From Publishers Weekly
This funny, poignant first novel about cross-cultural mores and love (requited and not) introduces Whisnant as a sort of Ford Madox Ford of the MTV generation. An astute observer of American pop culture, he is appealingly honest in recording the ways that people inadvertently hurt each other. In Cleveland in 1980 narrator Dexter Mitchell, an actor turned theater techie, becomes romantically involved with Suzanne, an uncanny but indecisive young woman, as he plays half-willing big brother to his neighbors, a trio of exchange students from the People's Republic of China. When Mitchell's brief fling with Suzanne goes awry and an earlier suitor of hers becomes threatening, the novel takes a dark, potentially tragic turn. With deftly handled irony, Whisnant keeps his plot from slipping into the bathetic. This promising debut's major flaw is in the interpolation of a transcript of a documentary film about the Chinese students, a structural device that is too gimmicky for the emotional complexities of the material.
Copyright 1992 Reed Business Information, Inc.
From School Library Journal
YA-- The time is 1980. The place is Cleveland. The characters include Dexter, an erstwhile actor; Suzanne, a not-so-gay divorcee; Zap, her quondam lover and a borderline psychopath; Mr. Little, an African-American school teacher; his two less-than-appealing children; and three Communist Chinese students in the United States for the year studying systems. The story is told by Dexter, and is interspersed with dialogue and descriptions from a "documentary" produced by a film student and his beautiful, black assistant. Dexter is very taken with the three Chinese to whom he has become somewhat of a interpreter of American culture. Wa, Tzu, and Chen are beguilingly innocent and yet frighteningly perceptive in their views of pre-Reagan America. Much of their bemusement is very funny, but their observations become quite sobering as they become increasingly aware of the underlying hatred they perceive around them. The story line moves slowly, but does not drag, and the build up to the denouement is logical and inevitable. The characters are well drawn, and readers begin to care for and understand all of them. Many of the allusions to events of the period might be unfamiliar to today's YAs, but the story is very solidly set in its time and can certainly be viewed as a historical novel as well as a commentary on life in the not so distant past.
- Susan H. Woodcock, Potomac Library, Woodbridge, VACopyright 1993 Reed Business Information, Inc.