD where you can hear the ballads themselves. This book will inspire you to begin your songquest for the ones you haven't heard yet.