From School Library Journal
Grade 9 Up—An account of an accident unfolds slowly, in lyrical prose, from the voice of an unnamed narrator. As one of four boys in a car that runs down a pedestrian late one snowy night after a party, the 16-year-old makes observations that are erratic and clouded, not only by his own drunkenness, but also by the troubled teen's somewhat skewed view of the world. The driver, Duane, an arrogant rich kid, is a teammate and nemesis of the narrator's older brother. Kyle is dating Duane's sister Emily and the brothers also learn that Duane's father was once in love with their own dead mother and hated their absentee father. The hit-and-run incident fuels antagonism between the families, as Kyle wants to do the right thing by going to the authorities and Duane's father wants to use his wealth and influence to cover it up. The stream-of-consciousness writing style somehow diffuses the power of the accident and a gun-wielding showdown at Duane's house but draws empathy for the narrator's heartbreak over his mother's death, father's abandonment, and a secret crush on Emily. His thoughts are fluid and woven together, offering alternate scenarios that suit his own needs and imagination, such as one in which his father shows up at a basketball game. While Duane and his father get their just deserts, the more satisfying ending is the poetical narrator coming to terms with his past and looking to a brighter future.—
Vicki Reutter, Cazenovia High School, NY Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* "Believe, believe," the unnamed young narrator of this extraordinary first novel tells himself. But in what? His mother is dead, his father has abandoned both him and his older brother, Kyle, and now the two have been involved, as passengers, in a hit-and-run accident. Should they go to the police? Or should they obey the wealthy father of the boy who was driving and remain silent? Peter Johnson, an award-winning poet, writes with unusual grace and tenderness about kids who are troubled--and occasionally baffled--by the necessity of moral choice when their lives seem to be nothing but a "combination of catastrophes and dumb decisions." No wonder the narrator is afraid, despite the meds he must take, and frustrated by his search for meaning and something to believe in. The voice that Johnson has given this boy--also a poet--is breathtakingly good, each word conspiring with every other word to create an irresistibly seductive tone that is a haunting combination of sadness and fragile hope. Fans of Robert Cormier will welcome this similarly satisfying invitation to reflect on religion, reality, and reasons for getting out of bed in the morning.
Michael CartCopyright © American Library Association. All rights reserved