Product Details

• Actors: Gregory Peck, Tyrone Power, Gary Cooper
• Directors: Henry Hathaway, Henry King
• Format: Box set, Black & White, Color, DVD, Full Screen, Widescreen, NTSC
• Language: English (Dolby Digital 1.0)
• Subtitles: English, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 3
• Rating: NR (Not Rated)
• Studio: 20th Century Fox
• DVD Release Date: May 13, 2008
• Run Time: 272 minutes
• Average Customer Review: 4.6 out of 5 stars See all reviews (31 customer reviews)
• ASIN: B0014BQR1A
• Amazon.com Sales Rank: #2,783 in Movies & TV (See Bestsellers in Movies & TV)

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  #1 in	Movies & TV > Television > Westerns > Rawhide
  #2 in	Movies & TV > Westerns > Western Stars > Gary Cooper
  #2 in	Movies & TV > Westerns > Western Stars > Gregory Peck

• For more information about "Fox Western Classics (Rawhide / The Gunfighter / Garden of Evil)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com
One of these three new-to-DVD Westerns is a universally esteemed classic, well worth the price of the set. But in happy fact, the whole package delivers the goods: sturdy genre entertainment from the Western's peak decade, the 1950s; solid Fox studio craftsmanship in every department; and breathtakingly crisp restorations that make you feel you've been time-warped back to a loge seat in your Bijou of choice on opening day. Henry King's The Gunfighter (1950) is the crown jewel--the film that deserves the credit (often awarded to High Noon) for ushering in the "adult Western," the '50s subgenre that emphasized psychological intensity over action and spectacle. Gregory Peck (topping his acclaimed performance in King's WWII drama Twelve O'Clock High) is excellent as Jimmy Ringo, a notorious shootist grown middle-aged and mortally weary of having to defend his legend. His trail takes him to a frontier town where an old comrade (the great Millard Mitchell) now serves as marshal, and where Ringo's estranged wife and the son he has never seen also reside, under an assumed name. Over one night and one day, Ringo dares to dream of a normal life. But there are avengers not far behind, and other threats yet to be counted. Although hailed by critics, The Gunfighter lost money for Fox; studio head Darryl F. Zanuck blamed the soup-strainer mustache--a stroke of period realism--director King ordered Peck to grow for the role. Well, a little red ink is a small price to pay for a masterpiece. Incidentally, the impeccable black-and-white cinematography is by three-time Oscar-winner Arthur Miller, capping a career that reached back to The Perils of Pauline.

The 1951 Rawhide (no relation to the later TV series) is a trim, satisfying Henry Hathaway picture that blends the leathery trappings of the Western with the claustrophobic atmosphere and intensity of a noir suspense film. At a remote swing station for the transcontinental stagecoach, several no-goods aim to help themselves to a gold shipment. But the next coach isn't carrying gold, so the intruders hold the stationmasters (Tyrone Power and Edgar Buchanan) and some stranded passengers captive while they wait. Power and Susan Hayward handle the heroics without larger-than-life posturing; Dean Jagger, Hugh Marlowe, and George Tobias relish the rare opportunity to play villainous or ambiguous types; and Jack Elam is, well, Jack Elam, reliably oozing viciousness from every pore. Screenwriter Dudley Nichols knew the territory, having scripted John Ford's Stagecoach thirteen years earlier. Hathaway also directed Garden of Evil (1954), Fox's first Western in the new CinemaScope process. (Very wiiiiide CinemaScope--the DVD preserves the 2.55:1 format, which was later modified to 2.35:1.) The story involves several fortune-seeking Americanos accidentally thrown together in Mexico and enlisted to help rescue a fellow countryman injured at his remote gold mine. Much of the film unreels as a journey Western exploring tensions among the strangers, especially those inspired by dreaming of gold and the man's redheaded wife (Susan Hayward). The dialogue reaches for profundity and comes up short, but Richard Widmark as a self-designated "poet" and Gary Cooper as a retired lawman give satisfaction as they one-up each other. The movie's distinction lies in Hathaway's no-sweat adaptation to the widescreen format, the awe-inspiring Mexican settings--a deserted village, a valley of black sand, a mountain town buried under volcanic ash--and the only music score ever composed for a feature Western by Bernard Herrmann.

