From Publishers Weekly
More fun than most recent books, Beasley's second collection can also get quite serious: in the best parts, the poet pretends she is any number of nonhuman things—a jukebox, an orchid, the Egyptian god Osiris, an eggplant (in a sestina), grains of sand. She also writes love poems to big ideas: Love Poem for College begins You hit on me. You hit on everyone. Beasley portrays the sometimes chaotic landscape between sex and love, youth and adulthood, the young men and women who hope for everything and the grownups who settle for less. For an hour I forgot my fat self./ My neurotic innards, my addiction to alignment, says the piano, remembering when she was played. In Another Failed Poem About Music, even the name of a percussion instrument, triangle... is a perfect betrayal. Beasley can sound regretful, but also flirtatious: You are the loneliest of the three bears, she says in Love Poem for Wednesday, hoping/ to come home and find someone in your bed. If Beasley's conceits owe something to Kenneth Koch, her tone and her subjects might place her with chick lit, too: this is a book that could go a long way. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
An excerpt: "More fun than most recent books.... If Beasley's conceits owe something to Kenneth Koch, her tone and her subjects might place her with chick lit, too: this is a book that could go a long way."
“Succeeds (to a tremendous level) at creating fascinating slices of reality and interesting characters.” — Adam Palumbo (The Rumpus)