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We Were Strangers

12 customer reviews

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(Feb 22, 2005)
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$28.59 & FREE Shipping on orders over $35. Details Only 1 left in stock. Sold by NorCalBeliever and Fulfilled by Amazon. Gift-wrap available.

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Editorial Reviews

Product Description

It's been seven long years since his people last tasted freedom. So when Cuban-born expatriate Tony Fenner (John Garfield) finally returns to Havana, he joins the Organization, a small band of revolutionaries dedicated to ending the tyrannical rule of President Gerardo Machado. Aided by fellow rebel China Valdes (Jennifer Jones), Fenner proceeds with his audacious master plan: to execute the head of the senate and then assassinate all of Cuba's leaders at his well-attended state funeral. And so, as the secret police race to stop them, Fenner and Valdes tunnel beneath the cemetery, where theyintend to detonate a bomb so powerful, it will wipe out Machado's entire government with one blow. One of director John Huston's most controversial and rarely screened films, WE WERE STRANGERS is an explosively intense, action-suspense thriller.

Following the 1948 one-two punch of The Treasure of the Sierra Madre and Key Largo, and before hitting the halcyon streak of The Asphalt Jungle (1950), The Red Badge of Courage (1951), and The African Queen (1951), John Huston directed a fascinating movie called We Were Strangers--which could have been the working title of almost any picture Huston made. The first endeavor of his and Sam Spiegel's independent Horizon company, it's a very offbeat film that deserves to be better known. In 1933, an American leftist (John Garfield) returns to his native Cuba to help topple a dictator. Thrown together with a diverse band of co-conspirators--including a recently radicalized young woman (Jennifer Jones) and an endearingly lusty proletarian (Gilbert Roland)--he hatches a macabre plot for planting a bomb under El Presidente and his cabinet. Have no doubt that, in finest Hustonian tradition, the quest will trace a twisted itinerary, with several grotesque detours, to the most bitterly ironical of endings. The casting of Garfield, soon to be a victim of the Hollywood blacklist, retrospectively darkens this HUAC-era production. Aesthetically, the Cuban setting, spare rhythms, and stylized, quasi-literary dialogue speak to the looming shadow of Ernest Hemingway, a big influence on Huston's early writing and a boon companion of the director and co-screenwriter Peter Viertel, while in theme and mood the picture honors the growing cult of French Existentialism-with-a-capital-E (hardly coincidentally, Huston had directed the first American stage production of No Exit not long before). --Richard T. Jameson

Special Features


Product Details

  • Actors: Gilbert Roland, John Garfield, Jennifer Jones
  • Directors: John Huston
  • Producers: Sam Spiegel, S.P. Eagle
  • Format: Black & White, Closed-captioned, Full Screen, NTSC, Subtitled
  • Language: English
  • Subtitles: French, English, Spanish, Japanese
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: February 22, 2005
  • Run Time: 105 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (12 customer reviews)
  • ASIN: B00070HK42
  • Amazon Best Sellers Rank: #102,471 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "We Were Strangers" on IMDb

Customer Reviews

Most Helpful Customer Reviews

12 of 13 people found the following review helpful By L. Dequesada on December 26, 2004
Format: DVD Verified Purchase
At long last a forgotten blockbuster film from Hollywood's Golden Era will soon be released on DVD! Passed up for re-issue on video this action packed, star studded epic will leave an unforgettable impression. Starring Jennifer Jones as the sultry cuban belle and revolutionary, "China" Valdes, John Garfield as Tony Fenner, a courageous Cuban-American revolutionary, Pedro Armendariz as Ariete, the ruthless chief of dictator Machado's police and co-starring Gilbert Roland, Morris Ankrum, Ramon Novarro and others. Filmed entirely in Havana, Cuba in 1948 and released in 1949, this film is based on a true story of the Cuban underground fight against the dictatorship of Machado,during the final days of his regime in 1933.

"We Were Strangers" is definitely one of Hollywood's best action films, virtually forgotten but luckily will soon be available.

I highly recommend this film. Do not miss it as it will definitely become one of your favorites!
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10 of 11 people found the following review helpful By Phillip O. VINE VOICE on March 8, 2005
Format: DVD Verified Purchase
In between making the classics "Treasure of the Sierre Madre" (1948) and "The Asphalt Jungle" (1950), John Huston made "We Were Strangers," which virtually vanished and was never released on VHS and seldom shown on television. At the time of the film's release, which was right at the beginning of the HUAC Committee and American political paranoia, it predictably received unfavorable and questionable attention. It was released in April of 1949 but audiences were perplexed by it and it quickly vanished from theaters.

