Automotive Holiday Deals Books Holiday Gift Guide Shop Men's Athletic Shoes Learn more nav_sap_SWP_6M_fly_beacon Adele egg_2015 Fire TV Stick Beauty Deals Gifts Under $50 Amazon Gift Card Offer minions minions minions  Amazon Echo Starting at $84.99 Kindle Black Friday Deals BestoftheYear Shop Now Tikes
We Killed: The Rise of Women in American Comedy and over one million other books are available for Amazon Kindle. Learn more

Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your email address or mobile phone number.

Buy Used
Condition: Used: Acceptable
Comment: Fast Shipping - Safe and Secure Bubble Mailer!
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See all 2 images

We Killed: The Rise of Women in American Comedy Hardcover – October 16, 2012

28 customer reviews

See all 4 formats and editions Hide other formats and editions
New from Used from
"Please retry"
"Please retry"
$2.48 $0.01

Dear Mr. You by Mary -Louise Parker
"Dear Mr. You" by Mary-Louise Parker
Explore this featured new release in Actors & Entertainers. Learn more | See related books

Editorial Reviews

From Booklist

Kohen’s lively oral history traces female comedians in America during the last six decades, showing how women doggedly fought their way into what was considered a male arena and thrived. The chronicle begins with the late, great Phyllis Diller, whom Kohen interviewed before her death, in August. Diller turned her own life into comedy, offering up joke after joke about being housewife to a loutish husband. While Diller mastered rapid-fire stand-up, Joan Rivers got her start lamenting her single status, and Lily Tomlin created eccentric characters. When Saturday Night Live came on the scene in 1975, Gilda Radner’s caricatures of public figures and original creations made an impression. Men largely dominated the show until the mid–1990s, when Molly Shannon’s hyperactive Catholic teen, Mary-Catherine Gallagher, became a sensation, paving the way for funny ladies Tina Fey, Amy Poehler, Maya Rudolph, and Kristen Wiig to make it big in the next decade. Filled with recollections from comedians, comedy-club owners, and writers, this remarkable oral history is a must-read for entertainment buffs. --Kristine Huntley

From Bookforum

Kohen winds up presenting a sort of Mr. Toad's Wild Ride of female comedy, one that inadvertently advances the notion that sorting comics based on a pair of chromosomes makes more sense than, say, tossing them into one of two groups: Funny and Not That Funny. From the hot-pink cover to the emotional high five of a title, Kohen's book has that whiff of feminist rallying that renders so much of the for-women, about-women universe faintly uncomfortable. —Heather Havrilesky

Hero Quick Promo
Holiday Deals in Kindle Books
Save up to 85% on more than 1,000 Kindle Books. These deals are valid until November 30, 2015. Learn more

Product Details

  • Hardcover: 336 pages
  • Publisher: Sarah Crichton Books; First Edition edition (October 16, 2012)
  • Language: English
  • ISBN-10: 0374287236
  • ISBN-13: 978-0374287238
  • Product Dimensions: 5.9 x 1.2 x 8.7 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #755,902 in Books (See Top 100 in Books)

Related Media

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful By takingadayoff TOP 500 REVIEWERVINE VOICE on October 16, 2012
Format: Hardcover
We Killed is like reading a good documentary film. It's organized roughly chronologically, from the 1960s to the present. The emphasis is on stand up comedy and TV. Author Yael Kohen introduces each chapter with a little background, then lets everyone speak for herself. Sometimes it seems as if there are several people in the same room, reminiscing and telling stories. Just as with the documentary film, the filmmaker, or in this case, the writer, is almost invisible to the viewer. Her questions aren't included and her remarks at the beginning of each chapter are brief.

At first, I thought the format was a awkward and I wanted a little more to connect the conversations, but then I forgot the format and was just enjoying reading about all these women (and a few men) talking about what it was like to write, perform, and get a foot in the door.

If you ever mistakenly thought that women aren't funny, you just have to read the lineup in this book to remind you of all the women who have made us laugh since the 1960s. Carol Burnett, Penny Marshall, Lily Tomlin, Mary Tyler Moore, and dozens more are all here. Even though Kohen includes a wide cross-section of women in comedy, you're bound to notice some of the women who aren't in the book, such as Julia Louis-Dreyfus, Tina Fey, Amy Poehler, and Betty White. The sheer number of notable women in comedy should prove the point that women are funny, and these are just the women on screen.

