Product Details

• Actors: Robert Young, Randolph Scott, Dean Jagger, Virginia Gilmore, John Carradine
• Directors: Fritz Lang
• Writers: George Bruce, Horace McCoy, Jack Andrews, Robert Carson, Zane Grey
• Producers: Darryl F. Zanuck, Harry Joe Brown
• Format: Closed-captioned, Color, HiFi Sound, NTSC
• Rated: NR (Not Rated)
• Number of tapes: 1
• Studio: 20th Century Fox
• VHS Release Date: November 22, 1989
• Run Time: 95 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
• ASIN: 630152859X
• Amazon Best Sellers Rank: #227,779 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Western Union is nominally one of those epic celebrations of great pioneer achievements, and its official heroes are an Eastern-bred, Harvard-trained engineer named Blake (Robert Young) and a visionary named Creighton (Dean Jagger), who dreams of a transcontinental telegraph system to unite a divided nation in the first year of the Civil War. But the film really belongs to Randolph Scott's Vance Shaw, a reformed outlaw trying to make good as a member of the team stringing "the singing wire" across the plains. His past--which Creighton knows something of--keeps reaching out for him, so that the brightly colored fable of westward progress is almost eclipsed by the darker, personal drama of embattled character and divided loyalties.

Although this theme faintly recalls director Fritz Lang's towering 1937 fable of injustice, You Only Live Once, we shouldn't make too much of the affinity. Western Union was merely a studio assignment, and Lang--a passionate explorer and student of the American West--mostly concentrated on serving up lashings of period detail and atmosphere and devising spectacular set pieces. The latter include a mini-götterdämmerung of a forest fire, two strikingly composed encounters with Indians, and a climactic barbershop shootout that's studded with Lang "touches." The scenery is magnificent (albeit a mite mountainous for Nebraska!), the Technicolor blazes as Technicolor should, and the costuming and art direction are so evocative that the German émigré proudly received a commendation from an old timers' association praising the accuracy of his frontier re-creation. --Richard T. Jameson

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

4.0 out of 5 stars Randolph Scott wrestles with fate in this Fritz Lang western, October 9, 2004

By 

Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews
(VINE VOICE)    (COMMUNITY FORUM 04)    (TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: Western Union [VHS] (VHS Tape)

It might seem strange that Fritz Lang would make a western, since his forte was clearly the crime film, but then you remember that his first American film, "Fury," was about a lynching and you realize that the Old West has long been an ideal location for playing out the major themes of the American identity. "Western Union" is the story of the first trans-continental telegraph line being strung across the west, which represents the director's interest in modern technology, although clearly this is retrospective in the same way that "Metropolis" was futuristic. Vance Shaw (Randolph Scott) is fleeing a posse and when his goes lame he ends up with Edward Creighton (Dean Jagger), a telegraph engineer who hires the outlaw as a scout. Richard Blake (Robert Young) is a surveyor who arrives from the east and takes a spark to Sue Creighton (Virginia Gilmore), the sister of Edward, which sets up the film's love triangle. Meanwhile, Confederate raiders led by Jack Slade (Barton MacLane) are stealing cattle and disrupting the building of the telegraph line. Shaw is caught in the middle of this as well because he has a relationship with Slade.

Because this is a Fritz Lang film "Western Union" does not play out the way you think in terms of who gets the girl and who kills who in the big gunfight at the end. Shaw is trying to reform and his efforts are contrasted with those of the raiders, who call themselves Confederates but are clearly more interested in profiting from their actions. Shaw was one of Quantrill's raiders and we understand that was a legitimate guerilla group unlike the one headed by Slade. Despite being handicapped because he has come from the East and likes to wear nice clothes, the character of Blake emerges as a hero as well (we can tell because he starts dressing like a cowboy), which is certainly something of a surprise. For that matter, Sue Creighton is more than widow dressing in the film, because she is also a telegraph operator and is as excited about the building of the telegraph as anyone. Still, the big picture of the telegraph becomes secondary to Shaw's personal struggle.

This was Lang's second color film and the director takes advantage of the setting to offer up some great shots of the beautiful landscapes filmed by Edward Cronjager. The flaw in "Western Union" are the comic episodes, which really cut against the grain of the film. You have Chill Willis as Homer Kettle and Slim Summerville as Cookie (the cook) who is always scared witless by the Wild West, providing the unnecessary comic relief and John Carradine bringing his distinctive touch to the role of Doc Murdoch. This is one of Scott's better roles and better performances, and given the stakes involved from his perspective the humor is at least misplaced if not forced. Jagger was always a solid character actor and even Young manages to do something with the strictures of his character.

"Western Union" was Lang's second Western, the first being "The Return of Frank James," which better fits the traditional Lang mold. You cannot tell the story of how the "singing wire" was strung from Omaha to Salt Lake City and just focus on the technological accomplishment so the dilemmas faced by Shaw become the real driving force of the narrative. The 1941 film was a personal favorite of Lang's and the director took pride in photographing Native Americans wearing accurate warpaint and battle gear. Lang made one more western, "Rancho Notorious," and if there is a clear commonality to this trio of westerns made by a master director who immigrated from Germany, it would be the theme of a man ruled by fate. However, in "Western Union" it would seem that fate wins. Final Note: I have never managed to spot him, but Jay Silverheels (a.k.a. Tonto from "The Lone Ranger") is an uncredited extra in this film.

