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Watershed

OpethAudio CD
4.4 out of 5 stars  See all reviews (125 customer reviews)

Price: $12.25 & FREE Shipping on orders over $35. Details
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MP3 Music, 10 Songs, 2008 $12.49  
Audio CD, 2008 $12.25  
Vinyl, Original recording remastered, 2008 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Coil 3:10$1.29  Buy MP3 
listen  2. Heir Apparent 8:50$1.29  Buy MP3 
listen  3. The Lotus Eater 8:50$0.69  Buy MP3 
listen  4. Burden 7:41$0.69  Buy MP3 
listen  5. Porcelain Heart 8:00$0.69  Buy MP3 
listen  6. Hessian Peel11:25Album Only
listen  7. Hex Omega 7:00$1.29  Buy MP3 


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Biography

Opeth exist in a genre of one.

The forward-thinking Swedish titans, who seamlessly and fluidly combine metal, rock, prog, folk and free form jazz, continue the time-honored Opeth tradition on Watershed, their second album for Roadrunner Records. With this, their ninth effort, Opeth continue to shake things up, turn the corner and push the limits of their sound. And the results are ... Read more in Amazon's Opeth Store

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Frequently Bought Together

Watershed + Ghost Reveries + Blackwater Park: Legacy Edition
Price for all three: $36.11

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Product Details

  • Audio CD (June 3, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: Roadrunner Records
  • ASIN: B0018CWWFK
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (125 customer reviews)
  • Amazon Best Sellers Rank: #8,481 in Music (See Top 100 in Music)

Editorial Reviews

2008 album from the forward-thinking Swedish titans, who seemlessly and fluidly combine Metal, Classic Rock, Prog, Folk and Free Form Jazz. With this, their ninth effort, Opeth continue to shake things up, turn the corner and push the limits of their sound. And the results are breathtaking. Ultimately, Watershed sounds at once completely like and absolutely nothing like previous Opeth records. Watershed takes all that is Opeth, and goes where Opeth have never gone before.

Customer Reviews

Most Helpful Customer Reviews
65 of 71 people found the following review helpful
5.0 out of 5 stars "My sweet Satan, I see you..." June 3, 2008
Format:Audio CD
Watershed is the ninth Opeth album; and in some ways it signifies a new start for them. This is not totally surprising, given the band has a new guitarist and a new drummer now. Also, they they seem to be in a transition phase musically because Watershed, while encompassing lots of their past hallmarks, also delves into new musical territory.

The differences are mainly demonstrated in their impenetrable song structures, as Mikael Akerfeldt has constructed the album in a more evocative way this time time around. Unlike any other Opeth album, Watershed begins with the short acoustic track "Coil", where strummed acoustic guitars and beautifully arranged string work form the leeway for Akerfeldt and female guest singer Nathalie Lorichs to deliver the verses in an addictively melodic tone. Lorichs' vocals are amazing, and while the song clocks in at only three minutes, that's its charm.

Overall, Watershed is no where near as heavy as the previous Opeth discs, as it boasts a more experimental aesthetic throughout. However, the second track "Heir Apparent" is arguably the heaviest, most brutal Opeth song to date. Not only is it crushingly heavy, it is also the first Opeth tune with no clean vocals whatsoever. Sure, they have other tracks like "Blackwater Park", "Wreath", "The Amen Corner", and "April Ethereal" among others, but all of them contain some clean backing vocals, whispers, humming, et cetera whilst "Heir Apparent" is delivered with Akerfeldt's unmistakable growls from start to finish. Occupied by an assault of guitar fury in its chaotic intro, the piece contains laser-precise drumming and Akerfeldt's suffocating vocals that are contrasted by deft string work and clean, psychedelic-like guitar harmonies soaring over Axenrot's percussion.
Read more ›
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45 of 51 people found the following review helpful
5.0 out of 5 stars "My sweet Satan, I see you..." June 3, 2008
Format:Audio CD
Watershed is the ninth Opeth album; and in some ways it signifies a new start for them. This is not totally surprising, given the band has a new guitarist and a new drummer now. Also, they they seem to be in a transition phase musically because Watershed, while encompassing lots of their past hallmarks, also delves into new musical territory.

The differences are mainly demonstrated in their impenetrable song structures, as Mikael Akerfeldt has constructed the album in a more evocative way this time time around. Unlike any other Opeth album, Watershed begins with the short acoustic track "Coil", where strummed acoustic guitars and beautifully arranged string work form the leeway for Akerfeldt and female guest singer Nathalie Lorichs to deliver the verses in an addictively melodic tone. Lorichs' vocals are amazing, and while the song clocks in at only three minutes, that's its charm.

