Customer Reviews

Weezer (Red Album) [Deluxe]

5 star:		(42)
4 star:		(32)
3 star:		(19)
2 star:		(12)
1 star:		(15)

 

 

The Red Album is the biggest surprise that this band has released to this date. While at times it has its typical weezer hooks, chugging power chords, and cuomo melodies, this album sheds a whole new light on who Weezer actually is today in 2008. It's the first Weezer album where the other members had the same amount of insight as Rivers on ideas for the songs. Some of the songs are sung entirely by other members of the band. Also, the members of the band switch instruments multiple times. I think it is safe to say that this is the most experimental album by far by Weezer.

Troublemaker - This opening track is crazy catchy, but doesn't really go to many places and is probably one of the weakest tracks on the album(especially lyric wise). "Marrying a biatch, Having seven Kiads"...?? The track is able to keep you on your feet, but that's about it.

The Greatest Man That Ever Lived - The most epic track on the album crosses over to many different genres. The song constantly changes for the whole six minutes of the song includes challenging choral pieces, punk breakdowns, pop verses, and original Weezer and Rock melodies.

Pork and Beans - The first single of the album. In a way, it was a tease for what was to come for the album since a chorus of a Weezer song hasn't sounded like this for years. While the verse has a new Weezer feel, the chorus takes you back to 1994. Written after an intense meeting with Geffen, Rivers angrily went home to write this song that is an allout backlash at the record company for not respecting the freedom of the band. "Imma do the things that I want to, I ain't got a thing to prove to you". One of the strongest tracks on the entire album for sure.

Heart Songs - Rivers' influences mean a lot to him. Which is why this sincere ballad another one of the strongest tracks on the album. Describing all of his influences by name, Rivers mentions all of the rockstars and past musicians that helped him become who he is today. At times, the song sounds a bit corny moving into the chorus. But, the bridge is one of the strongest bits on the entire album with insanely catchy overlapping vocals and distorted guitars. He mentions that his room mate showed him "Nevermind" by Nirvana, and that it "broke the chains it had up on me" and by that time he set out to start a rock band with his friends.

Everybody Get Dangerous - One of the hardest tracks on the album. *Personally* its my least favorite on the entire album next to Troublemaker. But at the same time, the song starts out absolutely rockin. I also feel like the verses are really strong. Reminiscent also of the chili peppers and maybe zeppelin. The chorus seems a bit corny, especially with the "boo yah"! The highlight of the song is towards the end where Pat goes off by himself, and the rest of the band is just shouting having fun.

Dreamin' - Rivers pushed this one to be on the album. I see why he did it too. Maybe not the strongest track, but it definitely brings back the Weezer feel to the album. It sounds like a lost track off of Make Believe or Maladroit. Sort of has a "Keep Fishin" type of feel but a little harder. Also, a pretty interesting breakdown with Brian singing lead. Very psychedelic sounding, and then it gets a bit more poppy as it goes on.

Thought I Knew - Brian's song on the album. He sings lead vocals. It definitely has a "Space Twins" or "The Relationship" type of feel on the album. It doesn't sound like a Weezer song at all. But it is a good tune, it just doesn't feel like it flows too well with the rest of the album. The lyrics are definitely nice, as well as the guitar work. The track itself is really great, but I'm not too sure it belongs on here.

Cold Dark World - Scotts song on the album. Another weak one on the album (personally I feel this way). The song doesn't really go anywhere. It just feels dead. Scotts not exactly singing in the verse, its more talking. The chorus "Angel come in a cold dark world, im gonna be your man". The chorus had potential but doesn't really hit it right. The strongest part of the song is when the guitar has a break by itself. It's really pretty.

Automatic - Pats song on the album. Very rockin and pretty awesome. It's really in your face. The only thing that was a dissapointment was the tempo. In the remix that was first released, the tempo was set MUCH MUCH higher. And it gave a whole new feel to the song. Pats vocal perfomance is impressive, and this was definitely a good choice from him and the band to put this one on. Very solid track.

