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An American Book Award, An ALA Best of the Best Books for Young Adults, A School Library Journal Best Book of the Year. --This text refers to an out of print or unavailable edition of this title.
An American Book Award, An ALA Best of the Best Books for Young Adults, A School Library Journal Best Book of the Year. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
95 of 96 people found the following review helpful:
5.0 out of 5 stars
A great series to read after the Prydain novels.,
This review is from: Westmark (The Westmark Trilogy) (Paperback)
The Westmark trilogy -- of which this is the first book -- is in many ways a successor to the Prydain novels. Each feature a young impressionable orphan (Theo/Taran) who falls in love with a strong, high-born woman (Mickle/Eilonwy) while learning more about the nature of manhood. While the Prydain novels are completely wonderful, the Westmark trilogy has it own power in its moral depth and complexity. In this sense, it is more challenging that the Prydain novels and perhaps suited to somewhat older readers. The trilogy specifically questions war and violence, their value, and their justification. Westmark, as the first book of the trilogy, is occasionally light-hearted, featuring some of Alexander's trademark dry wit. Count Las Bombas is particularly hilarious. Theo is occasionally clueless, which makes him seem more human and thus more appealing (to this reader, at least). In the midst of an exciting plot with marvelous twists, however, Alexander raises moral questions without being pedantic. Is Florian's war against the monarchy just? When is violence justified? Is it ever justified? Alexander is not so presumptious that he offers a simple answer; rather, he acknowledges the absence of such easy solutions. There are no easy answers for Theo or the reader in this trilogy -- and that complexity is probably the series' greatest strength. The questions linger long after you finish the last lines of the novel. This novel is highly recommended for a fairly mature middle reader -- it is both fun and meaningful. The remainder of the Westmark trilogy (The Kestrel, The Beggar Queen) is somewhat darker, but no less enjoyable. END
11 of 11 people found the following review helpful:
4.0 out of 5 stars
A Long Journey to Adulthood Begins...,
By
This review is from: Westmark (The Westmark Trilogy) (Mass Market Paperback)
As with his wonderful "Prydain" books, in this trilogy (the present book, followed by "The Kestrel" and "The Beggar Queen") Alexander sets out to entertain us, and if he can enlighten us or provoke us to ponder important questions of responsibility and maturity along the ride, so much the better.But the entertainment, as always with Alexander, comes first. Theo, a "printer's devil", naively fails to consider how new regulations set forth by the Chief Minister of Westmark will affect him when, his master being out, he accepts a commission to print handbills for Count Las Bombas (a charming scalawag in the tradition of Fflewdur Fflam, but even more broadly drawn and a rogue to boot). As quickly as the reader can guess that this might be a Bad Idea, troops have smashed up the shop, and Theo is on the run, along with Las Bombas and Musket the Demon Coachman (am alarmingly competent dwarf who spends most of his life getting Las Bombas out of trouble). Things are Not Good in Westmark -- the King is terribly ill, the Crown Princess has vanished, and Chief Minister Cabbarus is gaining more and more control and becoming more and more authoritarian. In the course of his adventures in this book, Theo will meet Florian, a personally gentle and sardonic but politically ruthless intellectual who seeks to put his theories into practise as he leads his "children" to establish an egalitarian Republic. Also along for the trip is the beggar girl Mickle, who joins Theo, Las Bombas and Musket as they travel the countryside as a medicine show, and with whom Theo discovers he is falling in love before he even realises that love is what he is falling into. As always, Alexander puts his young hero on the spot; he must decide what is "right" and do it, even though there appear to be more than one possible courses that appear "right". Prop up the Monarchy? Join Florian's Republicans? Just hide his head and hope It All Goes Away? By the end of the book, it appears that all is set right, the evil Chief Minister banished and Theo and Mickle headed for Happy Ever After. Of course, this is the first book of a trilogy...
10 of 11 people found the following review helpful:
4.0 out of 5 stars
History and ethics,
This review is from: Westmark (The Westmark Trilogy) (Mass Market Paperback)
Lloyd Alexander strays from his more popular fantasy adventures into a historical drama, with tinges of political thriller and, of course, a subtle coming-of-age for several characters.Theo is a "printer's devil," the assistant to a small printer in the fictional country of Westmark; Westmark is becoming increasingly dictatorial, since the mysterious death of the young princess drove the king into depression and illness. Now the power-hungry first minister Cabbarus uses the king as a puppet. None of this is relevent to Theo until soldiers destroy the press, and he becomes a fugitive from the law. He flees and accompanies Count Las Bombas and Musket, a jolly charlatan and a formidable dwarf. They are rapidly joined by Mickle, a talented street urchin whom Theo develops feelings for. But he can't bear the dishonesty of a charlatan's lifestyle, and so flees into a group of revolutionaries led by the charming Florian. Together, they will have face the treacherous Cabbarus, and the mysteries of the past. Westmark is a good book, with a plausible set-up, an intriguing hero and supporting characters, and a series of moral questions that are brought up in a thought-provoking manner. Is it acceptable to steal and lie if it will result in something good, or if the person being lied to or robbed is evil himself? Theo wrestles with these questions over the course of the book, and raises them for the readers as well. The conscientious and endearing hero Theo is surrounded by a colorful cast. There is the bright, mysterious urchin Mickle, pleasantly dishonest Las Bombas, fiery Musket, charming anti-monarchist Florian and his band of loyal "children," the grim Dr. Torrens who only wants to help his king, and the evil plotter Cabbarus. The main flaws is a sometimes meandering storyline, and a romance that seems to develop a little too quickly with too little personal interaction. In addition to this, I felt that the book could have benefited from a longer and more developed storyline; it rushed by too fast. However, Alexander's command of language and dialogue are as expert as ever, and some of his trademarked characters (the overserious adolescent hero, the sharp-tongued love interest, the eloquent charmer) are very much present. A good piece of historical fiction, and definitely one for adults and young adults who think.
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