3 of 3 people found the following review helpful:

4.0 out of 5 stars The Singing Wires, September 19, 2010

By 

Tom Without Pity (A Major Midwestern Metropolis) - See all my reviews

This review is from: Western Union [VHS] (VHS Tape)

This is a review of WESTERN UNION (1941), an early Technicolor western directed by Fritz Lang, who the year before directed another technicolor western for Fox, THE RETURN OF FRANK JAMES. Apparently even now,in 2010 and in the US, WESTERN UNION is only available on VHS videotape, no DVD as of yet.

In WESTERN UNION, Edward Creighton, played by Dean Jagger, is a chief enginer for the telegarph company installing poles and wires from Omaha to Salt Lake City during the Civil War era.

Crieghton hires Vance Shaw, played by Randolph Scott, an ex-outlaw, as what now would be known as a facilitator. Vance enters a usually friendly rivalary with an engineer/surveyer from Harvard, Richard Blake, played by Robert Young, over the courtship of Creighton's lovely sister, Sue, played by Virgina Gilmore.
Vance and Richard also have disagreements about work related matters as well but when some genuine as well as ersatz Indians led by Jack Slade,who as I have said, is played by Barton McLaine, start trying to steal from and destroy the construction efforts of Western Union, all bets are off in this pretty exciting western film.

I'm not going to call WESTERN UNION a groundbreaking western but in its way, WESTERN UNION does seem to set a new convention or two. It has an excellent if underused cast of supporting players and, being a Fritz Lang production, is especially well photographed. And, being a Fritz Lang production, it has some of the usual Langian attributes including the somewhat strange relationship,if you can call it that, between Vance Shaw and his outlaw brother,Jack Slade,as I have said is played by Barton MacLain.

WESTERN UNION is well worth seeking out, just as an example of an early Technicolor western, although it is a lot more than that. I give it Four
and One Half Stars.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Hawksian male bonding meets Langian determinism in a Technicolor Western masterpiece, September 21, 2009

By 

Muzzlehatch (the walls of Gormenghast) - See all my reviews
(VINE VOICE)   

This review is from: Western Union [VHS] (VHS Tape)

Lang does Hawks as well as Hawks does in the first part of this extraordinary Western, before settling down into typical deterministic, dark and guilt-haunted fatalism for the dark finale.

This is one of those films that shows its greatness almost instantly but at the same time very subtly. Vance Shaw (Randolph Scott) is on horseback and being pursued, we know not why -- he stumbles on wounded Edward Creighton (Dean Jagger) and decides to take his gun and horse, but discovering that Creighton is in a bad way, decides to fix him up first. This is conveyed mostly through facial expressions and very brief, clipped dialog - in 2 minutes we know that Shaw is an outlaw, but basically a good guy. Shaw ends up helping Creighton on his way to civilization, then disappears.

Cut to a few weeks or months later, with Creighton on the mend and in charge of an expedition to lay telegraph wire going west from Omaha. He hires Shaw as a scout, who tries to leave when he finds out that Creighton is in charge; but Creighton wants him anyway, repaying a debt and sensing something quality. Also hired is a tenderfoot, son of a benefactor of the project, but atypically the Easterner Richard Blake (Robert Young) is quite competent as he shows right away in an amusing but exciting bronco-busting sequence. Both of the hires vie for Creighton's sister Sue (Virginia Gilmore) who - again not typically - seems quite as able to take care of herself as any man. The camaraderie between the three men, the comedic elements involving an unwilling cook and various rough and tumble types, and the wonderfully played light romantic elements dominate the first third of the film and reminded me more of Howard Hawks' "Red River" or "Only Angels Have Wings" than most Lang - but they are so well played and the action progresses so naturally that it doesn't matter, and doesn't alter our pleasure - if it does perhaps change our expectations - as the more usual Langian themes of the haunted past, dark secrets and the immense pull of the easier, destructive and evil ways come to dominate the later part of the film. Shaw's old pals come back to haunt him as the the wagon train and its wires move westward; attacks mount on the crew, and Shaw has to wrestle with what, if anything, he is to tell Creighton about his tortured relationship with Jack Slade (Barton MacLane), leader of the outlaws.

Beautifully shot in early Technicolor and moving fairly seamlessly from sound stages to western locations, this is for my money easily Lang's best western and one of his very best films, conveying as potently as any of his films the tragic inability of men to escape their pasts and build a new future. Scott is as good as I've seen him, showing more with a flick of an eye than a lot of actors can do in a paragraph of dialog, and the rest of the cast is uniformly fine. The inevitable showdown between Shaw's past criminal life and his potential future is extraordinary, and a surprise even for a longtime Lang devotee such as myself; and even in 1941 it seems there was no place more fraught with meaning on the margins of civilization than the barbershop and the dusty street outside. You can get a shave, you can feel like a new man, but you can't really ever be one as long as the old ties are still holding you back.

My old VHS is perfectly serviceable, but this badly needs an official, quality DVD release - easily one of the best westerns of the 1940s, if not of the American cinema as a whole.