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Watermelon Man (1970)

Howard Caine , Godfrey Cambridge  |  R |  DVD
4.1 out of 5 stars  See all reviews (34 customer reviews)

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Product Details

  • Actors: Howard Caine, Godfrey Cambridge, Mae Clarke, Donna Dubrow, Frank Farmer
  • Format: Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English, French
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click here.
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: September 14, 2004
  • Run Time: 100 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (34 customer reviews)
  • ASIN: B0002KPI1O
  • Amazon Best Sellers Rank: #18,230 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Watermelon Man" visit the Internet Movie Database (IMDb)

Special Features

  • Introduction by Melvin Van Peebles

Editorial Reviews

WATERMELON MAN - DVD Movie

 

Customer Reviews

34 Reviews
5 star:
 (18)
4 star:
 (7)
3 star:
 (4)
2 star:
 (3)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (34 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

32 of 35 people found the following review helpful:
4.0 out of 5 stars His white bread world just got turned upside brown!, September 19, 2004
This review is from: Watermelon Man (DVD)
Being interested in many types of film, I saw the DVD release of Watermelon Man (1970) and it was the title that caught my eye. Directed by African-American film pioneer Melvin Van Peebles and starring Godfrey Cambridge (The President's Analyst, Cotton Comes to Harlem) and Estelle Parsons (Bonnie and Clyde), Watermelon Man relates an interesting tale of what happens when a bigoted white man wakes one day to find his skin has since turned black.

As the film begins, we meet the Gerbers, a typical white family living in a typical white neighborhood. There's Jeff Gerber (Cambridge), the head of the family, who make his living selling insurance, Althea Gerber (Parsons), Jeff's somewhat liberal wife, and their two children. One evening Jeff awakes to discover he's no longer white, and believes he suffering a bad dream. This turns out not to be the case, as Jeff retains his new skin color into the next day. He begins to look for answers, maybe it can be washed off if he showers for a lengthy period of time, or maybe the new color of his skin is attributed to spending too much time in his tanning bed, but there appears to be no real cause for what happened. Unable to hide from the outside world forever, Jeff ventures back into his regular routine, and soon learns that the color of his skin isn't the only thing that's changed. He finds racist attitudes prevalent throughout his workday and home life, as now, the system of which he used to be a part of, begins to turn on him, effectively forcing him to `walk a mile in another man's shoes'.

I really enjoyed this different sort of film, as it was an unusual blend of satire and social commentary. The writing was sharp and witty, and while this may not be a film for everyone, it does provide an interesting perspective, one that doesn't necessarily have to beat its' audience over the head (it does lay it on a little thick sometimes) with its' message. Some of the funniest scenes developed in part to Jeff and his wife's initial reaction to his change like Jeff showering for a really, really long time, his reviewing the warranty contract on his tanning bed, and his somewhat liberal wife asking if she should hide the money and serving him fried chicken and watermelon for dinner (she may be a liberal, but she's one of those liberals who's main contact comes from what she sees on the TV). Just think how you might act or be treated if one day you found that the color of you skin has changed, while you remain the same person on the inside. Cambridge does a wonderful job as the main character, beginning as a slightly bigoted individual who sees how life is from the other side. While a dislikable character in the beginning, I began to develop a sense of sympathy for him as the film progressed, not because his skin changed color, but because I felt he really began to understand the inherent differences in a system he worked in and was a part of for so long, and he understood flaws within his own character, now magnified in the attitudes and demeanor of people around him, his co-workers, family, friends, and community. He sees his world is not a particularly nice place to live, that is if you are not of the right color. The humor is pretty subtle, and doesn't seem to be prone to exaggeration, but more or less presented to mirror that of real life, as different forms of racism are presented, from the straight up type (the use of unpleasant racial terms and profiling by the police), to less obvious, more insidious forms in terms of accepted stereotypes and common misconceptions. The direction was a bit weird at times, as different things are incorporated into the film, strange music, odd text, (reminded me of sort of safe psychedelia used in the Monkees television show, only not to that extent) but then the late 60's and early 70's tended to elicit this kind of experimentation, which, at the time, seemed completely new and far out, but now serves mainly to effectively date films containing such elements. An interesting side note to the film, apparently the director received quite a bit of flak over his unwillingness to change the ending of the film. The studio executives had wanted him to incorporate an ending in which the main character would wake up and find his original skin color had returned, and the whole affair was to be presented as if it were all a bad dream (which would have ruined the film, in my opinion). Van Peebles resisted, and was finally able to keep his intended ending, maintaining his creative integrity and preserving the element that makes this film interesting and original. Is it controversial? I didn't get that feeling, although I will admit this movie probably isn't for everyone.

Presented here is a really good looking wide screen version of the film, which runs approximately just over an hour and a half. There really aren't any special features, not even a trailer, but there is an introduction by the director, Melvin Van Peebles, which can be chosen to play over the opening credits of the film. All in all, an interesting, fairly funny perspective that still bears relevance today, some thirty plus years after its' original release.

Cookieman108
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17 of 17 people found the following review helpful:
5.0 out of 5 stars A terrific black-sploitation film!, July 11, 1999
By A Customer
This review is from: Watermelon Man [VHS] (VHS Tape)
I watched this movie late one Saturday night and have not been able to get it out of my head ever since. The pastel colors and the soundtrack were terrific. Even though I am a white man, there for making me the victim of this movie, I simply loved it! It seems that other members of my race did not seem to enjoy it as well as I did, but the fact is, you have to look past the fact that this movie really is "politically incorrect." I really am not much of a judge on how black people are treated today, but I know that this film really showed me how different my own life would be if I were a black man livingin the late-sixties/early-seventies. It just proves that all that we in the magical world of white were really true. We actually were exploiting these people, just for the color of their skin. Maybe, just maybe, the world isn't such a pretty place after all. Great film! I whole-heartedly recommend it.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars One of the best films ever made!!!!, February 8, 1999
By A Customer
This review is from: Watermelon Man [VHS] (VHS Tape)
I am sure that a better film depicting the stereotypes that, we as black people must endure will never be made. It was truly a cinematic breakthrough. Considering the time that the film was made in, I am surprised that it was allowed to be made especially by the movie company that produced it. Godfrey Cambridge was sheer genius in this film. The kids were worth watching. I never laughed at any other movie as much as a laughed at this satire.
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