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We Are All Equal: Student Culture and Identity at a Mexican Secondary School, 1988–1998
 
 
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We Are All Equal: Student Culture and Identity at a Mexican Secondary School, 1988–1998 [Hardcover]

Bradley U. Levinson (Author)

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Book Description

June 21, 2001
We Are All Equal is the first full-length ethnography of a Mexican secondary school available in English. Bradley A. U. Levinson observes student life at a provincial Mexican junior high, often drawing on poignant and illuminating interviews, to study how the the school’s powerful emphasis on equality, solidarity, and group unity dissuades the formation of polarized peer groups and affects students’ eventual life trajectories.
Exploring how students develop a cultural “game of equality” that enables them to identify—across typical class and social boundaries—with their peers, the school, and the nation, Levinson considers such issues as the organizational and discursive resources that students draw on to maintain this culture. He also engages cultural studies, media studies, and globalization theory to examine the impact of television, music, and homelife on the students and thereby better comprehend—and problematize—the educational project of the state. Finding that an ethic of solidarity is sometimes used to condemn students defined as different or uncooperative and that little attention is paid to accommodating the varied backgrounds of the students—including their connection to indigenous, peasant, or working class identities—Levinson reveals that their “schooled identity” often collapses in the context of migration to the United States or economic crisis in Mexico. Finally, he extends his study to trace whether the cultural game is reinforced or eroded after graduation as well as its influence relative to the forces of family, traditional gender roles, church, and global youth culture.
We Are All Equal will be of particular interest to educators, sociologists, Latin Americanists, and anthropologists.

Editorial Reviews

From Library Journal

Despite current educational philosophies that emphasize the group rather than the individual, it is still clear that students are more concerned with themselves than with equality with classmates. This ethnographic study of a junior high school in west central Mexico examines how students manage differences in a school that emphasizes equality and solidarity. It also discusses the way lessons learned in school are affected by outside influences, such as family, tradition, and migration to the United States. Levinson (education and anthropology, Indiana Univ.) utilizes data and interviews to develop a highly specialized study of culture and identity among teenaged students in an isolated Mexican community. Unfortunately, the book, which is based on his 1993 dissertation (Univ. of North Carolina), lacks broad appeal and makes for uninspired reading. The most valuable lessons are learned from transcriptions of student interviews, but a 300-page book is hardly the appropriate means for delivering a sampling of reflections from Mexican teenagers. Recommended only for exhaustive collections with a Hispanic interest. Boyd Childress, Auburn Univ. Lib., AL
Copyright 2001 Reed Business Information, Inc.

Review

“Combining the best features of critical and interpretive ethnography, Levinson shows the forces of history and economy that bear on students and their families while providing rich descriptive detail that is sensitive to nuances of meaning in local social action. Thus the students are portrayed as knowledgeable agents who take action and make sense within a universe of social gravity. The Mexican case contrasts with Euro-American critical studies of schooling that tend toward cynicism and over-determinism. Useful appendices on research methods and social theory conclude the work.”—Frederick Erickson, University of California, Los Angeles


“Levinson shows us how to think in a different way about studying youth and identity construction in a particular sociohistorical context. This first-rate and innovative ethnography will establish him as one of the best newcomers on the scene.”—Douglas Foley, author of The Heartland Chronicles

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