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Comment: Please read all of the following for a proper condition description of this book. There are no markings on book - all text is legible. Book is completely intact and useable but has some noticeable imperfections (none are prominent) as are subsequently described. Pages have little edge or corner wear and only a few bends or creases - a small amount near middle have a subtle waviness from handling. Page edges have slightly yellowed. Covers have mild to moderate edge and corner wear and a few minor bends. Back cover has a moderate ¾ inch crease across the lower corner and some minor scratches. Covers are completely intact and serviceable. Spine has no crease and binding keeps all pages intact. INCLUDES AMAZON SHIPPING, CUSTOMER SERVICE, AND RETURN POLICY.
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Weaveworld Paperback – April 1, 2001

4.6 out of 5 stars 233 customer reviews

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Editorial Reviews

From Publishers Weekly

This long second novel by Barker, whose first, The Damnation Game, was published earlier this year, is an unusual and not totally convincing mix of adventure and fairy tale. Barker envisions a race of fey folk known as the Seerkind who live undetected among mere mortals (whom they slyly refer to as the Cuckoos) until threatened by destruction. In response, the Seerkind weave themselves and their living places into a carpet, a magical riot of color and wonder known as the Fugue, which is then placed in the care of a mortal woman. Years pass, the woman grows old and dies, and her death signals to malign forces who wish to possess it that the Fugue is no longer protected. These are the demonic, immensely powerful woman known as Immacolata, her two ghostly, repulsive sisters, and her mortal cohort, the avaricious and power-hungry Shadwell. But the granddaughter of the Fugue's former caretaker manages to get possession of the rug, and so begins a long pursuit. A wealth of characters walk (or fly or crawl) through these pages, and the plot is a busy one. At times the story has a rather mechanical feeling, lacks conviction and excitement. Barker has less real emotion here than in his first novel, and has for the most part abandoned his trademark grisly details. Nevertheless, the book is often diverting and quite inventive. 100,000 first printing; $125,000 ad/promo; BOMC featured alternate.
Copyright 1987 Reed Business Information, Inc.

From Library Journal

Barker turns from his usual horror to epic-length fantasy for this account of the Fugue, a magical land inhabited by descendants of supernatural beings who once shared the earth with humans. The Fugue has been woven into a carpet for protection against those who would destroy it; the death of its guardian occasions a battle between good and particularly repulsive evil forces for control of the Fugue. Weaveworld is rich with memorable characters, exciting situations, and pockets of Barker's trademark horror. Although the action slows as the novel's length takes its toll, the fine style and handling of mythological themes carry the reader to a satisfying conclusion. Both horror and fantasy fans will enjoy this sure-fire best seller, recommended for most fiction collections. BOMC featured alternate. Eric W. Johnson, Univ. of Bridgeport Lib., Ct.
Copyright 1987 Reed Business Information, Inc.
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Product Details

  • Paperback: 672 pages
  • Publisher: Gallery Books (April 1, 2001)
  • Language: English
  • ISBN-10: 0743417356
  • ISBN-13: 978-0743417358
  • Product Dimensions: 5.3 x 1.9 x 8.2 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (233 customer reviews)
  • Amazon Best Sellers Rank: #189,067 in Books (See Top 100 in Books)

More About the Author

Clive Barker was born in Liverpool in 1952. He is the worldwide bestselling author of the Books of Blood, and numerous novels including Imajica, The Great and Secret Show, Sacrament and Galilee. In addition to his work as a novelist and short story writer he also illustrates, writes, directs and produces for the stage and screen. His films include Hellraiser, Hellbound, Nightbreed and Candyman. Clive lives in Beverly Hills, California.

Customer Reviews

Top Customer Reviews

Format: Paperback
It had taken me a month to read this book and I happen to be a very fast reader. There was so much detail and description that I had to try and take it all in. Reading this is very similar to observing the weave that Barker describes so eloquently in the pages of this book. On my cover, it says "An Epic of the Imagination." And that, indeed, is.

The plot was intricate, matching the idea of a weave. It incorporated so many things that I love, mythology, religion and a complex plot. The language is evocative and poetic but also very stripped and common-place at the same time. The characters were very intriguing and realistic and each one was symbolic.

My favorite character out of the bunch was not a hero but rather a villain. I happened to adore the character of Immacolata. She was so cold and so vicious. She was a complete original and I happen to love it.

