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The young, vibrant cast was made up mostly of unknown actors, who all went on to make big names for themselves on the stage. The musical launched the career of triple-threat Chita Rivera, as the fiery Anita. Carol Lawrence (SARATOGA, SUBWAYS ARE FOR SLEEPING) played Maria whilst the role of Tony was essayed by a young Larry Kert (COMPANY, FOLLIES).
The Leonard Bernstein-Stephen Sondheim score is simply gorgeous and includes "Maria", "One Hand One Heart", "Somewhere" and "The Jet Song". Chita Rivera adds her brassy belt to the showstopping "America"; Carol Lawrence's clarion soprano is perfectly showcased in "I Feel Pretty"; Larry Kert is the picture of youthful longing in "Something's Coming". Equally thrilling is the energetic "Quintet", which is a major highlight of the colorful score.
Chita Rivera went on to star in the equally-successful London production, and went on to appear in both the Broadway and London companies of BYE BYE BIRDIE. Other lauded Broadway appearances came in BAJOUR and her Tony-winning roles in THE RINK and KISS OF THE SPIDER WOMAN. As of this review's writing, she's winning a whole new generation of fans in the 2003 revival of Maury Yeston's NINE.
WEST SIDE STORY continues to be recognised as one of Broadway's landmark musicals. This new remastered edition of the peerless 1957 production is a must-have in every cast album collection.
Some people prefer the movie soundtrack for its beefier orchestrations. It too is a very fine recording of the score. But this is the first, the original. The way WEST SIDE STORY sounded when it premiered.
Sony's reissue sounds sensational: crisp, and clear with every orchestral texture. The bonus tracks are a symphonic suite of dances that Bernstein extracted for concert performances.
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