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The Waste Land (Norton Critical Editions) Paperback – December 28, 2000

ISBN-13: 078-5147047148 ISBN-10: 0393974995 Edition: 1st

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Product Details

  • Series: Norton Critical Editions
  • Paperback: 320 pages
  • Publisher: W. W. Norton & Company; 1st edition (December 28, 2000)
  • Language: English
  • ISBN-10: 0393974995
  • ISBN-13: 978-0393974997
  • Product Dimensions: 0.5 x 0.1 x 0.8 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #36,083 in Books (See Top 100 in Books)

Editorial Reviews

From Library Journal

Written when Eliot was working as a bank clerk and heavily edited by his friend Ezra Pound, 1922's The Waste Land could probably take the prize as the most important English-language poem of the 20th century. This 75th-anniversary edition includes the full text plus notes and an afterword by scholar/editor Christopher Ricks.
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

Long poem by T.S. Eliot, published in 1922, first in London in The Criterion (October), next in New York City in The Dial (November), and finally in book form, with footnotes by Eliot. The 433-line, five-part poem was dedicated to fellow poet Ezra Pound, who helped condense the original manuscript to nearly half its size. It was one of the most influential works of the 20th century. The Waste Land expresses with great power the disillusionment and disgust of the period after World War I. In a series of fragmentary vignettes, loosely linked by the legend of the search for the Grail, it portrays a sterile world of panicky fears and barren lusts, and of human beings waiting for some sign or promise of redemption. The depiction of spiritual emptiness in the secularized city--the decay of urbs aeterna (the "eternal city")--is not a simple contrast of the heroic past with the degraded present; it is rather a timeless, simultaneous awareness of moral grandeur and moral evil. The poem initially met with controversy as its complex and erudite style was alternately denounced for its obscurity and praised for its modernism. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Mr. T. S. Eliot was America's greatest poem and verse prose stylist of, at least, the 20th century.
THOMAS JENSEN
For the first time I have seen in print, this book allows the reader to understand this magnificent poem in light of the full scope of its allusions.
Michael P. McGarry
The experience will prove to be as didactic as well as expressive due to all these allusions in the text.
A Reader

Most Helpful Customer Reviews

115 of 118 people found the following review helpful By Michael P. McGarry on April 15, 2001
Format: Paperback Verified Purchase
Literature scholars universally recognize Eliot's "Waste Land" as one of the most influential poems of the 20th century. The poem draws on a wealth of images, everything from classics of Western literature to Tarot cards, from anthropology to Eastern sacred texts. The title refers to the barren land of the Fisher King in Arthurian legend; both the king and the land eventually find redemption through the Holy Grail. Through a masterful use of language and symbols, Eliot brilliantly portrays the problem of meaning in the modern world --- and the way to deeper meaning!
Unfortunately, many of Eliot's references are arcane, and not easy for the lay reader to pursue. For example, few modern readers happen to have a copy of Webster's play "White Devil" or excerpts from Shackleton's account of the Antarctic expedition readily available on their shelves. Hence, the virtue of this particular edition: in addition to Eliot's original poem and original notes, this book includes the relevant passages from every single work Eliot quotes in the "Wasteland", all translated into English. For the first time I have seen in print, this book allows the reader to understand this magnificent poem in light of the full scope of its allusions. A triumphant achievement!
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28 of 29 people found the following review helpful By A Customer on February 21, 2003
Format: Paperback
Do I really need to say how important Eliot is? Simply put, this is the dividing line. Poetry has never been the same since. Beyond that, the Norton Critical edition does an excellent job assisting us by providing the reader with many of the sources this excellent poem was based on, as well as many responses to this poem in one neat and nifty book! Plus the poem is thrown in just for kicks. Buy the book! Love the book!
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29 of 32 people found the following review helpful By "iburiedpaul" on December 20, 2001
Format: Paperback
Simply put, THE WASTE LAND is one of the strangest, most complicated, and interesting poems ever written. Try reading an unannotated version of the poem and you will see why even TS Eliot scholars need a little help with some of the images and literary references Eliot uses. This NORTON CRITICAL EDITION of THE WASTE LAND is an essential book for any Eliot fan, new or old. It provides you with practically every single piece of literature, history, and music that inspired Eliot to write his manifesto of the Lost Generation. If you have any questions concerning THE WASTE LAND, this is the book you need...this is the book you want. Buy it and realize how well-read you are not.
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11 of 11 people found the following review helpful By Elizabeth on August 5, 2010
Format: Paperback
I study and write poetry for a living. I confess that I used to hate T.S. Eliot, because my inner conservative didn't like what I alleged as his rewriting the rules for poetic structure. Don't worry; I woke up, but I know many have not. This edition is wonderful--I've used Norton annotated version of this poem before in my teaching, but the background analysis and literary criticism is the crowning jewel of this text. The Wasteland is a poem that requires work; one cannot simply read it and understand--it is crucial to seek out the countless references within the text. And even with that in mind, the reader can only begin with what Eliot intended; the poem surpasses author's intention, and takes on a life of it's own.

I am particularly grateful to the material on the Grail. The metaphor of King Arthur's pain begins with war, but is linked to the land--the myth allows for Arthur to heal, but Eliot does not hold out the same hope. This is another reason it is a post-modern masterpiece: it acknowledges the great poetry and mythology within history while creating another voice for our world.

I also want to commend the editors for leaving out as much of the Derridian/Deconstruction/Lacanian criticism that mars any critique of this poem. On one hand, The Wasteland is perfect for the Derrida followers who claim that there is no text, as The Wasteland plays with traditional forms of textuality. But that is as far as it goes. I am exceedingly grateful that this volume included critics who put literature first and recognize that a poem can go to many extremes in form and theme, but still remain a poem. Yes, Virginia, there is a text, just as there is a sign and a signifier. But let's not forget that language serves the written word and the artistic vision, not the other way around.
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17 of 19 people found the following review helpful By A Reader on January 11, 2004
Format: Paperback
It truly saddens me to see someone flaunt their idiocy like the previous reviewer ranting about how writers cannot write about social ills; meanwhile, second rate philosophers turned literary Critics can whenever possible.
Simply stated, the poem is one the true benchmarks for twentieth century literature. It is rather difficult in that it is highly allusive, some allusions fall on the rather obscure side (Middleton, Weston) but mostly they are rather well known (Augustine, Dante, the Bible, Baudelaire, Wagner). The experience will prove to be as didactic as well as expressive due to all these allusions in the text. As far as the poem itself goes, it has a definite effect on you when you read it. I remember the first time I read the lines, "I think we are in rats' alley where the dead men lost their bones," and although I couldn't really understand what was going on just yet in the poem, that line as well as many other lines and images, had an affect on me. On the whole the emotional tone of the poem (not to do it injustice and say what it is about) is the spiritual alienation and degradation everyone felt after WWI. It's a quest of sorts, taken on by a persona of Eliot to find meaning amidst "the stony rubbish" that is the world. It sets the philosophy of Buddha and Augustine side by side as it does with the Rg Veda and the Bible in a collage of different voices and arresting images.
A good guide though is imperative for undertaking this task and this edition is, to my knowledge, the best one out there. It gives many of the primary texts alluded to by Eliot in this poem as well as serving as a good introduction to the mountains of criticism that this poem has birthed. All in all, the book is a great buy for those who are interested in gaining a true appreciation and understanding of this poem and for twentieth century poetry which it influenced so much.
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