So overall, a rather engaging read and a masterpiece. It may even be one of my favorite novels but most definately, the best read I had all year.
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Format: Mass Market Paperback
...and your imagination will never want to lose the excellence of this book. I have just finished reading Weaveworld for the third time and still find myself at a loss for words to capture its brilliance. Really, it defies explanation. Barker has created what I consider to be one of his greatest novels, heck! it's almost THE greatest novel. Its immensity allows its creator to use every aspect of great story telling to leave you feeling like you've just experienced something divine. It is an epic adventure of monumental proportions into a great secret world called 'The Fugue', that has been hidden away in order to elude its notorious enemies. Following the exploits of the two main characters, Cal and Suzanna, it tells us how they unravel (literally) the secrets behind the Weaveworld. This brings them into contact with some of Barkers most timeless and unforgettable characters, more notably so Immacolata and her side-kick the shifty salesman Shadwell. Mysterious, magical, loveable and terrifying - this book has it all. I particulaly love this book because of 'The Orchard of Lemuel Lo', with its entertaining magic and Jude Pears. A part of the book Clive Barker based on a early personal experience. It's just such a great chapter, magical in its peculiarities and believable by its veracity.
There are moments of exquisite tenderness and poetry in this book and moments that will have you practically tearing the page to turn it and find the answers to the many questions Barker poses throughout. The story will take you beyond reality, beyond fiction, beyond poetry and beyond fantasy to deliver you to an ambience that will intice, elate and overwhealm you. You will truly wish the story to never end, which in a way it never does - you have to experience it to understand.
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Format: Paperback
And with that line we pick up on this story without a beginning and without an end.
We meet Calhoun Moody and Suzannah Parrish. Two people who come together. Cal, who lives with his depressed dad and pigeons. And Suzannah who travels from England to at the wish of a cryptic note from her Grandmother she barely knew. She finds her on her death bed. These two are brought together during a run in with a human salesman and the incantatrix Immacolata, who is using the salesman for her will. They are after a carpet. A carpet that houses the Seerkind. Immacolata was once one of them, but she escape now she want them destroyed.
And so the story goes from there. Suzannah (who receives part of Immacolata's menstruum, and thus some of her powers), and Mad Mooney must get this carpet back from those two eveil people. They are met by a few stragglers from "The Fugue" who help (and don't help) the two on their journey. This is an epic fantasy novel that could rival classics like The Riftwar Saga and The Lord of the Rings.
Clive Barker uses his masterful writing to paint us a beautifl image of England as well as The Fugue, the two places that most of the story is told in. And the words all weave together to tell this wonderful story. And if reading that last three paragraghs doesn't bring a tear to your face as you finally close this chapter of the adventure, I don't know *what* will.
You owe it to yourself to pick this wonderful book up and give it a read.
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Format: Mass Market Paperback
Weaveworld is a bludgeoning fusion of occult schlock-horror and heroic fantasy and is populated by a motley of vividly depicted characters. Cal and Suzanna's mundane entry on the scene contrasts effectively with the other-worldly horrors than ensue. The intriguing child/man Nimrod provides some humerous tableaux. Immacolata provides us with a deliciously evil villainess, her character made all the more complex by elements of poignancy and reconciliation surrounding her demise, and the chief miscreant - Shadwell is an effective personification of the "all power corrupts..." maxim.
The sheer vileness though of some of the apparitions that Barker conjures forth demands the reader possess a strong stomach and reminds us that, first and foremost, this is a horror novel. What else should we expect from the author who gave us the visceral terrors of Hellraiser? The tale is also frequently punctuated by explicit (and some may say unnecessarily gratuitous) sexual imagery, which some may find tasteless.
One major problem I had with Weaveworld is that I felt it reached its peak about two thirds of the way through. The most satisfying chapters are undoubtedly Cal and Suzanna's adventures in the Fugue and their heart-stopping flight to keep out of Shadwell and Hobart's clutches. Once the Fugue is unwoven though and the Seerkind scattered, the tale seems to lose direction somewhat. In particular the appearance of the entity calling itself Uriel really doesn't seem to fit comfortably with what has gone before and reads more like a novella in its own right. I'm afraid for me, the conclusion of the Uriel episode reminded me of some of Star Trek's more hackneyed finales, and I must confess to feeling slightly cheated by the rather tame conclusion.
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