The Angel And The One - One of my favorites on this album by far. This song has one of Rivers' best performances in years. Or maybe it's just nice to hear him talking about love again. It is by far the best album closer since Pinkerton, and has Rivers describing how he is at peace with his love life "I am complete, is what im sayin. I'm flying up so high, my purple majesty displaying". Even the guitar work is beautiful towards the end. Which is nice to hear since the album barely showcases any guitar work. Nothing else to say except that this is a beautiful song.

The other 4 deluxe tracks are amazing. Miss Sweeney starts to sound like Old Weezer but at first sounds like something completely new until it hits the chorus, the full band version of "Pig" is utterly satisfying compared to the demo, The Spider is beautiful and actually very trippy sounding, and lastly King is a great acoustic song sung by Scott. This one should have replaced Cold Dark World. King is a very strong track. I guess the only thing I have to say is that I was dissapointed that there wasn't one real guitar solo on the whole album. Also, the b sides/covers are really awesome so I suggest everybody tries to get their hands on them. Enjoy the album everyone, it is yet another success by Weezer.

Is this Weezer's best album? No. It is their worst? No. Is it their strangest? Definitely. It would seem to me, though, that people are either so enamored with the band or so enamored with the past they've lost a critical ear. But let's take it song by song:

1. Troublemaker -- Fairly standard Weezer fare, really, although a bit more pop than perhaps their earlier stuff. Enjoyable, but not really memorable.

2. The Greatest Man That Ever Lived -- Yes, it's strange and rarely repeats -- save for the main chorus -- but each section is pretty catchy on it's own. They lyrics are pretty hilarious.

3. Pork and Beans -- Again, fairly standard Weezer fare, backed by a great video. It's pretty catchy, but not really that interesting.

4. Heart Songs -- Yes, it sounds a bit cheesy when it starts, but it's a great song, backed by an experience we all share: those songs that never leave you, that will always be important no matter how much time passes. It builds really nicely, too.

5. Everybody Get Dangerous -- For what it's worth, I liked "We Are All On Drugs," which probably informs my opinion of this song. I enjoy the heck out of it. The chord changes are great and the lyrics are hilarious -- a great job of taking me back to my youth and a legitimate question: what do we do when our kids act like we did?

6. Dreamin' -- An obvious single, made less obvious by the outro, which is really cool. A good song and classic Weezer.

7. Thought I Knew -- Yes, Brian sings lead on this. And, yes, it doesn't sound like a Weezer song at all, even on a album that's redefining what a "Weezer" song is. On it's own merits, this might be a great song, but it's simply too jarring to hear on the album.

8. Cold Dark World -- Scott sings lead on this one and it's much less jarring to me. I actually like this song. It's fairly driving and Scott delivers his vocals a lot like Rivers (who sings on the choruses).

9. Automatic -- I think this might be Pat on vocals here. Again, a twist from Weezer, but not completely different. It's an okay song. I think a big problem people might have with this album is the fact that these three songs come in a row.

10. The Angel and The One -- This is a great song. This is classic, heartfelt Weezer. I read a review where someone said this album didn't have the emotional appeal that previous Weezer albums have had, and while that might be true on a whole, this song (and Heart Songs) just really hit home.

BONUS TRACKS

11. Miss Sweeney -- I agree with a previous reviewer -- this song makes the bonus album a required purchase. It's just a great song and Rivers' vocal delivery is just so great. It's songs like this that make you realize just how creative Weezer can be.

12. Pig -- Another good one, kind of folksy, kind of earthy, but still quirky in that Weezer way.

13. The Spider -- Yeah, it's a little bizarre and kind of sounds like one of Rivers' home recordings. It might grow on me in time, but now it's just kind of there.

14. King -- Man, I don't know if Scott writes the vocal lines and lyrics or if Rivers handles that and just has Scott sing it, but I have to say that he's pretty freaking great. This is probably better than "Cold Dark World."

Overall, I think it's a good album. I'd have given it 3 and a half stars initially, but I'm sure it will earn the extra half a star going forward.

