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What-the-Dickens: The Story of a Rogue Tooth Fairy Hardcover – September 11, 2007


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Product Details

  • Age Range: 9 - 12 years
  • Grade Level: 4 - 7
  • Lexile Measure: 710L (What's this?)
  • Hardcover: 304 pages
  • Publisher: Candlewick (September 11, 2007)
  • Language: English
  • ISBN-10: 0763629618
  • ISBN-13: 978-0763629618
  • Product Dimensions: 6.6 x 1.2 x 8 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (91 customer reviews)
  • Amazon Best Sellers Rank: #422,731 in Books (See Top 100 in Books)

Editorial Reviews

Review

~TWILIGHT~

BY EVENING, WHEN THE WINDS ROSE yet again, the power began to stutter at half-strength, and the sirens to fail. From those streetlights whose bulbs hadn’t been stoned, a tea-colored dusk settled in uncertain tides. It fell on the dirty militias of pack dogs, all bullying and foaming against one another, and on the palm fronds twitching in the storm gutter, and on the abandoned cars, and everything — everything — was flattened, equalized in the gloom of half-light. Like the subjects in a browning photograph in some antique photo album, only these times weren’t antique. They
were now.

The air seemed both oily and dry. If you rubbed your fingers together, a miser imagining a coin, your fingers stuck slightly.

A fug of smoke lay on the slopes above the deserted freeway. It might have reminded neighbors of campfire hours, but there were few neighbors around to notice. Most of them had gotten out while they still could.

Dinah could feel that everything was different, without knowing how or why. She wasn’t old enough to add up this column of facts:
- power cuts
- the smell of wet earth: mudslide surgically opening the hills
- winds like Joshua’s army battering the walls of Jericho
- massed clouds with poisonous yellow edges
- the evacuation of the downslope neighbors, and the silence
and come up with a grown-up summary, like one or more of the following:
- the collapse of local government and services
- the collapse of public confidence, too
- state of emergency
- end of the world
- business as usual, just a variety of usual not usually seen.
After all, Dinah was only ten.

Ten, and in some ways, a youngish ten, because her family
lived remotely.

For one thing, they kept themselves apart — literally. The Ormsbys sequestered themselves in a scrappy bungalow perched at the uphill end of the canyon, where the unpaved county road petered out into ridge rubble and scrub pine.

The Ormsbys weren’t rural castaways nor survivalists — nothing like that. They were trying the experiment of living by gospel standards, and they hoped to be surer of their faith tomorrow than they’d been yesterday.

A decent task and, around here, a lonely one. The Ormsby family made its home a citadel against the alluring nearby world of the Internet, the malls, the cable networks, and other such temptations.

The Ormsby parents called these attractions slick. They sighed and worried: dangerous. They feared cunning snares and delusions. Dinah Ormsby wished she could study such matters close-up and decide for herself.

Dinah and her big brother, Zeke, were homeschooled. This, they were frequently reminded, kept them safe, made them strong, and preserved their goodness. Since most of the time they felt safe, strong, and good, they assumed the strategy was working.

But all kids possess a nervy ability to dismay their parents, and the kids of the Ormsby family were no exception. Dinah saw life as a series of miracles with a fervor that even her devout parents considered unseemly.

"No, Santa Claus has no website staffed by underground Nordic trolls. No, there is no flight school for the training of apprentice reindeer. No to Santa Claus, period," her mother always said. "Dinah, honey, don’t let your imagination run away with you." Exasperatedly: "Govern yourself!"

"Think things through," said her dad, ever the peacemaker. "Big heart, big faith: great. But make sure you have a big mind, too. Use the brain God gave you."

Dinah took no offense, and she did try to think things through. From the Ormsby’s bunker, high above the threat of contamination by modern life, she could still love the world. In a hundred ways, a new way every day. Even a crisis could prove thrilling as it unfolded:
- Where, for instance, had her secret downslope friends gone? Just imagining their adventures on the road — with their normal, middle-class
families — made Dinah happy. Or curious, anyway.
- For another instance: Just now, around the corner of the house, here comes the newcomer, Gage. A distant cousin of Dinah’s mom. A few
days ago he had arrived on the bus for a rare visit and, presto. When the problems began to multiply and the result was a disaster, Gage had
been right there, ready to help out as an emergency babysitter. Talk about timely — it was downright providential. How could you deny it?

