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Wealth and the Demand for Art in Italy, 1300-1600
 
 
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Wealth and the Demand for Art in Italy, 1300-1600 [Paperback]

Richard A. Goldthwaite (Author)

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Book Description

0801852358 978-0801852350 October 1, 1995

Wealth and the Demand for Art in Italy represents a departure from previous studies, both in its focus on demand and in its emphasis on the history of the material culture of the West. By demonstrating that the roots of modern consumer society can be found in Renaissance Italy, Richard Goldthwaite offers a significant contribution to the growing body of literature on the history of modern consumerism—a movement which he regards as a positive force for the formation of new attitudes about things that is a defining characteristic of modern culture.


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Editorial Reviews

From Library Journal

This book is essentially a lengthy and well-organized response to the deceptively simple query posed in the introduction: Why did Italy produce so much art in the Renaissance? Renaissance scholar Goldthwaite ( The Building of Renaissance Florence: An Economic and Social History , LJ 2/1/81), here examines the remarkable proliferation of art in early modern Europe and the preeminence of Italian art during that period. What is really unique here is the author's meticulous placement of Italian art--a subject nearly always considered from an aesthetic point of view--within its larger economic context. After setting the scene in an introductory chapter describing the economic background of Renaissance Italy, Goldthwaite analyzes at length the need for art production within the milieu of the church as well as in the secular world. Although the book is written in a dense, academic style, this study of both art history and economic history is at once groundbreaking and authoritative. Highly recommended for academic and art libraries.
- Douglas F. Smith, Oakland P.L., Cal.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

Will surely elicit much discussion and reexamination of older theses about the connection between Italian economic, social and political life and the amazing culture we know as the Renaissance.

(American Historical Review )

A remarkable achievement.

(Art History )

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Inside This Book (learn more)
First Sentence:
THE RISE OF DEMAND in Renaissance and Baroque Italy for churches and palaces and for their furnishings brought about a massive transfer of resources from savings and investment to consumption. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
liturgical apparatus, new consumption habits, liturgical utensils, institutional proliferation, communal period, cloth staple, religious artwork, mendicant movement, liturgical space, rural nobility, commemorative masses, decorative ensemble, feudal model, artistic patrimony, spiritual restlessness, consumption model, ooo florins, pictorial world, disposable wealth, traditional nobility, ooo ducats
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Middle Ages, Renaissance Italy, Near East, New York, Counter Reformation, Black Death, Italian Renaissance, Filippo Strozzi, Renaissance Florence, Giovanni Rucellai, New Haven, Federico da Montefeltro, Low Countries, Santa Maria Novella, Emaudi Storia, Santa Croce, Antonio de Beatis, Fynes Moryson, Galvano Fiamma, Georges Duby, Palazzo Vecchio, Palla Strozzi, Quattrocento Florence, Renaissance Venice, Ann Arbor
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