| ||||||||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images? |
| 1. Are You Hung Up? |
| 2. Who Needs The Peace Corps? |
| 3. Concentration Moon |
| 4. Mom & Dad |
| 5. Telephone Conversation |
| 6. Bow Tie Daddy |
| 7. Harry, You Are A Beast |
| 8. What's The Ugliest Part Of Your Body? |
| 9. Absolutely Free |
| 10. Flower Punk |
| 11. Hot Poop |
| 12. Nasal Retentive Calliope Music |
| 13. Let's Make The Water Turn Black |
| 14. The Idiot Bastard Son |
| 15. Lonely Little Girl |
| 16. Take Your Clothes Off When you Dance |
| 17. What's The Ugliest Part Of Your Body? (Reprise) |
| 18. Mother People |
| 19. The Chrome Plated Megaphone Of Destiny |
I think Frank Zappa was a very misunderstood artist, which relegated him to the status of a cult legend. But people are still listening and some are learning that he was one of the great musical geniouses of the last century. This disc might not be the most accessible place to start, but if you are looking to expand back into the early part of the catalog, you must find a place for this disc in your collection, if only to find different ways to look at yourself. As Frank said:
"What's the ugliest part of your body?
Some say your nose, some say your toes
But I think it's your mind."
The 1968 release was Zappa's answer to the Beatles' "Sergeant Pepper's Lonely Hearts Club Band," which he lampoons on the cover. The Beatles' work had in turn been inspired by the Mothers' "Freak Out." Whatever the difference between "Money" and the Lennon and McCartney's work, though, the two albums share one similarity: they both surprise with sound. Zappa's work includes patches of melody played backward, spoken words, doo-wop, surf music, hard-edged guitar, and a note held at the end of the tone poem "The Chrome-Plated Megaphone of Destiny," which ends the album and provides Zappa's final comment to the closer of "Sergeant Pepper's," the then-spooky "Day in the Life."
The album nearly unrelentingly taunts the "flower power" generation, but its tones run deep. There is anger at the police, real insight into the gaps between parents and kids, and Zappa's ever-present love of plain absurdity. With the "Chrome-Plated Megaphone of Destiny," he reveals his orchestral sense and his willingness to challenge his audience with a thoroughly free work. Zappa never condescended to his audience.
Zappa's music was always a great leavening agent to the reigning pomposities of the day. "We're Only in it for the Money" sears with satire but also amazes with the sound of surprise.
But We're Only In It For The Money is really odd. Zappa chose to re-record the drums and bass for the entire album, and then remix it. The plus side is that the sound is rather clean, and all the previously censored bits are all back in force.
The negative is that, while the drums aren't too bad, the bass is ridiculous. It sounds NOTHING like a 1967 bass should, either tonally or melodically. ANd it just clashes with everything else. The drums have their own problems, sometimes sounding too 80's like, and sometimes just not mathing the rhythms of the music.
Luckily, the original version has been re-issued as a single disc from Ryko. This 2-fer version is interesting, but not really how most fans originally heard this album.
|