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More About the Author
Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays have been premiered by the Royal Court Theatre, Lincoln Center Theater, Manhattan Theatre Club, Playwrights Horizons, the Vineyard Theatre, South Coast Rep, and Soho Theatre, and later seen regionally in the United States and around the world.
He is the winner of an OBIE in Playwriting (2004-2005) and a Guggenheim Fellowship in Playwriting (2005), was a Pulitzer Prize finalist (2008), was shortlisted for the Evening Standard Theatre Award for Best Play (2008), and has also been nominated for an Olivier Award for Most Promising Playwright (2003), a TMA Award for Best New Play (2006), a Lucille Lortel Award for Outstanding Play (2007), and a South Bank Show Award for Theatre (2009).
In 2009, his adaptation of Hedda Gabler premiered on Broadway at the Roundabout (American Airlines Theatre) and he has also written short plays for Naked Angels, the 24 Hour Plays, and the New York International Fringe Festival (2002 winner, Best Overall Production).
He has received grants from the NEA/TCG Residency Program and the Peter S. Reed Foundation, and he is a recipient of the Robert S. Chesley Award. His plays are published in collections from TCG and A&C Black, and in acting editions from Dramatists Play Service and Playscripts.
He teaches playwriting at the New School for Drama.
He is the winner of an OBIE in Playwriting (2004-2005) and a Guggenheim Fellowship in Playwriting (2005), was a Pulitzer Prize finalist (2008), was shortlisted for the Evening Standard Theatre Award for Best Play (2008), and has also been nominated for an Olivier Award for Most Promising Playwright (2003), a TMA Award for Best New Play (2006), a Lucille Lortel Award for Outstanding Play (2007), and a South Bank Show Award for Theatre (2009).
In 2009, his adaptation of Hedda Gabler premiered on Broadway at the Roundabout (American Airlines Theatre) and he has also written short plays for Naked Angels, the 24 Hour Plays, and the New York International Fringe Festival (2002 winner, Best Overall Production).
He has received grants from the NEA/TCG Residency Program and the Peter S. Reed Foundation, and he is a recipient of the Robert S. Chesley Award. His plays are published in collections from TCG and A&C Black, and in acting editions from Dramatists Play Service and Playscripts.
He teaches playwriting at the New School for Drama.
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