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Or so she believes. But at last the magic fails. A stranger arrives--cousin Charles, with his eye on the Blackwood fortune. He disturbs the sisters' careful habits, installing himself at the head of the family table, unearthing Merricat's treasures, talking privately to Constance about "normal lives" and "boy friends." Unable to drive him away by either polite or occult means, Merricat adopts more desperate methods. The result is crisis and tragedy, the revelation of a terrible secret, the convergence of the villagers upon the house, and a spectacular unleashing of collective spite.
The sisters are propelled further into seclusion and solipsism, abandoning "time and the orderly pattern of our old days" in favor of an ever-narrowing circuit of ritual and shadow. They have themselves become talismans, to be alternately demonized and propitiated, darkly, with gifts. Jackson's novel emerges less as a study in eccentricity and more--like some of her other fictions--as a powerful critique of the anxious, ruthless processes involved in the maintenance of normality itself. "Poor strangers," says Merricat contentedly at last, studying trespassers from the darkness behind the barricaded Blackwood windows. "They have so much to be afraid of." --Sarah Waters
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This is a complex novel. It is not for everyone. It is a difficult read, because if you aren't into the book, then you won't understand what's going on. It reminds me of J.D. Salinger's. His books, especially if you've read his short stories, are to be puzzled over, yet never completely understood.
The story is about Merricat and Constance, two sisters who live isolated on the edge of town at Blackwood Manor. They seldom venture out of their home, and when they do are subjected to abuse at the hands of the villagers, who particularly enjoy throwing rocks at Merricat and calling her names. Readers come onto the scene of the story years after a poisoning during supper at Blackwood Manor, which killed most of the family. For years Merricat, their uncle, and Merricat's older sister Constance have lived in solitude until Charles, a distant cousin, comes calling. He plays upon Constance's desire for a normal life, telling her how unnatural her life is at Blackwood Manor, while at the same time displaying to the reader a strong interest in the family fortune. Merricat sees him as a threat to her lifestyle of comfort and solitude, away from those who revile her and her family. Merricat is also disturbed by the way Charles seems to be tantalizing Constance with visions of how her life could be if they left Blackwood Manor. Suddenly everything important to her is threatened.
I felt particular sympathy for the character of Constance. She was locked in a world she couldn't get out of. She loved her sister Merricat, (even though Merricat was strange and a bit crazy) and didn't want to desert her, but at the same time, as demonstrated by her quickness to come around to Charles's way of thinking, she wished to have a normal life. She didn't want Merricat to be so wild, and she strove for normalcy at every turn. She was constantly doing motherly activities like baking and cleaning, and generally taking care of everyone around her.
What I liked most about the book was that it left me with the same feeling I got from reading Jackson's famed story "The Lottery". It leaves you with that kind of horror at humanity "The Lottery" did with such deftness.
All this book needs is someone who is willing when he or she sits down with it to take the time to figure out what's REALLY going on here, and to understand the characters and their plights. If you read this book, go into it with an open mind. You will be rewarded for it.
This novel is not for everyone. But it may be for you.