Therefore, Dinah concluded,
- A storm is as good a setting for a miracle as any.

Of course, it would have been a little more miraculous if Gage had proven to be handy in a disaster, but Dinah wasn’t inclined to second-guess the hand of God. She would take any blessing that came along. Even if decent cousin Gage was a bit — she tried to face it, to use her good mind with honesty — ineffectual.

Hopeless at fixing anything. Clumsy with a screwdriver. Skittish with a used diaper. ("As a weather forecaster," Zeke mumbled to Dinah, "Gage is all wet: where is the clear sky, the sunlight he’s been promising?")

Yes, Gage Tavenner was a tangle of recklessly minor talents. Who needed a mandolin player when the electric power wouldn’t come on anymore?

But he was all they had, now. An adequate miracle so far.

"Zeke," Gage called, "get down from that shed roof ! Are you insane? We want another medical crisis?"

"I was trying to see where the power line was down. . . ."

"And fry yourself in the process? Power is out all over the county. Up there, if the winds get much stronger, you’ll be flown to your next destination without the benefit of an airplane. Down. Now. . . . "

***************
WHAT-THE-DICKENS by Gregory Maguire. Copyright (c) 2007 by Gregory Maguire. Published by Candlewick Press, Inc., Cambridge, MA.

About the Author

Gregory Maguire is the author of more than a dozen novels for children as well as four adult novels, including WICKED: THE LIFE AND TIMES OF THE WICKED WITCH OF THE WEST, which was made into a hit Broadway musical. He lives outside Boston, Massachusetts.

More About the Author

Gregory Maguire received his Ph.D. in English and American Literature from Tufts University, and his B.A. from the State University of New York at Albany. He was a professor and co-director at the Simmons College Center for the Study of Children's Literature from 1979-1985. In 1987 he co-founded Children's Literature New England. He still serves as co-director of CLNE, although that organization has announced its intention to close after its 2006 institute.
The bestselling author of Confessions of an Ugly Stepsister, Lost, Mirror Mirror, and the Wicked Years, a series that includes Wicked, Son of a Witch, and A Lion Among Men. Wicked, now a beloved classic, is the basis for the Tony Award-winning Broadway musical of the same name. Maguire has lectured on art, literature, and culture both at home and abroad.
He has three adopted children and is married to painter Andy Newman. He lives with his family near Boston, Massachusetts.

Customer Reviews

All in all, the story did not feel like one burning to be told (from inspiration).
K. Sullivan
This book kept me rather engaged, and I felt as though I could vividly imagine the unique world he created, but I felt as though the ending was lacking.
AEGen
I would recommend the book to most readers, though it would probably be scary to some younger readers.
mercuryval

Most Helpful Customer Reviews

51 of 55 people found the following review helpful By J. Musser on September 24, 2007
Format: Hardcover Verified Purchase
I recently recieved this book for my birthday, and I love it! Its not your everyday fairy tale, centering around a princess with a happily ever after, instead we find ourselves in the world of skibereen and their extremely odd society. Our main character, What-The-Dickens, turns one little skibereen colony upside down, while having quite an adventure. You'll find yourself laughing in parts, and contemplating society in others.

I've read most of Maguires books, and this is by far my favorite. While I feel he starts off with a great story, it often fizzles towards the end as if he isnt sure where to go with it. That was not the case with What-the-Dickens, and I think I loved the ending best of all.

So I say read it, you'll probably enjoy it. If you don't, that's ok, but don't be surprised to find something that looks a bit like a moth-or is it a dead leaf?-on your bed post one night asking "why not?" ;).
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29 of 33 people found the following review helpful By K. Sullivan VINE VOICE on October 24, 2008
Format: Paperback Verified Purchase
I am a fan of Maguire's writing, both his adult and children's fiction. His re-imagined fairy tales like "Wicked" and "Mirror, Mirror" are clever, well-crafted and entertaining. I also enjoyed his "Hamlet Chronicles" which I found to be witty and fun (particularly as the series progressed). But "What-the-Dickens", though displaying his wonderful artistry with words, was a real chore for me to get through.

