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One of the most charming and critically acclaimed films of 2003, the New Zealand hit
Whale Rider effectively combines Maori tribal tradition with the timely "girl power" of a vibrant new millennium. Despite the discouragement of her gruff and disapproving grandfather (Rawiri Paratene), who nearly disowns her because she is female and therefore traditionally disqualified from tribal leadership, 12-year-old Pai (Keisha Castle-Hughes) is convinced that she
is a tribal leader, and sets about to prove it. Rather than inflate this story (from a
novel by Witi Ihimaera) with artificial sentiment, writer-director Niki Caro develops very real and turbulent family relationships, intimate and yet torn by a collision between stubborn tradition and changing attitudes. The mythic whale rider--the ultimate symbol of Maori connection to nature--is also the harbinger of Pai's destiny, and the appealing Castle-Hughes gives a luminous, astonishingly powerful performance that won't leave a dry eye in the house. With its fresh take on a familiar tale,
Whale Rider is definitely one from the heart.
--Jeff Shannon
The lush landscape of New Zealand is majestically filmed in the writer-director Niki Caro's drama about a young girl (a radiant Keisha Castle-Hughes) who must persuade her Maori tribe that she was born to be their leader. It's an empowerment fable, but done with disarming subtlety. Caro's film avoids the mawkish and saccharine pitfalls of these sorts of stories, winning over the audience instead with a surefooted and inspiring sense of tradition. -Bruce Diones
Copyright © 2006
The New Yorker