Herrmann is just about the only thing the four commentators on Garden of Evil talk about (there's also a separate "making of" featurette). Nobody does commentary on The Gunfighter or Rawhide, but the disc for the former includes a featurette on master cameraman Arthur Miller, while a Rawhide addendum highlights the oft-used movie location of Lone Pine, Calif., and another pays tribute to gutsy leading lady Susan Hayward. Talking heads include some half-dozen film historians (e.g., David Biographical Dictionary of Film Thomson) plus Henry Hathaway's son and Gary Cooper's daughter. --Richard T. Jameson

Product Description
Disc 1: Garden of Evil (1954) Feature Film Disc 2: The Gunfighter (1951) Feature Film Disc 3: Rawhide (1951) Feature Film

Customer Reviews

Most Helpful Customer Reviews

36 of 37 people found the following review helpful:

5.0 out of 5 stars Three Awesome Westerns In One Great Collection, March 15, 2008

By	Terence Allen (Atlanta, GA USA) - See all my reviews (TOP 500 REVIEWER)

Three long overdue for DVD Westerns are together in one collection. Each of these movies are great individually, but together, makes this a must-have Western film. Here are the three films -

Rawhide - Rawhide deserves not only a DVD release, but recognition as one of the greatest Westerns ever. Taut, masterful direction by the great Henry Hathaway, and excellent perfomances by everyone makes this a must have film for anyone who loves the Western genre.

Tyrone Power and Susan Hayward are trapped at a stage way station by a gang of desperate criminals. Surprises and tragedy unfold as Power, Hayward, and Hayward's baby try to survive and outwit the criminals.

There are scenes in this film that are so tense that even today's hardened, jaded moviegoers will appreciate. This was not a film with larger than life heroes or cardboard cutout villains, but real people well portrayed with great lines from a magnificent script.

The Gunfighter - Gregory Peck, with his natural, spare acting style, and his folksy, plain demeanor, was a natural for Westerns, and his greatness in this genre was never more evident in this 1950 film, which was one of the earlier psychological Westerns.

Peck plays Jimmie Ringo, the most notorious gunfighter in the West, is running from the brothers of a man he killed. He shows up in a town where his ex-wife lives with their young son. Ringo holds up in the town saloon as a favor to the town marshal, who an old friend, while he waits for an opportunity to see his wife.

Meanwhile, the town is taken over with the nervous enthusiasm of people wanting to see a celebrity, a shootout, or a dead celebrity. At the same time, a young punk, would-be gunfighter has heard that Ringo is in town, and is itching to make his reputation off of killing Ringo.

Everyone delivers excellent performances, and the movie has a lot to say about voyeurism, celebrity, longing, and regret. This is a fantastic movie, and without question, one of the best Westerns ever made.

Garden of Evil - This great Western was never even released on VHS, much less video, which is a shame since it had great performance from two great Western actors, Gary Cooper and Richard Widmark. Cooper, Widmark, and two other soldiers of fortune, played by Cameron Mitchell and Victor Manuel Mendoza, arrive in Mexico having responded to an add to make lots of money. They are greeted by Susan Hayward, who takes them on a perilous journey to rescue her husband, who has been injured in a mining accident. If the journey and the rescue weren't hard enough, the location of the mine in in Indian territory. Soon, alliances are made, broken, and remade, and emotions, greed, and violence ensues.

This film may be regarded as the least of the three by some, but it has terrific acting by all, and is a wonderful showcase of Cooper beginning the twilight phase of his magnificent career, where he tended to play veteran loners who find that they still have lots to live for, and who usually finds love and renewed courage along the way.

All three films are excellent, and should have merited individual releases, making this release combining all three is even more special.

37 of 40 people found the following review helpful:

5.0 out of 5 stars "FOX WESTERN CLASSICS"- 3 DVD BOX SET, March 2, 2008

By	L. Dequesada (JAMAICA,, NY United States) - See all my reviews (REAL NAME)

At long last "The Garden of Evil"(Color 1954) even if it is included in a trilogy with two other great western movies "Rawhide" and "The Gunfighter", in a collection called "Fox Western Classics". These are great western films, but to me the crown jewel is "Garden of Evil". An extraordinary western with a star studded cast that includes, Gary Cooper, Susan Hayward, Richard Widmark, Cameron Mitchell, Victor Manuel Mendoza and Rita Moreno. This one alone "is worth the ticket". You will not be sorry in purchasing the unique box set. If you like westerns, do not miss this one. I highly recommend it.