The dudes from Weezer have it rough.

Imagine being part of one of *the* defining rock bands of the mid-'90s post-grunge era -- a band whose members kick-started their careers with back-to-back, indisputable masterpieces (the blue-hued, self-titled debut "Weezer" and its painfully personal, less-pop-sensible follow-up "Pinkerton"). Now imagine the pressure that comes with trying to meet or exceed the stratospheric expectations of both critics and rabid fans looking for you and your bandmates to recreate that magic on subsequent releases -- to, in essence, make lightning strike twice, *twice*.

The band's 2001 comeback (also titled "Weezer," but nicknamed "The Green Album" because of the cover art's color palette) came closest to appeasing their mass of followers, partly because it was seen as somewhat of a return to form, but mostly because it was also literally Weezer's "return" after a four-year hiatus. By the time 2002's mildly praised "Maladroit" came out, even some of the band's most devout loyalists began to lose hope. And don't even mention 2005's schmaltzy "Make Believe" (or its ubiquitous, love-it-or-hate-it single "Beverly Hills") to a Weezer fan unless you want to get punched in the face.

So, does the band's sixth LP "Weezer" (dubbed "The Red Album" for clarity's sake) manage to finally recapture the glory days of the emo-pop foursome at their creative peak? Well ... no. I think by now, it's obvious that doing so would be impossible, which is why I believe "Red" (and the rest of the post-"Pinkerton" albums, for that matter) shouldn't be judged against the band's earlier work. Instead, it should be appreciated for what it is: a well-rounded collection of catchy, decent-to-great pop songs that, at the very least, will leave even the most finicky Weezophile satisfied.

If you've logged on to YouTube in the last couple of weeks, there's a good chance you've seen the video for "Pork and Beans," the album's first single. It's the band's latest incarnation of "Buddy Holly" -- after "Hash Pipe," "The Good Life," "Keep Fishin'" and "Beverly Hills" -- and was written by lead singer Rivers Cuomo to spite record executives who pressured him to pen a radio-friendly hit. (Ironically, with its inescapable chorus and driving guitar rhythms, all crammed into a perfect three-minute run time, "Pork and Beans" is the summer's prime candidate for nonstop airplay on Top 40 stations across the country.)

Elsewhere, Cuomo plants his tongue firmly in his cheek for a song detailing rock star excess ("Troublemaker"); "boo-yah"s his way through a speedy, metal-inspired tune about his days as a reckless teenage prankster ("Everybody Get Dangerous"); and lays out a laundry list of his diverse musical influences ("Heart Songs"). The band's most epic experiment to date comes in the form of "The Greatest Man That Ever Lived (Variations on a Shaker Hymn)," a six-minute, Queen-esque rock opera that cobbles together rapping, Prince-like falsetto wailing and church-choir backing vocals.

When I heard each of the three other band members -- guitarist Brian Bell, bassist Scott Shriner and drummer Patrick Wilson -- would be getting lead-vocal duties for one track apiece on this album, I was a bit leery. And alas, after hearing their respective entries, my fears were largely confirmed. Bell's "Thought I Knew," Shriner's "Cold Dark World" and Wilson's "Automatic" aren't necessarily "bad" songs; their biggest detriment is simply due to the fact that, without Cuomo's trademark voice, not one of them is identifiable as a Weezer Song. Sequenced one after another near the end of the album, they have a jarring effect on the listener, like someone placed a trio of generic alt-rock staples from 1999 on the CD as a joke.

The best way to wash the aftertaste of those misfires out of your mouth is to pick up the deluxe edition of "Weezer," which includes four Cuomo-sung bonus cuts, including fan favorite "Pig" and the heart-laid-bare "Miss Sweeney," about a real estate executive who secretly pines for his secretary.

Pound for pound, The Red Album is another solid effort from the elder statesmen of emo. And although this album doesn't come close to matching the decade-defining influence of Weezer's first two outings, it definitely gets points for *not* trying.