Overall, Watershed is no where near as heavy as the previous Opeth discs, as it boasts a more experimental aesthetic throughout. However, the second track "Heir Apparent" is arguably the heaviest, most brutal Opeth song to date. Not only is it crushingly heavy, it is also the first Opeth tune with no clean vocals whatsoever. Sure, they have other tracks like "Blackwater Park", "Wreath", "The Amen Corner", and "April Ethereal" among others, but all of them contain some clean backing vocals, whispers, humming, et cetera whilst "Heir Apparent" is delivered with Akerfeldt's unmistakable growls from start to finish. Occupied by an assault of guitar fury in its chaotic intro, the piece contains laser-precise drumming and Akerfeldt's suffocating vocals that are contrasted by deft string work and clean, psychedelic-like guitar harmonies soaring over Axenrot's percussion.
Read more ›
Was this review helpful to you?
12 of 12 people found the following review helpful
5.0 out of 5 stars "Giving up the ghost" June 13, 2008
Format:Audio CD|Verified Purchase
4.5 stars. While I do not think of "Watershed" as their finest hour, Opeth have crafted an intelligent Progressive Rock/Metal album that continues with the direction of their previous album "Ghost Reveries" but incorporates more Rock than Metal this time around. Mike Akerfeldt is the only remaining band member who has made the entire journey from debut album to current day activity. After hearing that all the other band members were gone I was listening to this new album and waiting for a huge crash and lack of creativity but "Watershed" is innovative beginning to end. Mike Akerfeldt wrote most of the music on previous albums anyway, so my anticipation of the worst was almost entirely unnecessary. With this new recording he adds even more '70s Prog-Rock touches than ever before all the while maintaining that undeniable Opeth feel to the music. As far as hearing anything here resembling albums from the past I am frequently reminded of the slower sections from "Still Life". Those thinking this new album is going to be their most Metal album yet will be disappointed. In fact, the very first time through "Watershed" I was a little confused. The more times I spin the CD the more details I notice, the more ingenious the arrangements become, the more impressive this album sounds. "Blackwater Park" and "Still Life" continue to battle for the top spot as my favorite Opeth album, but I intend to listen to "Watershed" many more times in the future regardless of where it ranks in their amazing catalog.
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18 of 20 people found the following review helpful
5.0 out of 5 stars for hopeless delight June 8, 2008
Format:Audio CD
Among the unknowing, Opeth has a reputation as one of those typical Scandinavian black metal bands. But they left most of that genre's stereotypes behind ages ago when they went prog. This album will probably divide longtime fans sharply into two camps - those who praise the band's continuing progression and experimentation, and the rest who cry sellout. (You can see that pattern in the reviews here.) Regardless, open-minded and adventurous listeners will find this album unexpectedly fascinating. The album is primarily quiet and haunting, with snippets of brutal metal appearing occasionally to manipulate the mood. (Your typical prog metal band constructs albums in the opposite fashion.) Keyboards and melodic vocals are prominent, with the lengthy songs laid out as suites passing through many experiments in style and emotion.

On first playing the opener "Coil," I was telling myself that the fragile acoustic balladry was just an intro and would surely erupt into loud metal at any second, but the song remains quiet throughout. Other thematic surprises include the bizarre jazz fusion break in "The Lotus Eater" and the detuned acoustic guitar solo that finishes off "Burden." Opeth remains among a dying breed of artists who construct albums as full compositions, with unexpected connections between songs and unconventional arrangements, and all of the band's adventures in experimentation can be found in the extra-epic "Hessian Peel." The only potential source of concern for this album is that with so many recent line-up changes, the Opeth sound now appears to be mostly a showcase for the ideas and talents of leader Mikael Akerfeldt and not so much a group effort, though fortunately keyboardist Per Wilberg and brand new drummer Martin Axenrot are especially impressive here. Not to mention Akerfeldt's continuing sense of musical adventure, on constant display throughout this fascinating album. [~doomsdayer520~]
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Most Recent Customer Reviews
2.0 out of 5 stars A Watershed this is not.
Watershed proves that even the best of bands can release garbage. Watershed sounds like a half-baked mix of b-sides that never go anywhere. Read more
Published 1 month ago by eternal now
5.0 out of 5 stars Mhmmmmmm.....
♥ OPETH ♥ While I'm not a real fan of death metal or growling throughout an entire song these bad boys are one talented crew. I simply adore them!
Published 3 months ago by Blue eyed scubagirl
2.0 out of 5 stars Fantastic Album - horrible quality
Opeth's best album - mixing progressive elements and death metal elements more so than any other album. Read more
Published 4 months ago by b
5.0 out of 5 stars Awesome Album. Was my introduction to Opeth
This is such a great album that I can listen over and over and never get tired of.
I have since ordered Blackwater Park, Damnation and The Ghost Reveries, all great works and... Read more
Published 10 months ago by Jesse M
5.0 out of 5 stars Another beautiful album from these guys
Opeth never is never satisfied when they make an album making doom metal, death metal and some acoustic songs they never fail to expand a listeners musical taste. Read more
Published 16 months ago by Christopher Nau
5.0 out of 5 stars Another hit for Opeth
Opeth just keeps improving. Fantastic band. This one gets regular rotation in my car and would probably rank in my top 3 Opeth albums.
Published 16 months ago by S. Paist
5.0 out of 5 stars Brilliance
This album is a spectacular example of how great Opeth can be. This album radiates beauty and some bits of aggression. I can't get enough of it. Read more
Published 18 months ago by Shane
4.0 out of 5 stars Very good buy.
I only recently knew Opeth through my older daughter Georgia. I find their melodies ingenious and enjoy very much the guitar works, especially in Burden.
Published 18 months ago by Nelson Rodrigo
5.0 out of 5 stars Fan-bloody-tastic!
Continuing where 2005's "Ghost Reveries" left-off, Opeth's 2008 effort, "Watershed," was, at the time, the most experimental installment in the band's discography. Read more
Published 21 months ago by A. Stutheit
4.0 out of 5 stars An Omen
Opeth sparked a fair amount of controversy last year with the release of their tenth album, Heritage. Read more
Published 23 months ago by Zadion
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I am the only one who thinks Opeth is overrated?
I honestly don't know how to answer your question. We all have our own ideas about bands, and I honestly can't tell you why I like them so much. Part of it is the dynamics, they have an impressive range. That works well with me because I like a lot more genres than metal. Opeth covers a lot of... Read More
May 4, 2009 by New Prince |  See all 5 posts
"Coil" from Opeth's "Watershed"
A producer for Opeth, Steve Wilson, has a band named Porcupine Tree. He has similar moments on his releases. A definite listen is Lazarus form the album Deadwing. It is available for download from Amazon.com. I hope this helps. Here is the link... Read More
Jan 5, 2009 by D. Price |  See all 3 posts
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