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Most Helpful Customer Reviews
25 of 26 people found the following review helpful:
5.0 out of 5 stars
Best of 2005,
By
This review is from: What Now? (Audio CD)
This isn't a live album. It was recorded over two days in Sear Sound Studio in New York, without any overdubs. The program is comprised of Wheeler originals -- and just for the record, the band is Wheeler (flugelhorn), Chris Potter (tenor saxophone), John Taylor (piano), and Dave Holland (bass).
It's still early, but I'll climb out on a limb. I think Down Beat is going to give this CD five stars. I'll bet money it's going to make most critics' Best of 2005 lists. It's far and away the best CD I've heard this year. If you like jazz, you need this CD. There are a couple of ways to view the background of this session. Wheeler and Taylor released a duet CD on CAM Jazz earlier this year. But I expect a more common comparison will be to 1997's "Angel Song," which has proven Wheeler's most popular record. "Angel Song" deserved every bit of acclaim it received, and "What Now" is a worthy successor. If you like one, you'll like the other. And I can't imagine anyone not liking both. Jazz is often described as conversation. This quartet proves that metaphor beyond any doubt. The first thing that struck me about this CD was how intently these guys listen to each other. I've never heard more fluid interplay. And Wheeler's tunes are perfectly suited to this dynamic, blurring the line between composition and improvisation. I've heard a hundred all-star albums pairing first-rate musicians. Sometimes it works. Often it doesn't. But every once in awhile you strike something special, a chemistry that can only be described as magical. That's what happened here. It's so good, you almost don't want them to record a follow-up for fear it would disappoint. Music like this doesn't come along often. Cherish it.
15 of 15 people found the following review helpful:
5.0 out of 5 stars
Great Album,
By Mower B. Yard (Iowa City, IA) - See all my reviews
This review is from: What Now? (Audio CD)
Best Kenny Wheeler Album in two decades, probably since Widow In The Window. And the best recorded ever (James Farber, ladies and gentlemen). How many different albums has Chris Potter been on now where he sounds great and totally different? Even from track to track, he makes you go who is this guy again?
Jazz albums without drums can be real same-y after awhile, even Kenny's haven't been too hot (Angel Song for instance, nice but overrated). Not this one. Dave Holland picks you up by your seat and only lets you off into the cotton wrapped bronze that are the hands of John Taylor. Kenny has never sounded stronger and the tunes have that wistful bite of the ECM material, but with a real coppery shine. Yes, reverb, but less so. Never heard of CAMJazz before, but they have an interesting catalog. Highly recommended after just three listens. 5 Berets. Plus track 1 is named "Iowa City".
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Fresh and breezy!,
By Olukayode Balogun (Leeds, England) - See all my reviews
This review is from: What Now? (Audio CD)
I agree with the other reviewers of this album, on the whole. This is a fresh and breezy set of well crafted and skilfully executed songs. The magic is in the interplay between Kenny Wheeler and Chris Potter (on flugelhorn and tenor sax respectively) but that's to take nothing away from either John Taylor on piano or Dave Holland on double bass. Their accompaniment as a rythm section (there is no drummer on this album) and their solos are just as integral to the overall enjoyment of the album as those from the two leads.
A great modern jazz CD, especially considering it was recorded live in the studio, with no overdubs. Wheeler wrote the entire album and while there's not a dud to be found, I do have my favourite songs: "Iowa City" opens the set, "The Lover Mourns", as the title suggests, is a gloriously sad ballad and "Verona" is so engaging, you don't even notice that it's nine and a half minutes long. But trust me; every song on here is great.
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