Customer Reviews

What Charlie Heard

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"Charles Ives was born with his ears wide open. The very first sound he heard might have been his father's trumpet announcing his birth to the town of Danbury, Connecticut." During his life, no matter where he was or what he was doing, Charlie heard the wonder of music in the everyday sounds around him. It could be the rustle of his mother's dress, the tick of a clock, the hooves of horses clip-clopping down the street, or the ice cream man's bell. Charlie heard music in a bat hitting a baseball, the rumble of thunder, the applause and cheers of a crowd, and a train's bell and whistle. As he got older, Charlie wrote "music about things he'd heard or seen, or feelings he had. But sometimes it was just to hear how different notes would sound together." Charlie grew up, graduated from college, got married, and started a successful insurance company. But he never stopped writing his music. "It was a new kind of music. It didn't have to be pretty, it had to be true to his feelings... But most people didn't know how to listen to it. Some thought it was a joke. Others just heard noise and got angry." Finally, when Charles Ives was very old, musicians began to play and perform his music, and people began to hear what Charlie heard. "Maybe, if you open your ears like Charlie, you can hear the beautiful, funny, sad, joyous, amazing music he heard..." Mordecai Gerstein has written a spectacular introductory biography that really captures the essence of Charles Ives and his music. His simple, straightforward text is both engaging and informative. But it's Mr Gerstein's creative and inventive artwork that really makes this book stand out and sparkle. His busy and detailed illustrations are packed with sound effects, swirling around the pages, in all shapes, sizes, and colors. The visual becomes the audible, and readers will begin to "hear" the magic of music in the world around them, just like Charlie. Perfect for youngsters 8-12, What Charlie Heard is a marvelous, evocative story about an extraordinary composer, the entire family can savor, share, and enjoy together. And once you've finished reading, it's time to listen to some of Charles Ives' music, so that you can hear what Charlie heard.

This a great book filled with lot's of noise but if you open your ears lide Charlie did you'll hear not only noise but music.
Charlie Ive's is a boy who hears everything as music wether it's the sirens of a firetruck driving by or the drip drop of rain on the ground. Charlie loved music and so did his father his father was a conducter when he would conduct a band Charlie would make noise. charlie grew up and wrote his own music. When charlie would play it some people got mad and said this is not music this is noise. Charlie would say if you open your ears you will hear what I hear.
I'm not going to spoil the rest of the book for you. But maybe if you open your ears you'll hear what Charlie heard, not noise, but music.

I once heard an organist describe Charles Ives "America" in this way--a small town on the Fourth of July, where every band wants to perform in the parade, so they all agree to play the one song they know: 'America.' But they all play it differently. Ives's arrangment depicts the infinite complexity of all the bands' variations. This book not only show where he might have gotten an inspiration for this piece, but for all his other music also.
However, I think the most eloquent illustration is what Charlie heard when he got the news that his father had died. The depiction of total silence is a stark and effective contrast to the cacaphony of the rest of the book. This book can be used to introduce Ives' music to those unfamiliar with it, to explain it to those who don't understand it, or to increase the enjoyment of someone who already appreciates it.

(sung to the melody of "If I were a rich man...")

Why, I'd be reading him this splendid illustrated children's book!

What on earth is an heirless geezer like me doing, reviewing a children's book? Well, that's a reasonable question. The only sensible answer that I can come up with is that I'm simply somewhere in the middle of my second childhood, "up to my eyeballs in Ives."

Mordicai Gerstein prefaces this enjoyable children's book with the statement "Everything I know about Charles Ives I learned from listening to his music, and from my dear friend, Jan Swafford, whose epic biography, 'Charles Ives: A Life with Music,' was the main source and inspiration for this book." And so it is that Jan Swafford has also been the main source and inspiration for my own second childhood with Charlie Ives. I can actually date my "second childhood" study of the life and music of Charlie to the time I was reading a borrowed copy of his Ives biography while awaiting my own copy.

The narrative text of "What Charlie Heard" (all accurate, and admirably complete, by the way) is quite brief; probably not much more than a few hundred words in total. (While no expert on the matter, I believe that the narrative can be read by a child of 7 or 8. In fact, I provided a copy of this book to a friend's son for his 8th birthday. But I wouldn't consider him "average" by any definition; very precocious would be more like it. Hopefully he didn't find it to be boring.)

Is it possible that a book so brief in its narrative text can actually "tell" the story about Charlie Ives and his life with music, with all of its "ups" and "downs"? Sure it can! All one needs to do is to pay heed to the remarkable illustrations, and to take the time necessary for pulling out all of the clues hidden in these illustrations. And, while it isn't necessarily possible to figure out from the narrative and the illustrations just what Charlie Ives's music sounds like, the youthful reader should certainly come away with the expectation that the music sounds "different," given how it was that pretty much everything in Charlie's life and environment found its way into his music in one form or another. And that may be "half the battle," as they say, toward an early appreciation of America's greatest composer.

