From Publishers Weekly
Apparently the outgrowth of a decades-old undergraduate thesis, this book is distinctly amateurish. Freelance writer Connor asserts that cool is "the new rules and new culture" for blacks who reject white America, and that it is also "perhaps the most important force in the life of a man in black America." She proceeds discursively through "Street Cool," the mechanism for survival in the inner city; "Revolutionary Cool," associated with the racial pride born in the 1960s; "Middle-Class Cool," which allows survival on white campuses and in white workplaces; and "Electronic Cool," as exemplified in the media. She observes, however, that cool has hampered relations between black men and black women, and she warns that the concept can be a limiting self-definition in a diverse world. Though this topic is worth exploring, the book lacks insights from anthropology, sociology or literature.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
" Cool" is an adjective used by most Americans to describe people, places, and things, especially clothes or the latest fad. When applied to young black males, the word takes on meanings far different than the definitions found in
Webster's. In
What Is Cool? Connor stresses that "cool" is largely an attitude supported by family, friends, and peers and that within those grouping it does not connote negative meanings. Connor delves into the phenomenon of "cool" by looking at its significance in the context of the black male's environment: "Street Cool," "Revolutionary Cool," "Middle-Class Cool," "Electronic Cool," and "Women and Cool." At the core of each description is an interpretation of the way the black male relates to his environment and struggles to exist in it. Ultimately, Connor suggests that "being cool" is synonymous with "being a man." An interesting reevaluation of an attitude and way of behaving that has been a part of black existence in the U.S. for many years and was thrust into American consciousness and myth during the development of jazz.
Lillian Lewis
--This text refers to an out of print or unavailable edition of this title.