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What I Had Was Singing: The Story of Marian Anderson (Trailblazer Biographies)
 
 
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What I Had Was Singing: The Story of Marian Anderson (Trailblazer Biographies) [Hardcover]

Jeri Ferris (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Editorial Reviews

From Booklist

Gr. 3-6. With a dignity well suited to the subject, this simply written biography presents the basic facts and humanizing details of Marian Anderson's life. Beginning with the singer's turn-of-the-century childhood, Ferris discusses the great contralto's early church-sponsored music lessons in Philadelphia, her triumphs in Europe, and the groundbreaking performance at the Lincoln Memorial in 1939, as well as her watershed appearances at the Metropolitan Opera during the 1950s. While emphasizing Anderson's pioneering role in breaking down racial barriers, this profile is also important for showing how the hardworking artist never took her prodigious talent for granted. While it may be unfair to criticize a book for what it is not, it still would have been interesting to learn how Anderson's relationship with her maternal Jewish grandfather and her part Native American grandmother influenced her own racial attitudes. A handful of relevant endnotes, a good selection of black-and-white photographs, and a bibliography are appended. Julie Corsaro

From Kirkus Reviews

The African-American whose career precipitated several watershed events in the civil rights movement is eloquently portrayed in a Trailblazer biography. The first to appear for young people since the singer's death, it updates and corrects such older books as Ann Tedards's Marian Anderson (1988) with a recently discovered birth date (1897, not 1903) and a more accurate description of the opening moments of the famous Lincoln Memorial concert on Easter Sunday, 1939. With many anecdotes from the singer's own recollections, meticulously researched, and told in moving but unsentimental prose, the narrative is augmented by high-quality, captioned photos. The pain of prejudice and disgrace of Jim Crow laws are contrasted with the tolerance Anderson experienced on two visits to Europe. Personal defeats, particularly a disastrous Town Hall concert in NYC early in her career, are described in the context of their importance to her character development and stand as an inspiration to readers. Notes; bibliography; index. (Biography. 9-11) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Product Details

  • Reading level: Ages 10 and up
  • Hardcover: 112 pages
  • Publisher: Carolrhoda Books (October 1994)
  • Language: English
  • ISBN-10: 0876148186
  • ISBN-13: 978-0876148181
  • Product Dimensions: 9.3 x 7.2 x 0.5 inches
  • Shipping Weight: 15.7 ounces
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,897,294 in Books (See Top 100 in Books)

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3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Warm and Factual Story of a Great Singer, May 31, 2000
By A Customer
This review is from: What I Had Was Singing: The Story of Marian Anderson (Trailblazer Biographies) (Hardcover)
The life of Marian Anderson, the first African-American to sing solo at the Met, is depicted in this book in a warm and factual manner. Jeri Ferris provides a biography of Marian Anderson from from childhood to the end of her life with facts, warmth and seriousness. This book will provide young readers with a bibliograpy they can enjoy.
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4.0 out of 5 stars Courtesy of Teens Read Too, September 3, 2009
Marian Anderson is an inspiration to all, black and white alike. Born in 1897 Philadelphia, from an early age all Marian wanted to do was sing. By the age of thirteen, Marian was singing in the adult choir at the Union Baptist Church. The Church readily knew her talent and advertised her participation in various concerts.

As Marian grew, she knew that singing was what she wanted to do for the rest of her life. Marian studied with various music coaches, each time branching out to improve her abilities. When she decided she wanted to continue with her musical education, she was surprised to find that her skin color prevented her from attending a music school in the city. But she remained determined.

When she was twenty-seven, Marian decided to invest her money and attempt a concert in New York City's Town Hall. The show was minimally attended and her attempts at singing in German brought her less-than-desirable reviews. After a brief period of not singing, Marian had to give in and continue with her lifelong dream.

With travels to Europe and efforts to increase her language skills, Marian proved to the world, and more importantly the American people, that skin color made no difference. Ultimately, it was her singing that proved to America that she was just as good as any white person, and possibly better. Quoting Arturo Toscanini: "Yours is a voice such as one hears once in a hundred years."

Ms. Ferris writes a wonderful portrait of a very inspiring lady. Marian struggled to achieve everything she dreamed of. But perseverance paid off, and Marian Anderson led the way for many talented African American female singers in the years that followed.

Reviewed by: Jaglvr
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Inside This Book (learn more)
First Sentence:
"Nobody sees it," Marian Anderson said, "but it's there and you can feel it." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
classical singer, voice teacher
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Marian Anderson, Jim Crow, United States, Easter Sunday, Metropolitan Opera, Town Hall, Roland Hayes, South Philadelphia, Constitution Hall, Grandmother Anderson, Union Baptist Church, Billy King, Herr Raucheisen, Kosti Vehanen, Lincoln Memorial, Sol Hurok, African Americans, Franz Rupp, Orpheus Fisher
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