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57 of 62 people found the following review helpful:
4.0 out of 5 stars
Everything's Zen, March 10, 2007
In Joe Pike, "the world's greatest detective's" enigmatic and stoically violent sidekick of the "Elvis Cole" novels, the talented Robert Crais has created one of most intriguing characters in contemporary popular fiction. But with the wisecracking Cole still mostly sidelined from injuries suffered in "The Forgotten Man", Pike takes center stage in this well plotted, fast moving crime drama. With his red-arrowed deltoids "going forward, never back", Pike, to repay an old debt, reluctantly takes on the task of protecting Larkin Barkley, a spoiled LA society brat drawn with shades of Paris Hilton, right down to the rat-dog-in-the-purse detail. Returning home from late night revelry, Barkley t-bones a Mercedes full of the wrong people, and in a convoluted twist, ends up as a witness under protection. But when it becomes clear that the folks who'd prefer that Barkley not testify are deadly serious, Joe Pike gets the job of keeping the pouting debutant safe and sound. As always, Crais' prose is witty and fast moving. Joe Pike, who is about as chatty as Mount Rushmore, is cleverly contrasted against Larkin's tantrums. And Elvis Cole, while taking care not to swing the spotlight too far away from Pike's solo debut, throws around enough of his patented one-liners to keep his hardcore base smiling. But if the bond that builds gradually between Joe and Barkley stretches the bounds of credibility just a bit, this is, after all, fiction, and besides, Crais does a masterful job of building the sexual tension and creating - perish the thought - the hint of a soft side to Pike's impenetrable persona. While perhaps lacking the edge and grit of today's "garage writers of grime" - guys like Charlie Huston, Duane Swierczynski, Charlie Stella, or Victor Gischler - Crais' polished pages capture LA's sleaze and majesty, designed for appeal to broad audiences. All in all, a slick and well-rendered effort from one of today's best writers of mainstream fiction - top entertainment that is well worth the time and the 15-buck hardcover.
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73 of 91 people found the following review helpful:
5.0 out of 5 stars
Man of Action, February 27, 2007
Joe Pike is the epitome of crime tough guys. Nobody does it better. He was a special forces soldier before he became an LAPD cop. He took the fall on charges that shouldn't have been dropped on him and was busted out of the LAPD. He became a mercenary and a some-time private eye that paired up with the World's Greatest Detective, Elvis Cole. He has red arrows pointing forward tattooed on his deltoids because Joe Pike does not back up. This is the guy I've been waiting years to read about. Author Robert Crais introduced one of the funniest and emotionally complex private detectives to come along in years in Elvis Cole, but he also crafted one of the hardest heroes to see print in decades. Joe Pike is the king of cool, the master of the understatement, and a man haunted by personal demons he'll never talk about. Hired by a friend of a friend, Joe agrees to bodyguard Larkin Barkley, a young woman who's the daughter of a multi-millionaire businessman. Larkin has a self-destructive tendency that only Joe seems to understand. Unfortunately, some of the same things she's in denial about are the same things that plague Joe. As the two fight to stay alive, and fight with each other, they come to realize that the only way they're going to get through the situation alive is to rely on and trust each other. Both of them have issues with that. Larkin is a witness in a brutal slaying. The murderer is believed to be a brutal head of a drug cartel who will stop at nothing to kill Larkin. The book starts off with a bang, with bullets ripping through the air and Pike's truck from the first pages to the close of the book. The novel grabs the reader by the throat and literally demands the reader's full attention. The assault on the reader's senses is relentless. Crais is an elaborate plotter, but it all makes sense when he shakes out the final twist. But the best thing of all is getting to ride shotgun with Joe Pike while he deals with enemy guns and the hostile past he has that keeps getting in the way while he's protecting Larkin. The dialogue, the descriptions, and the pacing are so well choreographed that you can see the movie spinning in your head. I liked the cameos that Elvis Cole had in this novel, but I'm glad Joe got to keep center stage. I really didn't think the novel would work that well because sometimes if a writer shines a light too brightly on an enigmatic hero that everything that existed is turned into a cheap trick. But Joe Pike is for real. He's an unstoppable force and an avenging angel all rolled into one. The publishers mention that this is a JOE PIKE NOVEL right on the cover. Hopefully there will be future installments. If so, they'd be most welcome.
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26 of 31 people found the following review helpful:
5.0 out of 5 stars
Grows on you as it builds up, February 28, 2007
Around page 100, I would have rated this just 3-4 stars. It ends up as a firm 5 by the end. There seem to me to be two distinct strands in thriller writing -- character builders and plot artists. Crais is more of a plotter than a character guy; I never quite get inside his two heroes, Pike and Cole -- they seem just a little artificial. But he is superb in plotting. What begins as a routine story line weaves, turns, double backs and grabs you to the last pages. He is a good stylist -- deft, brief and precise. He is also superb in his portrayals of violence and cruelty; you get a sense here of Pike's dissociation and his own detachment. The heroine -- Paris Hilton but without the intellect -- does not come alive for me; again, too artificial. The villains are shadows not realities. But, this is a minor point. The book works superbly. I loved it.
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