Okay! My copy of WoL arrived in the post this morning. The packaging indicated that it had come directly from Booksurge's Australian branch, which explains why it wasn't very expensive to ship to me ($5.80 in US dollars). I was very pleased about that as I wanted to support the publication but was afraid it might put more of a dent in my fortune than I was prepared for. (The cost of getting things shipped to New Zealand has always curtailed my anime and manga collections, although now that I have a real job that isn't such a restriction as it was when I was a student.) It was securely packed in cardboard and plastic wrap, and reached me in fine shape. I'm a pretty fast reader in my leisure time, and finished it while getting my hair cut this afternoon.
Early Thoughts: As an 'unauthorised' publication (clearly marked as such on the front cover) WoL offers an independent and unvarnished view of the Sailor Moon legend and its connections with real life in Japan, which is wonderful, but for the same reason, and the necessity to publish relatively cheaply, it suffers from a lack of colourful pictures, which would help bring to life the real Japanese locations it describes, and of course it cannot reproduce any art from the original anime and manga. This reduces its accessibility to readers who are not already familiar with the appearance of the Sailor Moon characters (and may not understand their appeal), and makes it impossible to run side by side comparisons of locations and objects as shown in the series and their real-world counterparts.
This, and some typographical errors of the kind I would expect to find in a small-press publication, are the only real cavils I have about what is otherwise a well written guide, which does a very nice job of balancing the interests of established Sailor Moon fans and readers who know less about the series but are curious about Japan. A slim volume, it provides some fascinating information and leaves the reader wanting to know more, and hopefully the authors' plans to publish a series will pan out.
I was particularly interested in the background information about decision-making on the anime and manga series, and the explanation offered for Takeuchi's lack of productive focus post-Sailor Moon. I would not hesitate to recommend this title to fans of Naoko Takeuchi's work. Non-fans would be understandably less likely to pick it up in a bookshop, but with a little persuasion from a fan might find it very worthwhile.