Amazon.com: 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance (9780809319695): John W. Cones: Books

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43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance [Paperback]

John W. Cones (Author)
3.8 out of 5 stars  See all reviews (6 customer reviews)


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Paperback, March 1, 1995 --  

Book Description

March 1, 1995

Each year, thousands of potential filmmakers ask, "How can I finance a feature film?" Yet, until this unprecedented new book by John W. Cones, there has been no comprehensive answer to the question. Writing in a clear, informative style, Cones outlines and explains the numerous and diverse forms of financing available to independent film producers. As an objective adviser, he refrains from advocating one form of financing over another, choosing instead to provide specific, concise information regarding the many possible financing strategies.

Cones groups his forty-three methods of film financing into four major areas: industry financing, lender financing, investor financing, and foreign financing. In each of the forty-three chapters, he focuses on one kind of film finance, summarizing its financing vehicle, entity, and technique or transaction and analyzing its advantages and disadvantages. At the end of each chapter is an extensive bibliography of additional information about the particular form of film finance discussed. In covering the scope of film financing, Cones ranges from a discussion of studio-based independent production company methods to an examination of lender financing without distributor contracts to a detailed analysis of active and passive investor vehicles and foreign tax shelters and incentives.

Although the book focuses on financing feature films, its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multi-media and theatrical endeavors. For those individuals considering making or investing in a feature film—such as producers, executive producers, attorneys, screenwriters, and investors—it is an indispensable resource, one that will serve them well in determining the best methods to finance the production costs of a specific project.

 



Editorial Reviews

Review

“Cones delivers on his objective to provide a comprehensive overview of a very complex topic. Although mansy books exist that profess to help potential independent filmmakers with their craft, few contain such a concise and complete outline of this crucial aspect of filmmaking.”—Entertainment and Sports Lawyer

About the Author

John W. Cones is a securities and entertainment attorney based in Los Angeles. He is the author of Film Finance and Distribution—A Dictionary of Terms and Film Industry Contracts.

Product Details

  • Paperback: 208 pages
  • Publisher: Southern Illinois University Press; 1st edition (March 1, 1995)
  • Language: English
  • ISBN-10: 0809319691
  • ISBN-13: 978-0809319695
  • Product Dimensions: 9 x 6.1 x 0.6 inches
  • Shipping Weight: 12 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #4,627,456 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
3.8 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

73 of 76 people found the following review helpful:
4.0 out of 5 stars A resource for producers new and old, June 9, 2000
How helpful this book is depends on how "green" you are about the film industry. Those with little to no knowledge about film production will find the book resourceful, informative and very "to-the-point" about the different types of financing available. The advantage/disadvantage sections are especially concise--it's always good to see both sides when it comes to deals potentially worth millions. The "further reading" sections at the end of chapter are also handy, if you want to do extra research on your own.

For those who are experienced film producers (or even those who have finished rigorous film producing and/or entertainment business academic programs, such as myself), the information may repeat many things you already know. Many of the strategies in this book I've learned about in producing classes and film financing seminars--and I'm just starting my career. So I'm sure that some seasoned producers may think this book is reinventing the wheel. However, I did think that the sections dealing with the different securities and corporation options were very informative as far as how they impact your tax status, the difference between active and passive investors, how your autonomy as a filmmaker/producer may be affected, etc. It breaks down a lot of tax legalese into layman's terms.

Overall, I recommend the book--as a primer for new producers and students, and as a great reference guide to those with experience.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Every Independent Filmmaker should have this book!, July 4, 2008
By 
I've gone through this book from cover to cover and find it invaluable. Mr. Cones is very thorough in has coverage and assessment of the different ways to finance a film. He explains securities, as well as non-securities financing on a level that is appealing to both the beginner, as well as established film makers. In addition, he explains the popular business structures and how they can benefit your film. Most important, Mr. Cones writes with ethical candor. He tells you about some of the schemes that go on in Hollywood and gives you advice on what to avoid. Do yourself a favor, go out and buy this book!
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6 of 7 people found the following review helpful:
3.0 out of 5 stars Esentially Just What It Says., March 22, 2008
By 
Threefolddado (Long Beach, CA USA) - See all my reviews
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This is basically just a list of ways to finance a film. Each method is listed with advantages and disadvantages, most of which you could easily discern for yourself. If you are looking for something that reveals some insider secret to financing your film, this is not it. Does give some informative terminology, but nothing you couldn't find in any number of other books. If you are new to the business, I recommend something a little more in depth, even producer production notes will be more helpful. If you're a pro, this will give you no new insight.
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lender financing, negative pickup distribution agreement, film production services tax credit, international finance options, securities disclosure document, experienced securities attorney, specific disclosure guidelines, corporate production company, negative pickup arrangement, debt capitalization programs, investor vehicles, qualifying film, coproduction treaties, presale agreement, negative pickup deal, foreign presales, actor financing, investor financing, securities registration requirement, foreign government subsidies, film finance, completion guarantor, domestic theatrical release, distributor guarantee, blocked funds
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Film Council, New Cinema Fund, New Zealand, United Kingdom, Securities Compliance, Securities Act, North Carolina, European Union, European Convention, Industry Financing, New Mexico, California Section, Los Angeles, International Finance, Film Industry Contracts, European Economic Area, Regulation S-i, The Feature Film Distribution Deal, Bad Advice Some, Isle of Man, Foreign Tax Shelters, Model Accredited Investor Exemption, Active Investor Vehicles, South Africa
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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