Customer Reviews

The West Coast Pop Art Experimental Band, Vol. 3: A Child's Guide to Good & Evil

5 star:		(3)
4 star:		(4)
3 star:		(2)
2 star:		(2)
1 star:		(0)

 

 

The band hired a new engineer after their first record; this turned out to be a decisive move. Though sometimes suffering from a slight reverb overload, in general the mixes became more balanced from left to right and in depth. Their sound acquired a new signature by moving the drums farther towards the front of the mix. Similar to how drums are often used in African music, they assumed a strong melodic presence in addition to their usual functions of rhythm and timekeeping. On the group's last two disks, every instrument works together flawlessly to create the various moods and emotional resonances inhabiting each song. Though the gutty lyrics sometimes get lost in the reverbed ambience, it almost doesn't matter, so good is the emotive/psychological flavor generated by sound and lyrical meaning working together.

As for Vol. 3, on several cuts, the band shows a mastery of jazzy and funky elements not heard before on their previous rock/folk-rock disk. The guys were still young (not yet twenty), but their corpus was an astonishing blend of maturity and exuberant freshness.

"Eighteen is Over the Hill" is one of the more hauntingly memorable songs I have heard, coming across kind of mellow, MobyGrape-like; but there's a sad melodic tone not usually so pronounced on Grape songs. At the mournful chorus, a stunning meter change from 4 to 3 and back again is melodically accented by a wonderfully expressive tom-tom lick. This is quintessential late West Coast Pop Art Experimental Band. "I like too much the . . . rain, power of my brain, sunshine, and the open road . . . ahead of me." [5+ stars]

"In the Country" may be my all-time favorite country rock tune, even though I've only listened a few times so far. It exudes good vibes and strong emotion, with sweet touches of irony in the lyrics. [5 stars] "San Francisco's dead . . . in LA, no one's on the street . . . let's go off on our own in the country."

"Ritual #1" [4 stars] "". First time I've heard raga punk. "There she goes being chased down the road to ruin" . . . "about to cry underneath butterfly skies . . . gone!"

"Our Drummer Always Plays in the Nude" is a quirky and adventurous, good-natured male adolescent coming-of-age song. [3 stars] "I like very comfortable girls who are straight, but not quite". In 1969 "straight" generally meant uptight [a non-swinger], though in another context referred to someone who drank rather than used drugs, or used no substances at all. But the boys in this band said they didn't use, so . . .

"As the World Rises and Falls" Warm, slow and ambling; but sad, and mysterious. A little reminiscent of Donovan--melodically, rhythmically and in terms of the singer's phrasing. Gorgeously pretty song. A marvelously poetic and musical slice of life [5 stars]

"Until the Poorest of People Have Money to Spend". Great hippie tune and lyrics, with way cool simultaneous juxtapositions of sitar and fuzz-tone guitar leads. More heartwarming, impassioned singing. [5 stars]

"Watch Yourself" slow jazzy rock sounds, loud crowd sounds [including screaming young women] mixed with the music. More fuzz/grunge lead. Femme fatale story-song, with an intensely emotional chorus, and a long instrumental breaks which drive the ambience to an almost fever pitch. [5 stars]

"A Child's Guide to Good & Evil" starts with a moody twangy electric folk guitar introduction. Vocals are mostly spoken narrative. This is the first really trippy song on the record. Textually, kind of an amplification of Pearls Before Swine's "Drop Out With Me". [5 stars]

"Ritual #2" an up-tempo raga punk intro [with spoken words], leads into a more Beatlesque pop-rock song, but with the band's freaked-out electronic bird sounds [of several species] swirling above, around and through the mix. A very telling ambiguity is created by the substitution of "you make pretty beads . . . you make pretty flowers" in the main/sung part of the song for the nearly identical phrase "You make pretty babies . . ." in the intro. Both lead into the identical ending phrases "let's lay on the long green grass and look at them . . . and each other".
[4½ stars]

"A Child of a Few Hours is Burning To Death": quirky narration/singing coupled with funky guitars. "We should have called Suzi and Bobby: they like to watch fires." "Napalm is perfect for women and children." [4 stars at least]

"As Kind as Summer": beautiful run-on sentences with a [very original for 1969] vibrant punk sound gradually fades out to . . .

"Anniversary of World War III": the track is silent, in keeping with the idea that the world would have ended, or else (?) said war would never have occurred. [On the LP version, the record just ends after the 'previous' song.] Great /perceptual/conceptual sleight of hand/mind. [unrated]

Volumes 1, 2 & 3 are a must have for any fans of Pop-sike & Freakbeat. It's amazing these guys were somewhat square. Good stuff. Spent many a freak-out listening to a comp of the 1st 2 records way back when. I'm really pleased to see they've been reiuused (nice job, too!).

These guys are well underated. There sense of humour production skills and musical ability are right up there. Though I feel this is the weaker of the 3 its still a must own. They for some reason remind me of the genuis that was WEEN a few years ago.

I became aware of WCPAEB only a few months ago. When I went on Amazon, i was delightfully surprised to find that they offered albums by this amazing yet unfortunately obscure band. I bought A Child's Guide because of the cool name and picture on the front. Judging this album by its cover proved to not be a mistake. I received the songs that I've loved and been introduced to many others. I always like it when reviewers go over their opinions for each song so that's what I'll do. Since there are many songs, i'll just go over the ones I like.