This album contains both the best and worst material Weezer have released since their reformation, which makes for a very strange album. "Pork and Beans" manages to recapture that signature "Weezer" sound circa the blue album more succesfully than any other song they've released since the 90s, and "The Greatest Man That Ever Lived" is easily the most interesting and ambitious song they've released since then, both of which set this album up to be as much of a return to form as can be expected at this point.

However, after the first 3 tracks, things get a little weird. Where Weezer used to stand out from the bland, generic alternative rock of their peers, they now seem to eagerly embrace it. Songs like "Everybody Get Dangerous" and "Automatic" sound like bad late 90s alt-rock radio rejects (although "Dangerous" does eventually delve into a bizarre bridge about Rivers' future children slicing up his house with ninja swords, which is interesting). "The Angel and The One," which seems to be an attempt at recapturing the epic spirit of "Only In Dreams," comes off more as a bad Creed song.

This album marks the first time that other members of the band have been allowed to lend lead vocals and songwriting to an album, which on paper sounded exciting. However, Weezer are known for such a distinct aesthetic (like Pitchfork said in their review, they're essentially a brand) that these songs sound like a completely different band. I admire their spirit of experimentation, but I feel like these songs should have ultimately been omitted in favor of a more consistend album and a more consistent sound as a band.

Forgetting, for a moment, the gag inducing detours into stale, outdated alt-rock cliches from the late 90s, there is one area in which I feel this album succeeds. On the songs that were actually written and sung by Rivers, he is actually being very direct and personal and writing things that come from a real place in his life. The lyrics on the past 3 albums have sounded as if they come from a soulless random-impersonal-lyric-generator, leaving the songs with a rather shallow feeling. Here, although the lyrics are frequently stumble inducingly awkward or overly sing-song-rhyme-y, you feel like Rivers is actually being sincere, and that's all Weezer fans have been asking for for the past decade. In that regard, I'm pleased.

As far as the bonus tracks go, "Ms. Sweeney", "Pig" and "The Spider" are very interesting and see Rivers returning to the weirdness of some of his older B-sides, which is promising. What they lack in focus and hook they make up for in quirky charm.

Overall, this is an album that only a die-heard Weezer fan needs to purchase, and even then only to listen to a couple times and wonder "why?" Otherwise, just buy the first 3 tracks and enjoy them on their own. I give it 3 stars for the undeniable charm of "Pork and Beans" and "Greatest Man," along with the 3 decent bonus tracks (do yourself a favor and don't even listen to "King").

I was a huge Weezer fan freshman year in high school when the "Blue Album" was one of the first Compact Disc's I owned. I bought the "Blue Album" with my first CD player, a 3-disc changer with tinny speakers. I was soooo bad_ _ _.

When Pinkerton was released, I was initially a little stunned that it sounded so differently than the breezy "Blue Album," yet nonetheless, as a high school-aged male I could easily relate to the adolescent uncertainties and anxieties that quivered in Rivers Cuomo's voice. Apparently I wasn't as plugged in as I am now because I was blissfully unaware that the media was telling me that I should, in fact, hate Pinkerton instead of adoring it. Yet, I digress, Pinkerton soon replaced the "Blue Album" as my essential Weezer album and still is to this day.

After Pinkerton, the decline began...

I tolerated the Green Album because I was desperate for new =W=. That is the only reason I listened to it.

Maladroit had some rocking solos that made me wish I could play guitar, but was pure fluff.

"Make Believe" had a few moments that brought me back to the Weezer of yesteryear, yet felt the emptiness beginning to creep in.

And finally, came the "Red Album," which I cannot redeem at all. The "Red Album" is the sound of a band that will be playing Casino's in 5 years. Weak lyrics, redundant riffs, songs that knock-off bad Green Day... Most stars flame out and most bands do not reach the brightness of Pinkerton. Weezer, please, call it good and let that light linger on.

