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Special Features
- Exclusive Featurette: "CONTENDER-Mastering the Method"
- Elia Kazan Interview
- Vintage Photo Gallery
- Talent Files (Elia Kazan, Writer Budd Schulberg, Marlon Brando, Rod Steiger Karl Malden, Lee J. Cobb and Eva Marie Saint)
Editorial Reviews
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Customer Reviews
Matching Brando is a perfect cast. Karl Malden, Eva Marie Saint, Rod Steiger, Lee J. Cobb, there isn't a missed note or lesser performance from any of them, not to mention the thugs and real-life dockworkers surrounding them. Elia Kazan was an actor's director, and his skill at eliciting superior performance is nowhere more evident than here. He also knew how to make a movie, and his work with the camera and pacing is first rate. The B&W photography is gritty, beautiful and serves to locate the film in time and place while eliminating distraction from the performances.
You must know the story by now, culled from the real dockside union problems of the day, Budd Schulberg & Kazan fashioned a story that is about courage, loyalty (misplaced and otherwise), responsibilty and the willingness to stand up for something, stand alone if need be, and in that stance to risk the mistrust and misunderstanding and ostracism of your friends, your society, and the loss of your place in the world and even your life. They created a powerful melodrama of greed & corruption, of the struggle with compromise and conscience, of loss and redemption.
Frankly, this is just great movie making. It isn't done any better than this, and if for some reason you have never seen this film, treat yourself to excellence.
This is one of the best, don't miss it, and don't miss one of our greatest actors in his prime.
The story focuses on Terry Malloy (Marlon Brando), a small-time former boxer whose brother was highly placed in the corrupt longshoremen's union. Terry lures out Joey Doyle, an informant and friend of his, so the mobsters can deal with him. Terry thinks they are going to rough him up to keep him quiet, but instead, they throw him off a roof to his death. The guilt begins to gnaw at Terry, compounded by the fact that he is falling in love with Joey's sister Edie (Eva Marie Saint). He is further urged to inform on the mob by Father Barry (Karl Malden) setting up a dramatic confrontation with the union.
The setting was highly realistic, filmed on the docks of Hoboken, NJ with the New York City skyline as its backdrop. Most of the extras were actual longshoremen who worked on those same docks. The use of black and white film rather than color only served to enhance the dramatic effects.
This film was a vehement and personal political statement by Elian Kazan. Kazan had just finished testifying before the House Unamerican Activities Committee, naming former associates who were affiliated with the Communist party. As a result, he was ostracized by most of the filmmaking community. "On The Waterfront" became his personal mission to justify his testimony. He looked at Terry as his own alter ego. In one scene, a union boss shouts, ``You ratted on us, Terry,'' and Brando retorts: ``I'm standing over here now. I was rattin' on myself all those years. I didn't even know it.'' This was Kazan's defiant statement in response to the vituperation of his critics.
For this reason the film was reviled by the Hollywood elite and Kazan vilified as turncoat. In his 1988 autobiography, he wrote about how he felt after the film won 8 Oscars: "I was tasting vengeance that night and enjoying it. `On the Waterfront' is my own story; every day I worked on that film, I was telling the world where I stood and my critics to go and **** themselves.''
The political agenda aside, this was brilliant filmmaking. The story had gut wrenching power, a classic struggle between good and evil with one man defying insurmountable odds and certain death to stand by his beliefs. It contains one of the most memorable and most quoted scenes in film. Brando gives his now famous "I coulda been a contenda" speech in chastising his brother for selling him out and making him take a dive so the mob could win the bets they laid on his opponent. The ending of the film is one of the most triumphant in filmmaking history.
The acting was superlative across the board. Brando's performance is without question one of the most unforgettable ever. His character was a simple man with extraordinary courage making him an amazingly attractive hero. The anguished torment he portrayed was deeply affecting. Karl Malden was electrifying as the defiant priest who stood with the union members to encourage them to oppose corruption. Lee J. Cobb was also fabulous as Johnny Friendly, the crooked and maniacal union boss who would stop at nothing to maintain power. Rod Steiger gave a fantastic performance as Terry's older and "smarter" brother who was nothing more than Johnny Friendly's stooge. Eva Marie Saint was compelling as the courageous sister of the slain longshoreman. Also playing minor roles were a very young Fred Gwynn and Martin Balsam.
This is one of my favorite films of all time. Of course, I rate it a 10/10. It is required viewing for any classic film buff. Its power cannot be adequately described, it must be experienced.
Quite simply: this transfer is a let down. Contrast levels are extremely low, fine details are lost in video noise reduction enhancement and digital grit, grain and noise are detected throughout. The gray scale is poorly balanced. Scratches, chips and distortions in the original camera negative stick out like a soar thumb. The audio is mono and undistinguished. It's not a bad mix, though there are moments where a slight background hiss crops up. No extras! Oh, come on Columbia. This is one of your BEST PICTURES and it gets this kind of treatment on DVD?!? It ?could'a been a contenda'!?
Not much to add to a half century of plaudits for Brando as Malloy. It's simply a perfect performance in every way. Read more
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