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What the Body Told
 
 
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What the Body Told [Paperback]

Rafael Campo (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

February 26, 1996
What the Body Told is the second book of poetry from Rafael Campo, a practicing physician, a gay Cuban American, and winner of the National Poetry Series 1993 Open Competition. Exploring the themes begun in his first book, The Other Man Was Me, Campo extends the search for identity into new realms of fantasy and physicality. He travels inwardly to the most intimate spaces of the imagination where sexuality and gender collide and where life crosses into death. Whether facing a frenetic hospital emergency room to assess a patient critically ill with AIDS, or breathing in the quiet of his mother’s closet, Campo proposes with these poems an alternative means of healing and exposes the extent to which words themselves may be the most vital working parts of our bodies. The secret truths in What the Body Told, as the title implies, are already within each of us; in these vivid and provocative poems, Rafael Campo gives them a voice.

Lost in the Hospital
It’s not that I don’t like the hospital.
Those small bouquets of flowers, pert and brave.
The smell of antiseptic cleansers.
The ill, so wistful in their rooms, so true.
My friend, the one who’s dying, took me out
To where the patients go to smoke, IV’s
And oxygen tanks attached to them—
A tiny patio for skeletons. We shared
A cigaratte, which was delicious but
Too brief. I held his hand; it felt
Like someone’s keys. How beautiful it was,
The sunlight pointing down at us, as if
We were important, full of life, unbound.
I wandered for a moment where his ribs
Had made a space for me, and there, beside
The thundering waterfall of is heart,
I rubbed my eyes and thought “I’m lost.”



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Editorial Reviews

Amazon.com Review

Rafael Campo skillfully plays the rules of formal poetry against themselves in his second book of poetry, the Lambda Award-winning What the Body Told. In these intense poems, the body tells its story of loneliness and perseverance in an unwavering voice. One might expect the confessional poetry of a gay Cuban American poet to strike out in an expansive, perhaps enthusiastic mode, but Campo discovers in the sonnet plenty of room to explore questions of sexual, cultural, and professional identity. Five sonnet sequences--"Canciones de la Vida," "Canciones de la Muerte," and "Ten Patients, and Another"--form the heart of the book. These recall and try to answer each other's agonizing investigations into AIDS, desire, and the ironic distance between doctor and patient. Although the speaker is generally involved in the dramatic situation, he tends to speak as an observer, limning the assumptions below the surface and exploding them with fury. In other parts of the book, Campo synthesizes two traditions of formal poetry--the elegiac and the erotic--to create a third in such poems as "Before Safe Sex," "The 10,000th AIDS Death in San Francisco," and "Men Get the Shaft." These moving and vivid poems allow the reader to grieve for AIDS victims while simultaneously considering what it means to be healed. Despite Campo's day job--Assistant Professor of Medicine at Harvard Medical School--he refuses in his poems to play the healer; his evocative diagnoses, however, prescribe a schedule of gentleness, understanding, and rigor to make it through this life.

Review

“Campo is one of the most attractive, interesting and—I can think of no better word—valuable poets of his generation. The news he has to tell is the news we need, and his talent, happily, is equal to his message.”—Richard Howard


“Campo’s background and concerns—he writes out of his identity and experience as a gay Cuban-American physician—make for a rich field of investigations, and his best work is both passionate and formally accomplished. What the Body Told dives into the difficult, necessary territory of physical love, desire, contagion, illness; such poems are essential to our moment. We need them.”—Mark Doty


“Rafael Campo is one of the most gifted and accomplished younger poets writing in English. More than that, he is a writer engaged in several of the pivotal struggles/issues of our era, and what he has to say about them is ‘news that stays news.’”—Marilyn Hacker

Product Details

  • Paperback: 136 pages
  • Publisher: Duke University Press Books; First Edition, edition (February 26, 1996)
  • Language: English
  • ISBN-10: 0822317427
  • ISBN-13: 978-0822317425
  • Product Dimensions: 8.9 x 5.8 x 0.5 inches
  • Shipping Weight: 7.7 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #257,101 in Books (See Top 100 in Books)

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4 of 5 people found the following review helpful:
4.0 out of 5 stars Powerful songs of suffering, April 23, 1997
By A Customer
This review is from: What the Body Told (Paperback)
The poems in this collection are powerful and intimate. Although the organization of the book could be tighter, Compo's poem address the devastating effects of AIDS and cancer on patients. Compo brings the reader into the world of the sick and reminds me that beyong our own fear of cancer and AIDS is the power of empathy. When Compo shows me the raw emotions of an woman on the edge of death, I am reminded of life and what it means to live
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