Concisely, we have a story within a story. A few children are stranded at home looked after by their young adult cousin in the midst of a terrible storm. Their cousin seeks to distract them by telling the story of a fairy-like people called skibbereen who after arriving to our world became the tooth-fairy. He focuses on a young skibberee named What-the-Dickens whose experiences seem uniquely well-suited to drum some lessons into the lives of the real-life youngsters.

Neither the real-life characters nor the fairy tale characters impressed me as sympathetic. For the youngsters caught in the storm, their plight does not seem real. We are told about the terrible storm and danger but it never feels real. Additionally, they are perceived as being in their predicament in part because they have tried to separate from the world for religious reasons. Their parents have chosen for them a life eschewing the world and its trappings. This is not an overly-sympathetic world view to which one easily relates. Additionally, this then makes the story of the skibbereen who are also wary of outsiders and foreign world views a problematic story. It appears the cousin is blatantly contradicting the will of the children's parents. Maybe it is for their own good, but it feels uncomfortable and underhanded nonetheless.
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14 of 16 people found the following review helpful By Chris VINE VOICE on December 3, 2008
Format: Hardcover
First, let me re-acknowledge that Maguire is not for everyone. This book continues that trend.

The overall concept sounds fairly airy and fun but at its heart, it's a lot darker than you might imagine.

There are two story threads going on throughout the novel and each one is very intriguing. The threads sometimes intertwine and even when they don't directly touch, you find yourself wondering about the balance between the two.

The story arc of the fairy creatures is highly imaginative and really a lot of fun. The reader is placed directly alongside other characters in the novel who are "hearing" the fairy tale at the same time that we're reading it. This juxtaposition of character and reader truly helps bring the reader into the second story arc and relate to the turmoil going on.

The second story arc, that of the children in the midst of a violent storm, is not entirely spelled out and leaves a lot to the reader's insight and imagination. I really enjoyed this aspect of the novel...the fact that Maguire trusts his readers to be smart enough to read between the line and to develop the characters and situations of the "real world" rather than rely on him to spell out every little detail.

The themes of hope, imagination and a world spoiled by adult influence are all presented very well. But it never feels like Maguire is preaching to us or standing on a soap box condemning the adults and unimaginative pessimists of the world. Rather, he is exploring the hopes and dreams of children even within bleak circumstances.

This isn't a fairy tale you should read when you're looking for a pick-me-up, but it's definitely something I'd recommend to those looking for a thought provoking story and entertaining writing.
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6 of 6 people found the following review helpful By Stacey @ The Scenic Life VINE VOICE on November 3, 2008
Format: Hardcover
The book cover gives us the story's setting: it's a wild, stormy night. The house perched precariously on the valley's edge shelters three young children and their 20-something cousin. The children's parents have left under somewhat mysterious circumstances, the entire area has evacuated, the power is out, there is no food. How to pass the time, calm the nerves, weather the storm? The cousin begins a story. HIS story, apparently, and the story of What-the-Dickens.

Turns out What-the-Dickens is a tooth fairy - orphaned and born in a tuna can, he doesn't know what he really is until he stumbles upon another fairy at work (Pepper). He is then introduced to the fairy world, its rules and customs and beliefs. He tries to figure out how and where he fits in, while growing closer and more loyal to Pepper. The story is told in fits and starts as we also learn about the condition of the children and the status of the storm.

I think What-the Dickens can be read two ways: as a straight-across fairy tale aimed at mainly 5th-8th graders. Or it can be read with more adult undertones of religious and political themes. There is some discussion of faith, purpose, and sacrifice. And war, aggression, and territory. I wouldn't say there is enough fodder for philosophical debates or personal paradigm shifts, but there is a little meat to gnaw off the bone.

Maguire's talent with words does not disappoint, and the character of What-the-Dickens is a wonderfully complicated little skibbereen (the technical term for "tooth fairy"). He is at times simple, and yet honest and full of heart. If I'm being honest, I'll have to say that I cared more about the fate of the little sprite than I did about those stuck in the storm.
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