From Publishers Weekly
Detailing the cross-country migration of a nameless blue-collar family after the death of an infant child, Kimball's brief, unusual novel alternates narration by two extremely young characters: the family's surviving son and his barely school-age sister. Both points of view are delivered in rambling stream-of-consciousness as the family, in grief and desperation, packs everything they own into their car and drives to "Bompa's" house. They sell off their belongings in order to make enough money to get to each next town: the baby cradle, clothes, the kids' toys, even family pictures. Both children are disturbed by this gradual depletion, but the boy finds comfort in taking a sort of inventory of what was sold, while the little girl loses herself in make believe about her dolls. The children's perspective doesn't give a clear picture of the parents, who seem so neglectful and irresponsible that one wonders if they have gone insane with grief. Eventually, the mother becomes pregnant but miscarries, and, somewhat unbelievably, the family is robbed of its last meager possessions by roadside thieves. At book's end the parents abandon the children at Bompa's house. Kimball evinces an undeniable feel for the cadences of children's speech. He creates clever compound words--"house-car," "night-sun," "dirt-world"--for those frequent instances in which his young narrators find their limited vocabularies exhausted. But the notion that young children's thoughts contain a poeticism and profundity destroyed by the pressure to conform to adult society is presented with a heavy hand. Despite the presence of some genuine stylistic flair and a consistent tone, the tale feels underdeveloped, yet overworked. (May)
Copyright 2000 Reed Business Information, Inc.
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From Library Journal
Reminiscent of William Faulkner's As I Lay Dying, this novel alternates between the stream-of-consciousness narratives of two very young children. Kimball (Mouth to Mouth) uses their voices to describe the events surrounding the death of their infant brother and their family's subsequent flight across country with the dead baby stored in a toy box in the trunk of their car. The older brother focuses on the distances they travel and the possessions they trade away to get from one place to another, while the sister attempts to make sense of her baby brother's death and her parents' apparent attempts to conceive a replacement. Both children struggle with the concept of "not being" and periodically attempt to revive their dead sibling. Unlike Faulkner's tragicomic novel, however, Kimball's story is relentless in its misery. He is successful in illustrating the children's attempts to cope with and make some meaning of their massive loss and complete powerlessness, yet the jumbled syntax of their thoughts soon becomes annoying. Rather than furthering the story, it seems contrived and gratuitous. Not essential.ARebecca Stuhr, Grinnell Coll. Libs., IA
Copyright 2000 Reed Business Information, Inc.