Based on the overthrow of Cuban dictator Geraldo Machado Morales in 1933, the story is about a group of revolutionaries who plot to bring down their corrupt government. China (pronounced Cheena) Valdez witnesses her brother's murder after he distributes leftist pamphlets and vows that she will kill his assassin. At his funeral, however, she is persuaded to join an underground group whose motives are more carefully orchestrated. China's house is next door to a cemetery and the leader of the group (John Garfield) devises a scheme to assasinate an official whose family plot is in the cemetery and detonate a bomb at the man's funeral thereby killing as many officials as possible. To do this, they must dig a tunnel from China's house to the cemetery. Most of the movie is concentrated on the digging of the tunnel as Garfield and Jones' develop a romantic interest in each other. However, the film never lets the romantic issues overpower the film's basic purposes of depicting the desperateness of the Cuban terrorists and the film ends with a violent and exciting shoot-out sequence.

The film often suffers in a few places from sluggish pacing but the performances are all first rate.
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3 of 3 people found the following review helpful By Bartleby the Scrivener on September 4, 2007
Format: DVD Verified Purchase
The most recent issue of FILMFAX Magazine (Autumn, 2007) includes an interesting article which claims that this movie was one of JFK assassin Lee Harvey Oswald's 'trigger' films.

Oswald's widow went on record (in the Warren Report) stating that Oswald watched this film twice in 24 hours when it was shown on a local Dallas TV station, just over a month before Kennedy was killed. Researchers have verified that "We Were Strangers" was, indeed, screened twice in Dallas over a weekend in October of 1963. Following Kennedy's death, the film was effectively buried---it wasn't shown again on TV and was never released on video. It was only released on DVD about five years ago. Even the official PR copy for the DVD neglects to mention these facts.

Nobody knows if Oswald ever saw "The Manchurian Candidate". But he did absolutely see "We Were Strangers". Wondering what he was looking for in this movie, and wondering how this movie might've influenced history, make watching this film an interesting experience.
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1 of 1 people found the following review helpful By Allen Smalling TOP 500 REVIEWERVINE VOICE on October 29, 2014
Format: DVD
WE WERE STRANGERS (1949) was Columbia's attempt to combine street fighting with love and politics. Story, set in 1933 Havana, concerns attempts of average citizens to overthrow brutal police-state government. Jennifer Jones and John Garfield, both on loan from other studios, are fine as budding revolutionaries, Jones especially so as mousy bank secretary who (spoiler) takes to the guns by movie's end. Occasional use of exterior day shots adds credibility, and ominous mood generally holds, but this 106-minute feature does not quite have the Warner Bros.-like tautness it ought to. Still, quite watchable. With Pedro Armendariz. Directed by John Huston, produced by "S.P. Eagle," a pun for "Sam Spiegel." The price of this DVD, horrendously high at this time, can be mitigated by buying the eight-movie Silver Screen Romances, 8 Movie Set (The Solid Gold Cadillac/We Were Strangers/Angels Over Broadway/Music in My Heart/The Marrying Kind/It Should Happen to You/Adam Had Four Sons/Down to Earth) for much less money.
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Format: DVD
The history of Cuba had been replete with struggles against tyranny well before the boys of the Sierra Madres, you know the Castro Brothers, beloved Che the Argentine internationalist heart of the revolution, the lost Frank Paisa man of the cities, and all their brethren who took down Batista in the late 1950s. Took him down almost without a fight at the end when the masses waited in the cities and farms for the boys (and girls, don’t forget Haydee Santamaria) to work their way to Havana town. Of course everybody remembers, or should, the legendary 19th century revolutionary Jose Marti, celebrated in story and song, still honored in Cuba today and his struggle to get rid of the bloody Spanish oppressors and the later struggle in the 1930s against the hyenas, the Machado, the hyenas who were replaced later by the that self-same Batista. So the island of Cuba has been no stranger to the struggle for freedom (and the Bay of Pigs-style operations to thwart such struggles) the film under review, We Were Strangers, demonstrates in its depiction of the fight against the hyenas in the 1930s mentioned above. Of course this film which was released in 1949 could not have dealt with the regime that followed, Batista’s, since this film is centered on the 1930s struggles. That later regime necessitated the Castro boys taking up arms in the hills after the initial defeat at Moncado.

Here is the skinny. The hyenas took over in the 1920s and ran rampart over the country and for the foreign, mainly the United States, interests in the sugar production. (Cuba was a classic monoculture colonial and semi-colonial country around the sugar crop, and to a lesser extent still is).
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