I know-rather directly-that Jan Swafford admires Mordicai Gerstein's book on Ives as much as Gerstein admires Swafford's. So I just had to take a look at it. (I never did have an opportunity to see the earlier copy that had been a birthday present; it was a "drop ship.") Now I've got my own copy, I've seen and read it, and I'm impressed. But what next?

Well, given the circumstances, perhaps I'll just read this really neat book to my cat. He's about the right age in "human years": between 7 and 8 as I write this. And he's listened to Charlie's music along with me, without raising a noticeable fuss.

And his name happens to be Charlie. And, no, it's no accident. :-)

Bob Zeidler

Somewhere I read that poetry gives you goosebumps, and that is what I got when I read this stunning book about Charles Ives. It is simple but dead on, fascinating, intriguing, and made me want to get some Charles Ives recordings immediately. I cannot imagine that many children will not be equally affected.

BONG! KABLAM! squeak. Tick-Tock. Splash. VROOM! Does this sound like music to you? Maybe your ears aren't wide open like Charlie's were. He was born that way.

Charlie Ives was a famous music composer. His talent came from his father who played a trumpet out the window just to announce Charlie's birth. Charlie experimented with mixing noises to make a different kind of music. When he was a little boy, he played the piano to make the sounds of a huge thunderstorm. After he grew up, he tried to make his music sound like the noises he heard all around him. He thought his music was wonderful but other people despised it and thought it was weird. We listened to it and found it to be inspiring.

Read this book to learn more about a man who didn't let other people change his mind about his music. Recommended for music lovers of all ages who understand that ruckus can be musical and who would be happy with wide open ears like Charlie's.

This is a very well-told story about the life of Charles Ives, composer of music that many would call cacophonous. Mordicai Gerstein, the author, shows us that to Charlie music was all the sounds he heard, all at once. The entire world, all one's experiences, everything at the center or periphery of one's life, all of this Charlie heard. I like the way the story is told, with great understanding and sympathy and insight. Much as I like the story and the way it's told, I find the illustrations difficult to look at: my eye can't settle on any part of them.

I bought this book four years ago for my new-born granddaughter on the strength of the review of my Amazon friend and Ives scholar, the late Bob Zeidler. Through moves and the intervening few years, My daughter and her husband kept the book. On a recent visit, this grandfather was surprised to learn that it had become a favorite. My graddaughter knows the story. "Who is that", I ask, pointing to a picture. "Charlie", she says. "And what's Charlie's wife's name?" "Harmony" she replies.

The great American composer, Charles Ives (1874 -- 1954) filled the air with what author Mordicai Gerstein calls that "mysterious, invisible, magical stuff -- music." I remember from my own childhood books on Mozart, Beethoven, Schubert, and the like. But a children's book on Charles Ives is a welcome rarity. Gerstein makes it succeed.

Ives was the son of a Civil War musician and band leader in Danbury, Connecticut. The precocious child absorbed his father's love for and wayward way with music -- the glorious noise -- as young Charlie used the piano, organ, and trumpet to capture the sounds and ideas that filled his life. Charlie attended Yale, married, and became a successful insurance executive. He kept composing increasingly audacious music, including songs, piano sonatas, violin sonatas,short orchestral pieces,and symphonies. But when his work was played, it was met with bewilderment and mockery. Ives stopped composing in mid-life. In his latter years, he saw his music attain recognition, as he received a Pulitzer Prize in 1947 for his Third Symphony. Gerstein's book recounts Charles Ives's reaction to the premiere of his Second Symphony in 1951, when the composer was 77. Many musicians began to champion other music of Ives, including his difficult "Concord" sonata for piano.

"If only they would open their ears they might open their hearts" Charlie says to Harmony in Gerstein's book. Gerstein captures the bravado and pace of early 20th Century America as well as the spirit of Ives's music, with its combination of American traditionalism and wild iconoclasm. Gerstein makes music a joyful experience. Gerstein captures the influence of revival meetings on young Charlie. "They didn't have beautiful voices, but they made beautiful music", is Gertstein's apt and important for young readers characterization of the influence of the hymn singing Charlie heard.

Gerstein based his book on Jan Swafford's biography of Charles Ives, "Charles Ives: A Life with Music" and on his own listening. A page at the end of the story offers a summary of Ives's work to parents who themselves might be encountering Ives for the first time in reading this book to a child. This book delightfully introduces young children to a great American composer. More importantly, it may help "open their ears and their hearts" to the world of music.

Robin Friedman

A glorious, exciting, stimulating perfect match of text and illustration, this book does what every non-fiction book should do and does it brilliantly. You will be looking to purchase recordings of the music of Charles Ives after you read this--and so will the kids with whom you share it. It intrigues you, stimulates you and delights you. What more could anyone want?