Amazon.com Review
Christopher Tilghman is often mentioned in the same breath as John Cheever or William Maxwell--American masters who have mapped the difficult terrain of domestic life. Pretty exalted company, but Tilghman more than holds his own in the novel
Mason's Retreat and the short-story collection
In a Father's Place.
The Way People Run is yet another example of both his skill as a stylist and his insight into the workings of everyday life. In "Something Important" Peter Randall is lured by his older brother Mitch to a family cottage in the Chesapeake country. The two men haven't seen each other in several years and their relationship has never been close. Yet when, in the course of the two days they spend together, Peter discovers that his brother knows something that he doesn't about his own marriage, it is Mitch who offers comfort:
Peter felt that hand and heard these words, and both of them helped. This boat he sat on, it was Mitch's idea of a gift, not coming empty-handed to the hospital room, no need to sit around getting maudlin for Christ's sake. Peter thumped on the desk and looked up at Mitch. "Thanks for this," he said.
"Room for Mistakes" follows Hal from his failing bank job in Boston back to the family ranch in Montana after the death of his mother whom he had loved "as his mother had loved him, from a distance." What starts out as a temporary pilgrimage home soon becomes a tangle of emotions and ghosts as Hal must confront his feelings about the ranch, his long-dead father, and the surprising revelations of his mother's will. Tilghman reveals a complicated subtext of jealousy, love, resentment, and hope through the mix of characters he introduces: Hal and his city-wife, Marcie; his step-father, Roy, who was once his mother's ranch hand; and Shannon, the housekeeper.
Tilghman has a knack for writing articulately about inarticulate people. In every story, actions speak louder than words, and though there's plenty of dialogue, most of Tilghman's meaning can be found in the accretion of telling details and in the behavior of his characters toward each other. These are the best kind of short stories--the ones you can read more than once and still find something new every time. --Alix Wilber
From Publishers Weekly
The six rich and complex stories here will add to the reputation Tilghman established in In a Father's Place and the novel Mason's Retreat. As in much of his earlier work, family homes, and journeys to them, play a central role, from a modest "old family cottage on the Rappahannock" to a once grand Hattiesburg home now become a funeral parlor. Redolent with family history, these properties quickly remind the characters they have not lived up to standards set for them. In "Room for Mistakes," Hal, a Boston banker who appeared in a story in Tilghman's first collection, returns, when his mother dies, to the Montana cattle ranch where he grew up, ostensibly to settle the estate but in fact to make peace with the mother he could not satisfy and with the profession that now bores him to death. Gradually, Hal comes to see managing the ranch as his opportunity to salve both wounds, finding the mercies of "a place to come home to." As the book's title suggests, Tilghman's characters are in flight, often to the family property, seeking an answer in their heritage. In the title narrative, Barry, an unemployed fund manager on a fruitless job search in the West, takes a side trip on his way to his wife and children in New York. He visits the dying prairie town where his maternal grandfather retreated after he abandoned his proper Hartford family. What is clear as Barry leaves this barren community, deciding to turn west and away from his own family, is that he has found some of his grandfather in himself. Tilghman grants all his characters dignity, even those who appear to fail, and takes care to make the reader feel the full weight of their lives, skillfully filling in years of history in a few deft sentences. Indeed, the closing story, "Things Left Undone," covers as much terrainAa marriage, a child's birth, that child's death, the breaking and the mending of the marriageAas many far less moving novels. In this short narrative, as in all the others, Tilghman takes his characters through their darkest hours and into the light again, a journey he makes the reader grateful to feel to the bone. Author tour. (May) FYI: The title story appears in The Best American Short Stories 1992; another story will appear in this year's volume.
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