12 of 13 people found the following review helpful:

5.0 out of 5 stars GARDEN OF EVIL highlights Forgotten Classic Westerns, April 1, 2008

By	gobirds2 (New England) - See all my reviews (TOP 500 REVIEWER)

1954's GARDEN OF EVIL is a Western rich with characterization that seems stereotypical on the surface, but on analysis, runs much deeper. Susan Hayward (an enigmatic heroine) hires a group of stranded travelers in a Mexican waterfront town to follow her to a remote mine where her husband is trapped. The adventurous group is comprised of Gary Cooper (the upright, moralistic hero), Richard Widmark (a cynical witticism spouting gambler), Victor Manuel Mendoza (the good-natured Mexican guide) and Cameron Mitchell (the back-shooting kid gunslinger). They must traverse perilous and dangerous Indian territory to get to the mine, but their motives are unclear. Is it the trapped man, the lure of gold or the subdued sexual attraction that Hayward exudes that drives them? The narrative is a study of personalities in conflict, their motivations, loyalties, cowardice and heroism. Richard Widmark's character comes off as the most interesting. He lingers in the viewer's mind long after the film is over and the question is raised - which is the more honorable: the moralistic hero or the dubiously elegant yet noble rogue? Henry Hathaway is a director known for atmosphere, character and authentic locations. He combines mood and action. This film has all those elements. It is beautifully photographed, yet the picturesque landscapes are juxtaposed with disturbingly photographed death scenes, menacing ever-lurking Indians (always photographed from a distance) and even mysterious looking set designs. The church bell tower sprouting up from the dried lava is all that remains of the town outside the mine and is symbolically ominous in appearance. Frank Fenton's screenplay is filled with vague dialog and only adds to the total feeling of uneasiness that permeates this film. Bernard Herrmann's score accentuates the moodiness of this haunting adventure tale, itself also vague and non-specific. It is very untypical of the Hollywood Western. He achieved a recurrent sense of ominous fate throughout this entire film without the score ever entering into the psychological realm. This is by no means a minor score by Herrmann and I rank this as one of his great scores. GARDEN OF EVIL under Henry Hathaway's direction intelligently yet emotionally integrates the psychological aspects of his characters and even the threatening locale into the action elements found in the standard Western genre to create an unnerving and very thought provoking experience.

1950's THE GUNFIGHTER directed by Henry King is a great character study of the larger than life notion of the hired gunman. Gregory Peck's performance breaks down the mythology of the Western gunman and makes him a real a man who had hopes and aspirations and saw those dreams slip through his fingers and blow away like tumbleweed. The script by William Bowers, William Sellers, André De Toth and Nunnally Johnson develop a familiar theme that is so central to many Westerns since. The focus is on the one way of life that has been outlived by time, the collapse of open space and the indistinct progress of civilization. And if that way of life has been characterized by human failures and transgressions, is redemption through a return to a conventional life possible? Alfred Newman's score is very thought provoking and subtle and is a important enhancement to this central theme. THE GUNFIGHTER also has a strong cast that strengthens the narrative with the likes of Karl Malden, Skip Homeier, Richard Jaeckel, Kenneth Tobey, Ellen Corby, Helen Westcott and Alan Hale Jr.

1951's RAWHIDE also directed by Henry Hathaway is a solid entry in the Western genre strong on character motivations and building suspense as outlaws hold citizens captive in a stagecoach station. It has a superlative cast including Tyrone Power, Susan Hayward, Dean Jagger, Jack Elam, Edgar Buchanan, Hugh Marlowe, Kenneth Tobey and George Tobias. Thomas Little and Stuart A. Reiss designed the primary sets with art designs by Lyle Wheeler and George W. Davis and great camera work by cinematographer Milton Krasner all essential to the central story. Composers Sol Kaplan and Lionel Newman turned in an interesting score.