Reading about how some of my favorites got their starts was fun, but the real power of this book is in how the women dealt with the various degrees of sexism that existed in the 1960s and in many cases still exist today.
Read more ›
2 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
13 of 14 people found the following review helpful By cary o'dell on November 15, 2012
Format: Hardcover
While I think this book is an important one, I wish the author had concentrated just on women in stand-up comedy, especially since her historical knowledge of other fields, like TV broadcasting history, is greatly lacking. She begins her look at women as a force in the sitcom genre with "Mary Tyler Moore" which didn't debut until 1970! ?She thereby erases many important women on the screen and behind the scenes who were on the air long before "MTM." After all what about Madelyn Pugh Davies, she wrote a little show called "I Love Lucy." Other early female comedy writers include Selma Diamond, Lucille Kallen (from "Your Show of Shows"), Gertrude Berg and Peg Lynch, just to name a few. Furthermore to state that sitcoms pre-"MTM" never featured any single working women beyond "school teachers" (like Eve Arden in "Our Miss Brooks") is inaccurate as well. What about Ann Sothern as a hotel manager on her second sitcom, "The Ann Sothern Show" or Gale Storm as a ship's cruise director on her sitcom? Such narrow historical recounting doesn't do any favors for the readers and certainly not for women.
2 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
3 of 4 people found the following review helpful By ggjumpshot on October 21, 2012
Format: Hardcover
Author Yael Kohen presents here an easy to access history of comedy, place and personality. It's all here in one place. 'We Killed' takes you behind the scenes of some of our most famous talents and is, quite naturally, hilarious. A great gift idea (for mom, for sis) for the upcoming holidays.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback Verified Purchase
Yael Kohen writes, We Killed: The Rise of Women in American Comedy at the time of and in response to Christopher Hitchens’ article in Vanity Fair proclaiming women aren’t funny.

“Comedy has always reflected society- its values, taboos, norms. Surely, then, it only makes sense that the rise of women in comedy has run parallel to the rise of women in out society” (5). This is one of several hooks in the introduction, however I lost interest hereafter.

Kohen’s introductions to chapters are concise, consisting mostly of history with a sprinkle of her own observation.
The format of the book is awkward. Each paragraph is an oral account of club proprietors, writers, performers, producers, etc.- the name and profession in bold type followed by their personal story. The problem with this is, the book gave little indication of its format, thus confusing me right out the gate. Another reason this is troublesome is because it doesn’t move the history along. There is an abundance of information embedded in the oral accounts and I learned a great deal, but I felt like I had to hunt for the information. Not everything accounted for needed to be recounted.

Kohen’s book is well researched and surely informative. I loved learning how women dealt with sexism in each of their generations, past to present. I learned Phyllis Diller preferred to work gay clubs because they were chic; the audience had higher brow expectations for jokes unlike the vaudeville clubs.
I appreciate Kohen creating an inclusive environment in her book- men and women participate in the discussion- this is how feminism is thrives and paradigms begin to shift.

Kohen does a wonderful job researching and including so many wonderful people, but I feel there might be a few missing pieces.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
By James F. Booth on December 15, 2012
Format: Hardcover
You would not believe how excited I was for this book when I first saw the cover for it at BEA. I was waiting in line for the Katherine Applegate/Michael Grant signing and spent about 20 minutes before it started standing in the same place. That place gave me the view of one of the Macmillan pillars, which was covered in book covers of all kinds. We Killed drew my attention because, first off, it's hot pink (the book itself under the dust jacket is black and Very Serious) and then I noticed all my favorite comedians (seriously, about 95% of my favorites are women) and I was like "WHAT IS THIS BOOK?" I also happened to be right in front of the podium where publicists were sitting at. I asked about the book and was told there were no ARCs (and now I know why- in the introduction, Kohen mentions still interviewing people in mid-2012). But I kept the book title tucked away in my brain for later use.

Fast forward to September when I start thinking about the book again. I realized that with the mid-October release date looming, I needed to act fast. I emailed FSG's publicity department and made my case. I basically said that I've been lusting after this book since June, have reviewed non-fiction before (Kathy Griffin's memoir), and would promote the hell out of this book. No reply, but a book showed up in the mail about a week later. I did squeal and jump around, and tweeted about it immediately. I was in the middle of like 4 other books at the time, so I made an attempt at holding off on it. I couldn't help myself though and brought it with me to work that night, but then I was responsible and finished the other books before really diving into We Killed.

This is such a fascinating book.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews

Want to discover more products? Check out this page to see more: memoir