So somehow Weezer have returned with one of their best albums, musically that is. This ablum is a bit more experimental in musical forms and structures (The Greatest Man That Ever Lived), but also retains some old school style Weezer grudge with tracks like "Pork and Beans".
This album surpasses "Make Believe" (Thank God) by far. I am a fan of the old Blue Album and Pinkerton and this fits up their pretty well. I would put it on par with the Green Album, but with more musical diversity. On this album, it is not just Rivers singer and writing also, the other band mates do a couple of tunes. I was glad to here that as I was a fan of "The Special Goodness" and "The Rentals".
I would not say that this is my favorite of all Weezer albums, but I would say that I like it a lot more than "Make Believe" and "Maladroit" put together.
Awesome guys! Keep up the good work and I hope to get a chance to see you guy perform again soon!

Red Album figures among one of my favourite albums, and these 4 extra tracks are really good. The only "problem" with this Deluxe Edition is: it is not complete! "The Weight", included in the UK version is one of the best songs of this phase and it should be in this version.

For those who can buy it on iTunes, it's an option. In Brazil, we can't buy songs on iTunes yet (due to legal issues), so I bought another CD with the same 10 songs + The Weight... Now my girlfriend is complaining about how many versions of the same album I am going to buy (I did the same with Zeitgeist, from Smashing Pumpkins). :)

I'm not gonna dissect each song and say which ones are better than the others because I'm lazy but if given the choice you should buy the deluxe version over the standard. This album has an obvious split in it, as the first 6 tracks are the standard Rivers Cuomo made Weezer songs, then 7-9 are those made by Brian, Scott, and Pat. The 10th track goes back to Rivers, and it's a fantastic closer for the standard album. I was a little worried about the other band members making songs, but they turned out ok. I really like King now and Automatic is a solid song, but Thought I Knew and Cold Dark World are pretty weak. I blame the producers for using that version of Thought I Knew, but whatever. The audio preview of Miss Sweeney doesn't show how amazing the song is, it's the best song on the deluxe album and the best song to come out of Weezer since Pinkerton. That song alone makes the deluxe version worth getting, plus the other 3 songs are quite awesome too. So if you're a fan of Weezer, either casual or hardcore, this is a must own album. Oh and look out for Alone II, being released on November 25th, it's gonna be sweet!

It's been since 2005's Make Believe that we've gotten music from the LA faves Weezer and now they return with another self-titled release this one referred to as The Red Album. We had the Blue Album and The Green Album in the past which I loved and underground alternative rock fans loved as well. So after Make Believe it seemed the band was dying down and due to comments made by the band and singer Rivers Cuomo in interviews, I wasn't sure if they were going to remain together or go off with their own side projects like they've done in the past, but now they come forth with The Red Album.

I love the energy of this album because it brings back the fun and quirky nerdi-ness that got you to fall in love with Weezer in the early 1990's. It features songs like "Troublemaker" and "Everybody Get Dangerous" along with a rendition of EMF's "Unbelievable" (which we all remember, unfortunately). I especially love the first single "Pork and Beans" because it is classic Weezer. So again this album brings back the great sound of Weezer that was lost for a while but now has returned.

I remember watching Weezer back in high school with Buddy Holly, back when MTV actually played music videos most of the time (shocking I know). So I've been a fan of them since I was a dumb, acne-ridden teenager. But this newest Weezer album actually makes me feel old.

Some of the lyrics on this album are just straight-up bad. Lyrics have to be either extremely good or extremely bad for me to take notice, but there are some downright cringe-worthy lyrics here - lyrics that I think only today's 13-year olds might like.

Also there were quite a few moments where I said to myself, "I've heard this before" - it sounded a little too old and recycled. I didn't care for the experimentation here - it's just too much of a curveball for me - parts of this album don't even sound like Weezer at all. It also really throws off the cohesiveness of the album, to the point where this feels like a B-sides compilation rather than an album.

I was also disappointed by the self-promoting "interview" - if you can call it that - inside the booklet. So, overall this CD left me feeling old and disappointed, which is never a good thing. I just can't see this passing as 4- or 5-star material. I mean, really, are we going to be listening to this five years from now like Blue or Green?