1. Eighteen is Over the Hill--Probably my favorite song on the album. Gorgeous singing and smooth guitar. The contrast between the upbeat chorus and the haunting verses is interesting and enlightening.
3. Ritual #1--The reason I bought this album. Innovative and different.
5. As the World Rises and Falls--I agree with the other reviewer that this song kinda sounds like something by Donovan. It is really mysterious and elegant. Great song.
7. Watch Yourself--I don't know why I like this song. The melodies don't really seem to flow in a rhythmic fashion like the other songs I like. But, there is an air of mystery that I like. The singing is also soft, yet severe. An interesting song.
8. A Child's Guide to Good and Evil--Great song! Crazy, fanciful, and discentered. I don't really care for the lyrics of most of the stuff they do. They aren't bad, they just don't mean anything to me. But the lyrics on this song are so crazy that they seem to make sense, and I really like them.
11. As Kind As Summer--Strange song. Very short, only like a minute long. But I like it for some reason.

I bought this album when it was first released and loved it. It really puts across the innocent, hopeful nature of the early Hippie movement at its best. The band never became as popular as they deserved. They are witty and their vocal harmonies are excellent. Sure, the message is rather dated now -- anti-war, the newly found joy of sexual freedom, and such -- but it worked then and if, like me, you find the current "pop" with the voices electronically corrected and in large part dependent on videos with elaborate dancing (which obviously doesn't come across when just listening to the music without the video), it works now. Clever, interesting, and very enjoyable. It's dated in many of the themes, but the music is great.

I got this album in the early 60s and it is still in rotation 'cos I love it.

However, the idiots who re-released it didn't really listen to it all the way through. The original vinyl has the Anniversary of WW3 as the last track so when it went silent, you took the record off 'cos it was over. The Anniversary of WW3 is a fine piece of silence and a good joke, but who's going to listen to three minutes of silence every time they play the album? No-one, that's who.

When they re-released it with the mandatory "bonus tracks", the three minutes of silence are now in the middle of the album - idiots.

What is in a name? On a cover? Here, not a lot.

That does not mean the West Coast Pop Art Experimental Band is bad. They have four albums, at least that I know of, and these pretty much follow the trends of rock in the late 1960s. A little nice jangle pop, some jazz inflections, bossa nova; basically, everything top tier bands bought into rock and lesser bands copied.

It is only that this band is not what is billed. You would think a band with a name like West Co....well, you know, and covers like this, would be some amazing, all encompassing unit, mastering and expanding on all the invention of the era. Not even close.

They are 1960s rock, not bad, but not anything even above average.

As the author of the Jefferson Airplane book "Take Me To A Circus Tent" and a former radio disc-jockey, I am often asked to write and or discuss various music supplies and recordings from the 60's and 70's.

The West Coast Pop Art Experimental Band, Vol. 3: A Child's Guide to Good & Evil [ORIGINAL RECORDING REISSUED]

Somewhere in the darkness the rock critics of the 60's came to the conclusion that the West Coast Pop Art Experimental Band were neither original or overly talented. The problem with their assessment was their inability to clean their ears and get the rocks out of whatever brain cells were left.

If we tore apart every artist that followed a path but didn't create it our record collections would be rather limited in scope and quantity.

The West Coast Pop Art Experimental Band's third effort released in 1968 is a fine representation of the myriad of groups that never made it to the pinnacle but certainly deserved representation in a CD library. They mixted rock, psychedelic, folk, and country, resulting in a good effort.

Unfortunately, the groups dark vision and offbeat sense of humor would often get lost in the shuffle. While the cry through the 60's was "Don't trust anyone over thirty", they opened the LP with "Eighteen Is Over The Hill." The first track has some of Arthur Lee's Love clearly inscribed. "In The Country" may be their most underrated song. It isn't far removed from a Moby Grape composition. The vocals are delivered with style and conviction. "Until The Poorest Of People Have Money To Spend" is a wonderful cross between the Beatles and Tomorrow (W/Steve Howe). "A Child Of A Few Hours Is Burning To Death" with the voice effect is dark, haunting, and captivating. "Anniversary Of World War III" should have gotten praise for the 1:36 of silence from the grooves. Since John Cage the experimental composer had a piece "Two Minute Silence" this was seen as an imitation and not a gutsy and clever idea.

Let the critics have their incorrect say and those that enjoy the rock and roll from the sixties discover what Pop Art sounded like circa 68.

The remaster gives you a couple of bonus tracks. Mono mixes of a single coming off their first album.

Enjoy the music and be well,
Craig Fenton
Author of the Jefferson Airplane book "Take Me To A Circus Tent"

But not as good as Volume 1. Experimental indeed, 1:32 of pure silence on WWIII...it was the 60's man. Annoying chatter from Markely not as annoying on this one, either becuase its less in the mix, less songs have it or sometimes it actually works. Take with a big grain of salt (or a big grain of something) and you might be allright. Better as a concise ablum than earlier disjointed efforts but not as many great songs (but less sucky ones at least).

I have over 150 hand picked items on my Wish List. They have been studied and carefully selected. This CD is so
under rated-it is my next purchase cluster. I want it, I want it, I want it. I heard this years ago, when I recorded a few songs from a friend's LP. (LP means vinyl recording, lads) This CD should be showcased all over Amazon. I want it, I want it, I want it.