From Library Journal
Fourteen essays on the nature of memory are collected here from the writings of Aciman, who contributes regularly to such publications as The New Yorker and the New York Review of Books. Like Marcel Proust, Aciman has the ability to show you something you had always suspected but had never put into words. In Pensione Eolo, he discusses nostalgia, which he regards as the longing for the memory of a place rather than the place itself. In Alexandria: The Capital of Memory, he observes that he lives much as he travels: to plot the itinerary of a possible return trip. Among the other essays included are Letter from Illiers-Combray: In Search of Proust, In the Muslim City of Bethlehem, and In Double Exile. Aciman (literature, Bard Coll.), who recounted the exodus of his Jewish family from Alexandria in Out of Egypt, has lived as an exile in Italy and France and currently resides in New York. While the thematic range of the pieces borders on the repetitious, turns of phrase (such as What do you do with so much blue once you!ve seen it? ) give delightful chills. Aciman dissects his feelings so thoroughly that many readers will recognize themselves here and there, even if they are not world travelers."Nancy P. Shires, East Carolina Univ., Greenville, NC
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About the Author
Christopher Willard is a professional artist and color theorist with an international reputation as a practitioner, researcher, and educator. A member of the Inter-Society Color Council, the College Art Association, and the Association International de la Couleur, Willard is adjunct professor of color theory, painting, and drawing at Hunter College, CUNY, and the Westchester Art Workshop, both in New York. His articles on art and color appear in such publications as American Artist, where his monthly column Methods and Materials also appears.