WESTERN WIND teaches by example and provides an outstanding collection of classic and contemporary poems. The text also includes exercises, chapter summaries, games, diagrams, illustrations, and 4-color reproductions of great works of art.
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Most Helpful Customer Reviews
30 of 33 people found the following review helpful:
4.0 out of 5 stars
too few aspiring poets read this book,
By wjg@brooktrout.com (Massachusetts) - See all my reviews
This review is from: Western Wind: An Introduction To Poetry - Third Edition (Paperback)
Almost all contemporary "workshop" style poetry commits the simplest and most fatal of mistakes, such as using vague imagery, dwelling in abstractions, or lapsing into sentimentality. These flaws and more are addressed in this lucidly written book, which contains sections on the concrete image, sentiment, and intelligence and their places in poetry. Its only drawback is that its anthology section is too brief. Prospective poets would do well to begin here, and to supplement their reading with Fussell's "Poetic Meter and Poetic Form," Harvey Gross's "Sound and Form in Modern Poetry," and Perkins's "History of Modern Poetry," among others.
12 of 12 people found the following review helpful:
4.0 out of 5 stars
Great Introduction to Poetry + A Great Anthology,
By
This review is from: Western Wind: An Introduction to Poetry (Paperback)
WESTERN WIND is an outstanding introduction to poetry. When I was an undergraduate, it was assigned as our main textbook for an introduction to poetry class. It contains information about every aspect of poetry you can think of, allowing it to serve either as a cover-to-cover introduction or as a reference manual. Since there are no images of the book, I've provided a bit of the book's contents:
Chapter One: The Role of the Senses, The Specific Image Chapter Two: Simile and Metaphor, Analogy Chapter Three: Synecdoche, Metonymy, The Symbol, Thing-Poems, Allegory, Chapter Four: Antipoetry, Paradox, Irony, Understatement-The Witheld Image, Overstatement Chapter Five: The Role of Emotion, Sense and Sentimentality Chapter Six: Living Words, Less is More Chapter Seven: Vowels, Consonants Chapter Eight: Language as Mimicry, A Reason for Rhyme?, Off-Rhyme, The Music of Poetry Chapter Nine: Rhythm, Repetition as Rhythm, The Rhythm of Accent, A Note on Scansion, Iambic Pentameter, Variations on Iambic, Meter and Rhythm, Line Length Chapter Ten: Other Syllable-Stress Rhythms, Strong-Stress Rhythms, Sprung Rhythms, A Word About Quantity, Syllabic Meter, Free Verse, Free Rhythms, The Variable Foot, Concrete Poetry, The Prose Poem Chapter Eleven: The Sentence, Use of Connectives, Parallelism, Sentence Structure, Levels of Language, New Words, New Language Chapter Twelve: Fixed Stanza Forms, Fixed Forms for Poems, Chapter Thirteen: Common Sense, Uncommon Sense Chapter Fourteen: Inspiration and Effort As you can see, there is plenty here to sink your teeth into. Along the way, each chapter contains exercises designed to help you master the concepts you are learning in each section. Additionally, there are hundreds of examples, from great works of poetry, sprinkled throughout the pages, illustrating points and providing inspiration. To top it all off, the last two hundred pages of the book are an anthology of great poetry. The resource is amazing simply for the anthology. I highly recommend this book to anyone interested in learning how to write better, either poetry or something else. There is much to be learned from these pages.
10 of 10 people found the following review helpful:
5.0 out of 5 stars
WESTERN WIND IS ESSENTIAL FOR ASPIRING POETS,
By Possum-Bread (Pasadena, California) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Western Wind: An Introduction to Poetry (Paperback)
Western Wind by John Nims and David Mason is the only textbook I've ever felt passionate about. I cannot imagine a better foundation for an introduction to poetic verse. Western Wind is a well-written, thorough and astonishingly sophisticated book. It has a depth of consideration of the technical features of poetry that most anthologies lack. The authors demystify poetic structure and syntax by using a wide range of poets from diverse traditions and time periods.
Western Wind's explanations of the elements of poetry are thought provoking and relevant for aspiring poets and seasoned writers alike. It offers a practicing poet's perspective on selection, organization, titles, phrasing and commentary. Although the book covers the mechanics thoroughly, it never lets the reader forget that poetry is an art. This is a solid, intelligent book and I highly recommend it to all aspiring poets.
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